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CHRISTIAN HIP-HOP ARTIST RHYAN LAMARR RELEASES 'RELIEF'....

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Christian hip-hop artist Rhyan LaMarr has released the new single, ‘Relief’.

"RELIEF" was written by Rhyan LaMarr and produced by Mod G.Jack Red & Rhyan LaMarr. The inspirational Hip-hop single features Rhyan LaMarr alongside CanonJohn Giveznobigdyl.Kris NoelByron Juaneand Jack Red and is lifted from Rhyan's upcoming debut album, "Red Guerrilla Entertainment Presents

Rhyan Lamarr's: aPERFECTmess (Volume1)", is available now on all streaming platforms, via the Empire/RMG Amplify label imprint.

The powerful "RELIEF" music video was directed and conceptualized by Rhyan LaMarr.

The "Relief" visuals just made its world premiere on BET Jams this past weekend and is coming following the critically-acclaimed recently released and (in-real-time) music video for "Fight Another Day".

"RELIEF was inspired by the message of testifying through transparency," mentions Rhyan. "Together these artists each bring their challenges to light, lifting each other up. Humbly, they profess Jesus Christ as their one true RELIEF and cure during their darkest of times," he adds.

Rhyan shares, "When shooting this video, all we wanted to do was join forces and bring light to this powerful message, but never in a million years, did we think that a week after shooting the video in Los Angeles, that the nation and the world be "sheltered in place", due to a pandemic. And to think that this song was created after the album was already completed, is an extra enforcement in the message of the song... all of us uniting as one."

The Chicago native, readies the release of his debut musical project, "Red Guerrilla Entertainment PresentsRhyan LaMarr's: aPERFECTmess (Volume1)". The inspirational and thought-provoking album features appearances by Charlamagne the GodSway, Jonathan McreynoldsTwistaSocial Club MisfitsDon BenjaminCanon1K PhewDestorm PowerDa Brat and more.

Look for more info on this release here at U.G. Digital Magazine in the coming weeks!

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ABOUT RHYAN LAMARR

A true renaissance man. That’s what Rhyan LaMarr proves with the release of his debut musical project, aPERFECTmess. The Chicago-based artist taps into his first love of music to tell his life story through 20 tracks bringing together a list of who’s who in the industry. A cross between DJ Khaled-esque curation and Quincy Jones-like craftsmanship, the album unites voices from across genres and regions, including skits from radio personalities Sway and Charlamagne Tha Godto tell LaMarr’s story of hope and perseverance. aPERFECTmess holds dual meaning to describe the mashup nature of the music and LaMarr’s personal journey enduring homelessness on his way toward establishing himself as a reputable filmmaker.

Lead single “Stayed Down” enlists 1K PhewSocial Club MisfitsJack RedMico Wave and Chi-Town legend Twista for an epic posse cut. “The Remedy” brings listeners a reflective note with Jonathan Mcreynolds and Jack Red as LaMarr expresses gratitude for the light he found when he was at his darkest point.

It took me my whole life to make one album, but this album is my whole life,” he shares of aPERFECTmess.

Canal Street the film was released in 2019 and was LaMarr’s big break as a producer/director/screenwriter that gave him confidence to continue pursuing his artistry. It allowed him to travel across the country to share his story and build his own entertainment production company Red Guerilla Entertainment with fellow business partner Bishop Eric D. Garnes. After doing projects with late comedian Bernie Mac, Grammy-winning musician Common and Academy Award-winner George Clooney. He’s come a long way from having nothing but a pen and notepad.

LaMarr isn’t reinventing the wheel by combining his love of music and film. He’s following in the footsteps of Kanye WestPharrellJohn Legend and 50 Cent by taking ownership of his craft and putting in his own spin of positivity.

Acclaimed Hip Hop Artist M.O. Littles releases "Hands Down"

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March 21st, 2020- Toronto, ON - M.O Littles, award-winning Hip-Hop artist releases his new single “Hands Down” fest. Merkules &. Tek Luciano, March 20.   Littles is known for is authenticity, edge and respect for the Hip Hop genre’.  The passionate artist brings his all to award winning music videos, US & European concerts and collaborations with artists, including Dru and Rich Kidd.  Having sold thousands of albums, the multi- talented artist continues to up his game, writing the theme song for reality TV show, Fashion Hero and the team anthem for the Canadian National Basketball team, Sudbury 5.   Littles’ is acutely aware of the responsibility that comes with his journey and that a seat at the Hip Hop table is never given but earned.  Critics and fans agree, M.O. Littles deserves a seat.  Bill Brownstein of the Montreal Gazetten writes, “His music is gritty and infectious, M.O is definitely hungry for success.”

 

Be the first to see how hungry… “Hands Down” drops, March 20.

 

Follow M.O. Littles: 

https://www.instagram.com/molittles/

https://www.facebook.com/molittles/

https://twitter.com/mdotodot

https://momusiclive.bandcamp.com/

https://open.spotify.com/artist/60zbBhGYFteijlQOem6jyI

https://www.youtube.com/molittles

INTERVIEW: Renn Tyler: Beautiful Chaos

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As we work diligently at reintroducing ourselves into the media world, I spend a lot of time critiquing artists, and determining who I would like to feature within our pages. It’s not always an easy decision. Obviously, the industry is flooded with artists, and we have to be sure any artist being considered fits the concept of our pages, and just that it makes sense. In my recent search, I came across Renn Tyler, and I’m beyond impressed. Renn certainly has what it takes to make it in this industry, and it becomes ever-so-clear at the first listen of her music. By look, she’s not what you would necessarily expect, which h is more reason why you should never judge a book by the cover. Sure, we hear that all the time, but there’s much truth to the idea. You would miss out on an amazing artist here if you took the initial look and ran with it in terms of her capability. No question, she’s beautiful by all standards, yet, she doesn’t have the “typical” hip-hop look. She’s authentic in every sense of the word, and you would be doing yourself a disservice by not giving her a listen. So we had the opportunity to catch up with her, and it’s awesome that we were able to get an interview completed. She’s perfect for our rebranding and relaunch, and I’m excited to have connected with her. We’re also her first interview, which is amazing in itself. Check out the feature below, and be sure to give her a listen. We have an artist page for her here at U.G. Digital as well, so you can definitely hit that page up and listen freely to her music. 

U.G. Digital: First and foremost, I want to thank you. It’s huge, first of all, to connect with you. I think you really have something big, especially with the single “Nada”. I liked it immediately. I don’t say that about many today, and I’m in this place where I’m not necessarily the biggest fan anymore. Honestly, I’m stuck in the 90s and early 00s. I drive uber as a side hustle, and many of my passengers marvel at the music I play because it’s often more than 20 years old. It’s a little refreshing that you’ve come along, and have something that I’m eager to play. You sound authentic, and I believe it’s a good look. We’re in a bit of a reinvention stage, even though we’re seven years in, and you’re that perfect look for us. I appreciate that so much.

Renn Tyler: Yes, thank you as well. 

U.G. Digital: So the first thing I want you to do is tell everyone who you are?

Renn Tyler: I am Renn Tyler. I’m a rapper and an artist in so many different areas. I like to dabble in all sorts of things, so whatever I’m into at the moment, I just get it done. I’ve always been unapologetically myself. That’s kinda like my mission. We’re all so unique and powerful on our own. People spend so much time trying to define themselves, and I want to encourage people to do that. 

U. G. Digital: I like what you said. You said you were “unapologetically yourself”. What fans want is somebody that puts out the music they love of course, but more importantly someone they can relate to, whose life resembles theirs, and so on. They have the same ideals, or same principles. In the last few months, I’ve been in this place where it’s like “F” everybody, I’m unapologetically me, and whoever doesn’t like it, whatever. That resonates with people. 

Renn Tyler: Right. 

U.G. Digital: You were a poet before. What took you to rap?

Renn Tyler: I’ve always been a fan. It’s always been there, but I never believed in myself as far as being that artist. I just remember going to a spoken word event, and being completely awe-struck over the spoken word and the ability to communicate through story-telling and put it to a beat. What pushed me over to rap was meeting James and Darren. It was like a snowball effect. 

U.G. Digital: I think I’ve been a huge fan  rap, R&B, soul, rock, alternative, and just a lot of different music for my entire lite. Rap was where it started for me though. I’ve also been into the diversity of hip-hop and the fact that everyone who raps is not black. There’s always this idea of somebody being a culture vulture when visibly they’re not really a part of the culture or when they’re not black, but I really look more at how organic it is though. I would imagine, though, that people judge you just by the look, without even hearing you. What has been the feedback that you get as you go out and you’re introduced to people as a rapper? Do you get the side eyes?

Renn Tyler: Yea, I think it’s still foreign for me to call myself a rapper, and I’m hesitant for that reason. In the end, that is what I’m doing though. I haven’t gotten any crazy looks though. Nothing has been too disheartening. Mostly its people who have heard me or know me already. I’m kinda like a wild card, so no one is surprised that I’m doing it. 

U.G. Digital: As crazy as society can be, I think things are changing slowly. Everyone has their own experience, and many people grow up with rap now. 

Renn Tyler: Right. 

U.G. Digital: Talk about the material you’ve been putting together?

Renn Tyler: We have a couple other songs already recorded. I write everyday. I’m always writing, so there is so much material out there that’s all influenced by my life. I don’t think there’s anything written that is not an honest experience. 

U.G. Digital: I have such an appreciation for the artist that talks about a day job (laughing)

Renn Tyler: Yea, we gotta pay bills too [laughing]

U.G. Digital: Right, but it’s just cool to know that we’re all on the same page. I have many jobs, so I know the whole thing with it (laughing). 

Renn Tyler: Yea, for sure. 

U.G. Digital: I think it’s cool though. I love what you have put out. What do you feel you want to represent as an artist?

Renn Tyler: Like I said, just being unapologetically yourself, but I also want to encourage young women. It’s so hard to be a young girl in this society. I want girls to look at me and say that’s what I had when I was younger. I want to give back in that way. So being who I am, self expression, and communicating through storytelling. Being able to take that to the next level and make music is great. I’m communicating my experience which is therapeutic for me, but they take it in however they do and it becomes therapeutic for them. I love that exchange and it’s the power and importance of life. You’re not alone and other people have gone through what you’re going through. 

U.G. Digital: I love the poetic side of it. When you think of your Jill Scotts, and many others, this is something that’s definitely being done. What are your thoughts on hip hop and its current state when it comes to women? How can you help?

Renn Tyler: I think it’s going in a good direction and I’m excited. Everyone has their own brand and it feels natural. All these dope women are making the music they want, and they can be sexy when they want. I think it’s moving in a cool direction. 

U.G. Digital: That’s dope. I ask that because there’s so many women who are phenomenal, and they struggle so bad to work together. They’ve lost a lot of respect in the industry, and it seems like it’s moving backwards. 

Renn Tyler: I think we’re coming to that place of being organic and genuine. We used to want the larger than life artists, like Brittany Spears, but now we want to know the artist is just like us. Why do you ask? Do you think it’s going backwards?

U.G. Digital: What I think is the respect is gone. You have so many dope women, and they’re constantly at each others’ necks, for wthings that seem ridiculous. It’s changed a lot of the new dynamic that was forming for them in past years. I think you have the Queen Latifahs, and the Monie Loves, and so many other females in rap who have worked so hard to not only make it more inclusive of women, but to build the respect level for women, and you have women today who are so brash, rough, and unapologetic about it, and it’ ruining the work that was done.  I look at the stuff with Nicki and Cardi, and to me, there was no point in it. They have their own styles, and are both dope, but they’re killing the game with their nonsense and it overshadows the music, which truthfully is what fans really want. It makes people pay less attention to the woman herself, and look more at the unnecessary stuff. Like Missy Elliott has this new EP out which is super dope, and I feel like it’s totally being slept on. 

Renn Tyler: That’s so true. That speaks to the nature, like people want information so bad. They don’t respect it as much. I agree as far as the beefing too. Women are so powerful, and when they get together that power is insane. 

U.G. Digital: So what are your plans as far as releasing more material?

Renn Tyler: Yea, we have a remix that is being worked on right now, and I’m excited for that. Then I’ll take care of the music video. 

U.G. Digital: I’m excited for you. I dig that we are your first interview too. I also appreciate how prepared you are today. You sound like a complete natural at interviewing. I think its definitely your time. How can people keep up with you online?

Renn Tyler: On instagram, I’m at @bulletproofteeth. That’s normally what I’m on. I also do fashion design, and hand embroidery. 

U.G. Digital: I think it’s super dope. Thank you so much. Any final comments?

Renn Tyler: My single is out everywhere, buy it on iTunes and all online retailers, including Tidal, Spotify, and so forth. Make some Tik Tok videos to it. I would really appreciate that (laughing). 

REVIEW: EMINEM ... MUSIC TO BE MURDERED BY...

Music to Be Murdered By, Cover (Courtesy of Shady/Aftermath)

Music to Be Murdered By, Cover (Courtesy of Shady/Aftermath)

Rapper Eminem has returned with his eleventh studio effort, “Music to Be Murdered By”, and by no surprise, he doesn’t disappoint. OK, let’s keep it all the way one hunnid… In the current state of hip-hop, I honestly don’t buy a lot of music anymore. In com[parison to me, I stick with the people I know are going to give me solid material. While I listen to a lot of new music as a Journalist, I do find it difficult at times, and am often forcing my hand in the matter, simply because a lot has changed with the game of music. Many are no longer putting in the effort that used to be required. Music has shifted to a state where most can do it all themselves and put their own material out, so in many cases, the standards simply are not there. Artists are literally doing what they want, and paying no mind to the consumer anymore. I think that’s something that many, if not all of us can agree on. In today’s economy, it just isn’t as beneficial to purchase full albums anymore. So I’ll be even more honest in the fact I was not necessarily expecting anything super solid out of this album. It’s no dig to Eminem either; I think he’s definitely one of the best, and I’ve always been a fan. Reality though, is I haven’t bought an album in forever, and most new music I get, it’s been out for some time before I actually hear it. Life will do that to you when you have so many things going on.

All that being said, I’m pretty hyped and excited at Em’s latest. I think it’s truly a solid effort, and shows a tremendous amount of growth for someone who’s been in this circle for more than twenty years. It’s quite easy to see a lot of work was put into the project, and in my opinion, it stands stronger than a lot of what’s dropping today. Real talk, hearing just the first track, the intro “Premonition”, I was eager to hear more. It leads right into “Unaccomodating” featuring Young MA. I’ve always felt Eminem has some the best collaborations, and this here is definitely one of them. Honestly, there’s a number of standouts throughout the album, including “Godzilla” with Juice WRLD, “You Gon’ Learn” featuring Royce Da 5’9” & White Gold, “Marsh”, and “Lock It Up” featuring Anderson.Paak. Truthfully, the entire album is to be heralded, and that says a lot, given current state of music. It may sound silly, but Em and this new effort has kinda given me the boost to listen to more new music in general. I have no problem with supporting any artist I know is giving me quality product, and this is an album I definitely will be buying.

[MEET THE MANAGER][LEGENDARY] Steve Lobel

I can’t begin to say how excited we were to secure Steve Lobel for a feature within Urban Grandstand. As someone who dreamed as a child of working in the entertainment industry, he’s someone I sure followed along the way. When many others were literally playing games, Steve was running things, making things happen not only for himself, but for so many others. Coming from Cleveland, I watched, almost first hand, as he helped create some of the biggest opportunities for Bone Thugs N Harmony as a group, as well as each member in their solo efforts. He’s worked with a wide variety of other artists in addition to them, but his history began well before that. Brought into the fold of entertainment by the legendary Jam Master Jay, the same love, respect, and admiration he shows for helping artists build their brands and careers was extended to him by one of the greatest. Actually growing up with Jam and Run DMC, he saw first hand from some of the best to ever do it just what it took to survive in this industry. Now, having been in this business for nearly three decades, he’s working to sharpen his brand even more, and not only continue offering greater opportunities, but show the younger generation just what the business of music is all about. The magic that he has brought to this industry is unparalleled. This article is a way for him to showcase his world, and it’s an opportunity for us to honor a man who anyone interested in any part of the music business should know.  It’s our chance to salute the incomparable Steve Lobel!

 

UG Digital Mag: This is an amazing opportunity connecting with someone like yourself. You’ve done so much here in this industry that we can’t help but learn from you. It’s a great opportunity to emphasize the things you’ve done for those who have followed, and it helps to continue to introduce you to those who have in a sense been under a rock. You go back a number of years, and the positivity from many artists comes from them having worked with you. What does it do for you to know that you have left that type of impact, when you’re still building?

 

Steve Lobel: To be honest with you, if people don’t who I am, it’s OK. I do have a resume in stripes, and that’s what I try to tell the younger generation. Hard work pays off, and you have to build a resume. You have to put that work in to become who you want to be. I’m just blessed. I’m a man of my word, and I’ve worked hard. I’ve done a lot and it’s a gift and a curse. I’m blessed, but humbled to work with so many different people from different eras, genres, and states so to speak, from Bone Thugs N Harmony in Cleveland, to Run DMC in New York, to Nipsey Hussle in Los Angeles, to Sean Kingston in Miami. Three Six Mafia in Tennessee, Fat Joe in the Bronx, so on and so forth. 

 

UG Digital Mag: I’ve been one who has followed you all this time. I love the industry, have family who are in it, and it’s amazing, not to mention inspiring, for me to see what you’ve done. Being in Cleveland, I’ve followed Bone Thugs for example, and part of me gaining that stronger appreciation for you is the way you’ve worked with them and treated them. I’ve seen the people they’ve worked with otherwise, and I think you’ve been the strongest force for them, and simply put, the one person who hasn’t screwed them over or taken them in the wrong direction, and that also goes for other artists you’ve worked with. People have a tremendous amount of respect for you?

 

Steve Lobel: You give respect and you get respect. If people disrespect me, I’ll disrespect them harder. It took some time. I am a caucasian guy in an urban Afro-american business. I’ve dealt with a lot of people who maybe have never dealt with someone like me, or grew up and hung around with someone like me. It was all about building a relationship organically, and getting to know one another and building trust. My relationships are decades long because I’m a man of my word and integrity. I can still talk to Fat Joe 25 years later, and I’m still working with most members of Bone Thugs all these years later. We kick it like father and son. When you say Bone Thugs, and I call this 216 number, it’s weird because I used to deal with 216 numbers all day long with the members of Bone Thugs and the Mo Thugs artists. A lot of people came around Bone, and I’ll tell y’all the truth one day of what really goes on, but it’s not easy to manage a group. You have so may different emotions, feelings, and personalities in a group. It wasn’t easy. I’ve kept it more than 100 with Bone. I’m still down with most of them for so many years, over and over, through the trials and tribulations. I know more about that situation than a lot of people, and like I said, I’ve been through ups and downs with them and I’m still here. I was a part of putting the Bone and Biggie song [Notorious Thugs] together, Ridin’ Dirty with Chamillionaire, so on and so forth. I’ve been booking them with my partner Jamie for many years and making money with them. I’ve brought so much to the table for them, so you’re right. Some people come in and out of their world, and I’m still here standing, loyal, and doing great business. Time will tell, and the truth always comes out, but I’m still here standing. 

 

UG Digital Mag: Two things I want to hit on. Jam Master Jay, and Run DMC. I know you fully credit them for your success. How did you connect with them in the beginning?

 

Steve Lobel: You know, Jam Master Jay put me in the game. I grew up with Run DMC and Jam Master Jay. I definitely give credit where it’s due, and I’m a loyal dude with integrity, so I always give props to them, and I say Russell Simmons is my mentor. I don’t want to sound repetitive in the things I do, but a real brand stays consistent and doesn’t switch up. People who do hear interviews are saying this guy really stays true to the game and who he is. I’m from Queens, New York, and I don’t forget where I come from. I started with them and the sky was the limit. Rest in Peace to my mentor and my man, Jam Master Jay. 

 

UG Digital Mag: You spoke on the idea of managing groups, and dealing with trials and tribulations. How have you managed that through the years, given it goes through ups and downs from day to day. Some artists are difficult, obviously.

 

Steve Lobel: Managing artists can be difficult, but at the end of the day, I love what I do. Everything in life is difficult and nothing’s easy. You have to deal with a lot of bullshit. I don’t know how I’ve done it so long. I’ve been through a lot and have been stressed out, so on and so forth. Sometimes I have no patience and I want to throw it in, but the passion and drive keeps me going. Nothing in life is easy so you have to deal with the good, bad, ups, and downs. You have to laugh and cry, and put God first. 

 

UG Digital Mag: Where are things with A2Z Entertainment? It’s been 15 years now. 

 

Steve Lobel: I named it A2Z Entertainment because I do everything from A to Z. I know every part of the music industry. A lot of young people don’t know about the whole part of the industry from publishing to royalties, ancillaries and splits. Not many new artists have a team, lawyer, agent, and manager. A lot of these artists haven’t done a show. We’re more of a production company label. I do a lot of consulting, and not as much management. I have my whole brand reworking on Instagram and Snapchat. A2Z has been around, and it’s an LLC. It’s management, production, film, and a bunch of stuff. 

 

UG Digital Mag: Have you considered documenting or chronicling your day to day in general?

 

Steve Lobel: Well, I’m writing a book called The Coach Lasts Longer Than the Player, I just joined snapchat, and it’s documenting certain things with that. I want to do a documentary on my life. Have I done reality shows? Yes! I was on Millionaire Matchmaker, I was on Road to Stardom with Missy Elliott in 2004 when reality television wasn’t as big, and I did another one called Managers & Celebrities. I’m pitching different shows. What’s fucked up is everybody feels like nobody cares about what goes on behind the scenes in the music industry, and I tend to disagree because there’s so much great positive stuff in showing what goes on to be in the music business and be great. So many TV companies say it’s boring and they just want to show the finished product. To me, I’d rather see the behind the scenes and the making of it. I shot some sizzles and I’m pitching some stuff and trying to sell some stuff. I've got a thing called Beats & Bullshit, meaning show ‘em the music business and all the bullshit that goes with it. People don’t see that. They don’t know how to set up this and that. Most people are followers and not leaders. It took for Empire to come on TV and everybody feels it’s the business, but that’s not the music business. That’s what they want to show you as the music business. I want to show you the raw and uncut. To be honest with you, if someone doesn’t want to be a leader with me, then I might have to shoot it myself and put it out somewhere online. Online is very powerful, and content is key. I have my own talk show, Live with Steve Lobel, where I sit with artists and interview them. I interview everyone from J. Cole to Bizzy Bone to DJ Mustard to Logic to Focus the producer. The list goes on. I feel like I want to be the next Johnny Carson or Howard Stern. I just want to be innovative and creative, but I’m playing around with snapchat, documenting certain things in my life, and going from there. 

 

UG Digital Mag: I love and appreciate the fact that we’ve connected. I agree with all you’re saying, and a lot of what you’re doing and planning, I’ve personally looked for that, from the lawyers, to contracts, to everything else, so you know the things that are coming and what can happen. For those new managers coming into this, what advice do you offer?

 

Steve Lobel: I mean look... everybody is everybody these days. Everybody is the manager, rapper, singer, dancer,  andvideo director, but we’re all the same. We all bleed, shit, and we’re all going to die one day, or you’re not human. So I don’t judge people. Only God can judge, but the advice I give is make sure you want to do this. Work hard. My 5 or 6 keys to success were communication, organization, follow-up, never taking no for an answer, and common sense, which is not common. That’s the advice I give. Make sure you want to do this, love doing this, and know it’s a business. You need to know certain things. 

 

UG Digital Mag: I love it. Again, I appreciate you, and I’m grateful for this opportunity.  

 

Steve Lobel: I just want to tell every body that less is more, quality over quantity, money comes and goes but history stays. I’ve been blessed, but it’s a gift and a curse. You have to take the good and the bad. Love what you do, and work hard. The hard work pays off. Nothing happens overnight. Rest in Peace to Eazy E, Rest in Peace to B.I.G., Rest in Peace to Big Pun, Rest in Peace to Tupac, Rest in Peace to Jam Master Jay, Heavy D, you know, I’ve had the opportunity to work with a lot of those people. Sky is the limit. 

[FEATURES][ARCHIVES] Yung Berg: Delivery Time [February, 2011]

Yung Berg has been away for a bit of time, and fans have definitely been wondering where he had landed. Granted, it was nowhere near an eternity [laughing], but three years is definitely a long time to be absent in music these days. It’s been that long since his debut album hit the streets. Most will remember he started as a part of DMX’s Bloodline Records. For Berg, the time away wasn’t all for nothing. He’s definitely been putting in his work, building an arsenal of hits that he’s now ready to drop to the world. Many doubted his return, but for him, it was inevitable. In our exclusive, Delivery Time, Yung Berg lets us in on what he’s been doing during his perceived time off, his connection to Disturbing Tha Peace, the writing he’s doing for so many other artists, and a whole lot more.

 

U.G. Digital Mag: I have to say that it’s really good to speak to you man and you’re prepping to release your new material. I think a lot of fans have been eagerly waiting for you to drop something new. So I appreciate you taking the time out…what’s been going on with you man, since your last album? Three years is a long time, so to speak. What happens in a lengthy time away like that?

 

Yung Berg: Well, in between my albums, I got involved in production. People didn’t know I produced for my own album. I was able to work with Dirty Money, Cassie, Diamond, Rico Love, and spread my talents so they know I make hit records. My involvement with “Sexy Can I”, I played a part. I want to get the background. I was able, thanks to Sony, I was able to walk away with a release, and not owe anything. It was the best thing to happen tome. I was able to make my own moves.

 

U.G. Digital Mag: You have a well-documented journey into the game man. Obviously, you were signed to DMX’s label at one point, and then you later worked with DTP for a bit. Take me back to the time, and how you got with them?

 

Yung Berg: Shawnna is like a sister to me. She’s been the most influential to me. She had success, and she came and performed at my school when she was with infamous syndicate. It’s not easy for females, so I admired her. She titled my first album. I was around her, soaking up time and influences, she was like you like a 2pac. I never seen nobody work like you. Do a song called look what you mad me. Show you a product of the culture. And things that go on. This is all you. I appreciate everything she did for me. I produced on her album “Block Music”.

 

U.G. Digital Mag: Any writing for other artists?

 

Yung Berg: I just got a good knack for good hooks. When younger I ain’t know what I was doing. I knew, but did not know the capacity. “Sexy Can I”, “Tha Bizness”. I wrote all the hooks for every feature, except with Lloyd. With Eve, we shared the same management. I produced on Eve-olution

 

U.G. Digital Mag: What happened with DTP?

 

Yung Berg: I did not want to cut into that situation. She gave me an opportunity to learn and be on the road. That was priceless. I appreciate the love from Ludacris and Chaka Zulu. I just wanted to chill.

 

U.G. Digital Mag: Your debut did very well in the industry. How much of that success were you really expecting in the beginning?

 

Yung Berg: I don’t know. I don’t wanna be cocky or arrogant, but I always knew beyond the music, I wanted someone to understand me. I knew I had charisma with women, and if I could be seen on TV, I could connect with women. A lot of people come out, they been waiting for certain attention. I just been waiting to be embraced. For women to say they love it, it’s realistic. I take my hat of to them for saluting me and saying regardless of anything going down with you,

 

U.G. Digital Mag: So talk about your new material and what you’ve got brewing?

 

Yung Berg: The album will never be done til’ it comes out. I’ll never be done recording. Ray J, Sean Kingston, so many different people. I wanted to limit the album to me. I see the comments. People don’t know I was writing a lot of that material. Since auto tune came around, I’ve been able to sing my own parts. It can be more about me, people can accept me, what I bring to the table, and what I do behind the scenes.

 

U.G. Digital Mag: What else will be coming?

 

Yung Berg: The new mixtape will be dropping. It’s hosted by DJ holiday, Ill Will, and Rock Star. Souljah boy, Roscoe Dash, Hot Dolla, Ya Boy, YG, man it’s just a star-studded mixtape. We got a video done by the name of “72 Hours”. A ballad, like outer space. People did not expect me to come with that. It’s dropping a week after Valentine’s Day.

 

U.G. Digital Mag: Why a mixtape?

 

Yung Berg: It’s a way for me to get my music out. I create at a rapid pace. I’m releasing it so it doesn’t get stale, and it’s a direct attachment to me as a person. You’ll know exactly how I was feeling. It won’t be a delay on the emotion.

 

U.G. Digital Mag: What else is going on with you that you want people to know?

 

Yung Berg: I’m working on Jim Jones’ project, Lil’ Scrappy, Diamond’s project, the Dirty Money project, and so many other things I’m working on. The main focus is my family, Brown and Kenney, young fly movement. Sex and the city is a big deal. I will be out on 106 and park in a week or so. I see you. “Sexy Can I” part 2. I love everybody for supporting me. My #1 goal in life is to stay down. Don’t let nobody say you can’t do shit. Humble greatness.

[FEATURES][ARCHIVES] Grandson: Loot Skywalker [January, 2011]

U.G. Digital Mag: Thank you so much for your time man. I appreciate you taking the time today to knock this out…You’ve developed a very strong following on the underground circuit. What do you attribute this to? Why do you feel music fans have gravitated to you and your music?

 

Grandson: Mostly, I always attribute the ground floor to the internet. My brother and I had a group and we worked with MySpace. Passing out mixtapes. Events. On the net, then face to face. I think consistency is the main thing. If they only see you once in a while, then maybe. I come out 4 to 5 months a year. Then quality music speaks for itself.

 

U.G. Digital Mag: Knowing how rough your surroundings were, obviously you were able to escape the pitfalls, but how do you feel like you were affected by all that was happening around you? And how has that reflected in your music?

 

Grandson: It affected my younger years. Brushes with the law. Unfortunate situations. Being away from family at time. You can escape it. I didn’t focus on education so fell victim, but you learn from it. It’s a learning tool. Prison made me see that. It shows you that it gets no different if you keep doing the same thing.

 

U.G. Digital Mag: What has the climate been like around Virginia where you came up? Obviously a number of acts have come out of that area. Do you see that people look back for those who are looking to make it out?

 

Grandson: It’s pretty much like, I guess, everybody is trying to get away as fast as they can. There’s nothing here but those trying to make it. Nobody is here that made it. They may have studios, but you don’t see it. The underground climate is fierce. It’s strong and on the come up. I build a lot of camaraderie. DJ LES. He’s my mentor. He’s got a studio, and even some mainstream artists come through.

 

U.G. Digital Mag: How difficult has it been for you to make a name and build your career there?

 

Grandson: Oh man, it’s been very difficult. It’s all about really, doing what you don’t know. Once you know what you don’t know, then it gets better. I’ve been educating myself on the business side

 

U.G. Digital Mag: So talk to me about your new mixtape?

 

Grandson: Loot Skywalker. I felt like the actual Star Wars theme was relevant, because we want to take fans somewhere far away. People gravitate because of the different melodies, and hard edged sound. I use melodies that haven’t been used. Different production.

 

U.G. Digital Mag: What do you feel like you did differently this time around?

 

Grandson: Mainly, I’m doing a lot more singing on this album. Vocal singing. I usually mix it up more, but this one was more melodic and singing.

 

U.G. Digital Mag: So aside from the interviews, what else are you doing for promo? Are there any shows at all?

 

Grandson: We’re setting up for shows. I’m in the streets with the mixtapes. Promo events. I want to break a couple singles, videos, running out of time, and shorty got me gone. I want to get the streets going and the net going. I have a few viral videos coming out. The mixtape is coming with digital products, untitled, coming out at end of March, and the upcoming album is called Grand Opening.

[ARTIST] D.R.A.M.

D.R.A.M. is just like the guy next door -- if the guy next door could rap, sing, and make smash records. "I always had a boisterous personality," says the 28-year-old singer/songwriter. "Even when I was dead ass broke, I still found ways to have fun." 

Born Shelley Massenburg-Smith in Germany to a military mom, D.R.A.M. (an acronym for Does Real Ass Music) and his family planted roots in Hampton, Virginia, where he was raised. Growing up, he hung around his older cousins and found inspiration in artists beyond his years, such as luminaries like Al Green and Parliament. "As a kid, I remember everyone in my family played older music, it just rubbed off. It was a blessing," he says. 

When he hit his teens, D.R.A.M. was enamored by hip-hop and hit the mall every day after school to look for local rappers to challenge. "I was rapping just like Cassidy. He was my favorite rapper at that time," he recalls of the Philadelphia rapper. "It took a lot of growth, but I always knew that I was gonna make it as an artist. Over time my sound just developed." 

The biggest development came when D.R.A.M. dropped his '#1EPICSummer' mixtape in 2014 and captivated fans with his break out hit "Cha Cha." The infectious Latin rhythm fully showcased his soulful singing voice, and penchant for crating catchy melodies. The world took notice, including Beyoncé who posted a video on Instagram of her dancing to the song. 

"We put '#1EPICSummer' out on a whim, we didn't know how we were gonna make it work, but we knew we were gonna make it work," he says. "It was energy, the universe, the lord, all of that and timing." 

Fast forward a year and D.R.A.M. has quit his job at retail chain, Best Buy, dropped the highly-favored follow-up EP 'Gahdamn!,' hit the road on sold out tours with the likes of Chance The Rapper, and worked with the legendary Rick Rubin, who D.R.A.M. cites as his mentor. 

Now with the release of his debut album 'Big Baby D.R.A.M.,' D.R.A.M. is more determined than ever to prove that he is here to stay. Heralded by the double platinum, Lil Yachty-assisted "Broccoli," which hit #1 on the Billboard "Top Rap Songs" chart, as well as #1 on the Rhythmic radio charts, 'Big Baby D.R.A.M.' is filled with an assorted mix of soulful jams, laced with appearances from Erykah Badu and Young Thug, that are all tied together by D.R.A.M.'s magnetic personality. 

The wildly fun anthem "Cash Machine" starts with a show tunes piano courtesy of producer Ricky Reed, before erupting into a joyous toast to the good life. "Cute" is a flirtatious boy-meets-girl story where D.R.A.M. remains charming and innocent singing "I chose you like a Pokémon." "WiFi" features the Erykah Badu and together they tackle the question that's on everyone's mind: What's the code to your WiFi? Then there's "Sweet VA Breeze," a love song to D.R.A.M.'s home state, which he recorded over three years ago. "That's my favorite one on the whole project," he admits. "No matter where you go, you'll be alright if you stay true to where you're from. I'm from Hampton, Virginia." 

"I want to set my mark, and leave my mark. This is my intro, but I want it to stick and be one of the great ones," he says. 

With each track, D.R.A.M. remains a relatable superstar that will captivate fans for years to come. "Through conversation if I can relate with other people why not portray that in my music as well," he says. "I just gotta be true to me."

[ARTIST] Casey Veggies

Casey Jones, better known by his stage name Casey Veggies[1] (born July 18, 1993), is an American hip hop recording artist from Inglewood, California. Since 2007, he has released five independent mixtapes under LA clothing and management company Peas & Carats Intl.[2] He released a collaboration mixtape with Rockie Fresh called Fresh Veggies, on December 16, 2013. His debut studio album, Live & Grow, was released on September 25, 2015.

 

-For More Information-

Official Site | Facebook | Instagram | Twitter

AUDIO/VIDEO

Mixtape: Customized Greatly 4: The Return of the Boy

[ARTIST] Dreezy

Remaking a song from the hottest artist in the industry is a dicey proposition. For most emerging artists, it’s a bad move, one that keeps them on the musical periphery. For Dreezy, her rendition of Nicki Minaj and Lil Herb’s “ChiRaq” catapulted her to national prominence because of her fiery delivery, ferocious lyricism and magnetic microphone presence. 

 

“I’m a fan of Nikki Minaj and I like what she did on the original ‘Chiraq’ with Lil Herb,” Dreezy says of the 2014 cut. “But I got the best bars in Chicago so it was only right for me to remix it and represent. The day my version of ‘ChiRaq’ came out her boyfriend texted us saying ‘You won’t last a week.’”

Dreezy has more than outlasted that prediction. Today, she’s one of the game’s most promising artists, a lyricist equally adept at delivering mind-blowing punchlines, riveting street-based stories, introspective selections and odes to true love. Her talent is on full display on 2014’s acclaimed Schizo mixtape, as well as her just-released Call It What You Want EP.

Dreezy developed her writing prowess growing up in a number of locations throughout the South Side of Chicago. By the time she was in kindergarten, she started drawing. Soon thereafter, she kept diaries and began crafting her own tales. 

“Sometimes I wrote really dark, sad stories about rape, murder and violence or stories about rocky relationships,” she recalls. “I remember writing a poem about my grandma when she passed away. I was always telling other people’s stories weaved with mine. I saw and experienced a lot and had to mature at a young age. I expressed it all through my poetry.”

Even as a child, Dreezy’s words were piercing. “I had no filter as a kid,” she says. “I was always saying something and not realizing what I just said. I wasn’t a bad kid. I was just smart for my age and wanted to express my opinion — and it got me in trouble. My mom got to a point where she just couldn’t deal and my dad had to tighten my ass up. When I moved to Dad’s, I learned there’s a time and a place for everything and not to go on first emotion with stuff.”

But the move brought its own set of complications. After getting caught stealing, Dreezy’s father put her on punishment for three months. Rather than sulk, Dreezy wrote to a beat CD she had. She’d grown up listening to Ciara, Bow Wow and B2K. But as a rapper, she was channeling Lil Wayne, Kanye West and Drake.

“When punishment was over I went straight to the studio and recorded all those songs, resulting in my first mixtape, The Illustration,” Dreezy explains. “I was talking about my life and really going hard, just giving bars. My auntie made a bunch of copies and I passed them out at school. The principal heard it, called me in to the office over the loudspeaker – and busted me for cursing on the tape.”
Dreezy’s profane raps were matched by straight-As in the classroom. Similarly, her lyrical skills translated well to her AP writing class, in which she excelled. She applied to and was accepted into Northern Illinois University. Dreezy attended the school for a few months, but dropped out to pursue music full-time. 

In 2013, a friend introduced her to producer D. Brooks Exclusive, the beatsmith whose work with King Louie, Lil Herb and others had him perched as one of the Windy City’s hottest rising sonic architects. “Chicago is known for a hard drill sound and Brooks was the only producer really adding piano melodies and violins, more feeling to his music,” Dreezy says. “And when the sound changes, he knows how to embrace it and make it his own.” 

Brooks produced Dreezy’s Schizo mixtape, which was released in February 2014. Her subsequent work on the “ChiRaq” remix led to her appearance on Common’s “Hustle Harder,” a cut from his acclaimed 2014 album, Nobody’s Smiling. The pioneering Chicago rapper appeared on Dreezy’s “No Good,” solidifying their bond. 

“I know if I ever need to talk to someone, Common can give me some good, sound advice,” she says. “He has good intentions and doesn’t want anything from me.”

Common isn’t the only prominent artist checking for Dreezy. “A few females reached out when ‘ChiRaq’ took off: Rah Digga, Shawnna, Remy Ma, Tish Hyman and some others,” she says. “I’ve already done collabs with Tink, DeJ Loaf, and Chicago female MCs Sasha Go Hard and Katie Got Bandz. Sasha is like my sister. Our friendship started out from rapping but we’re like sisters now. Katie and I are really good friends, too. We support each other. There’s room for everybody. That’s how it’s supposed to be.”

As Dreezy makes her mark among music industry icons and new artists alike, she remains focused on being counted among the genre’s elite. “My goal is to be legendary,” Dreezy says. “Music is my purpose and I want to set the bar — especially for females — and break all the records that come with it.”

[ARTIST] Jacquees

Jacquees(Singer/Choreographer/Writer) was born on April 15, 1994 in Atlanta, GA. He found his passion for both singing and dancing at the age of 9 with influences from The Jackson’s: An American Dream and The Temptations movies; imitating no less than the greatest. He has already started work on songs written by award winning writer, Ne-Yo and will be in the studio working on his upcoming iTunes album ‘Round of Applause’ with other notable writers including Jagged Edge’s Brian & Brandon Casey, Musiq Soulchild and TC, who has penned songs for several artists including, Beyonce’.

Jacquees has already recorded songs with T.I., Travis Porter, Lil’Chuckee(Cash Money/Young Money artist), Quincy(Diddy’s son) and will work with more artists on his next project. He toured with Atlanta’s Hot 107.9 during the 2011 Spring semester to several high schools for a Stop The Bullying campaign hosted by comedian and Hot 107.9 radio personality, Rickey Smiley. In August 2011, he released his first mixtape ‘Round of Applause‘ hosted by DJ Spinz on Livemixtapes.com. He dreams of working with artists such as Lil Wayne, Drake, Justin Bieber, Bow Wow, R. Kelly, Chris Brown and many more.

[ARTIST] Da Brat

On April 14, a star was born. Shawntae Harris better known by her stage name “Da Brat” is an American rapper and actress. Her debut album, Funkdafied (1994), sold one million copies, making her the first female solo rap act to have a platinum-selling album and the second overall female rap act (solo or group) after Salt N Pepa. Harris is the younger half-sister of actress Lisa Raye McCoy. She lived part of the time with her mother and grandmother and attended a strict Pentecostal church four times a week, where she sang in the choir. She also lived with her father and his mother, where she had fewer restrictions. Harris attended Kenwood Academy during the 1990-1991 school years, where she ran track and played basketball. She graduated from Academy of Scholastic Achievement, a continuation charter school that caters to at-risk students, in 1993.

In 1992, Harris's big break occurred when she won the grand prize in a local rap contest sponsored by Yo! MTV Raps. For the prize, she met the young rap duo Kris Kross. They introduced her to their producer, Jermaine Dupri, who signed her to his So So Def label. Dupri cultivated Da Brat's image as a "female Snoop Doggy Dogg," and she became one of the first female "reality-based" rappers.[1] Harris told the Atlanta Journal-Constitution that her stage name was inspired because she is "a spoiled only child."[1] Da Brat's debut album Funkdafied was released in 1994 and entered the rap albums chart at #1. The album went platinum, making her the first female solo rapper to sell one million units. The eponymous single reached #1 on the rap singles chart and #6 on the Billboard Hot 100. Her follow-up hit from the same album, "Give It 2 You," reached #26 on the Hot 100

In 1996, Da Brat released her second full-length album, Anuthatantrum, which included the single "Ghetto Love" featuring T-Boz of TLC. During the rest of the '90s, Da Brat came to be known more for her "featured" appearances on other rappers' and R&B singers' albums rather than for her own solo work. Da Brat was also featured with Kris Kross on the title track of their album Da Bomb (1993) as well as on their third album Young, Rich and Dangerous (1996). She contributed a rhyme to the hip hop remix of Mariah Carey's hit, "Always Be My Baby" (1996). She also made her feature film debut that year in Kazaam (1996) with Shaquille O'Neal.

During the summer of 1997, Da Brat appeared along with Dupri on a remix of Carey's "Honey (So So Def mix)" (1997) and recorded the hit remix of "Ladies' Night (Not Tonight)" (1997) with Lil' Kim, Left-Eye of TLC, Angie Martinez, and Missy Elliott. Also in 1997, she was featured on "Sock It 2 Me," a track on Missy Elliott's debut album, Supa Dupa Fly. In 1999, she appeared, alongside Krayzie Bone, on the remix to Mariah Carey's cover of Brenda K. Starr's "I Still Believe" (1988). She also appeared as a guest artist with Elliott on Carey's remix of "Heartbreaker" (1999), and on the remix of Brandy's "U Don't Know Me (Like U Used To)." That year, she was also featured on a remix of the Destiny's Child single "Jumpin', Jumpin'"

In early 2000, Da Brat released her third full-length album Unrestricted, which produced the moderately successful singles "That's What I'm Looking For" (U.S. #56) and "What Chu Like" (U.S. #26), featuring soul singer, Tyrese. In 2001, Brat continued her trend of being featured on other artist's remixes, reaching #1 on the Billboard Hot R&B/Hip Hop Singles chart along with rapper Ludacris on the main remix of Mariah Carey's "Loverboy" and being featured artist on Destiny's Child's "Survivor" remix. Da Brat also appeared as Louise in Carey's 2001 movie Glitter. In 2003, Brat released her fourth album, titled Limelite, Luv & Niteclubz, and appeared on the 4th season of VH1's The Surreal Life.

In 2005, she made a comeback of sorts when she was featured on the remix of the song "I Think They Like Me," by Dem Franchize Boyz, which also featured Bow Wow and Jermaine Dupri. The song peaked at No. 1 on the Billboard Hot R&B/Hip Hop Singles chart and No. 15 on the Billboard Hot 100.

In 2006, she was an onstage guest on Mariah Carey's The Adventures of Mimi Tour in Atlanta, New York City, Long Island, Washington, DC, Chicago, and Los Angeles performing her rap verses on the "Heartbreaker" and "Honey" remixes. She was also featured on Kelly Rowland's "Gotsta Go," a bonus track from her 2007 album Ms. Kelly and is also featured on "4real4real", a bonus track from Carey's E=MC². She also co-wrote a song with Carey called "O.O.C." which appears on E=MC² and contributes backing vocals on the track. In 2007, she participated in the fifth season of the VH1 reality series Celebrity Fit Club. Later that same year, she was involved in a night club altercation, which resulted in criminal charges and a 3 year prison sentence (2008-2010). Then, following her release from prison, she launched a web series about life after the experience—entitled “Brat Chronicles: In Transition;” on You Tube [3]. In 2011, she did a remix with Kelly Rowland called "Motivation" featuring Lil Wayne. She released her new single "Is It Chu?" on iTunes and other digital services on July 2, 2013

In 2015, she made her radio debut and joined the nationally syndicated Rickey Smiley Morning Show, as the new co-host. She is also a regular cast on the TV1 reality show –“Rickey Smiley For Real.” In the season’s finale episode (Dec 2), she made a television guest appearance on the highly successful Fox network hit show EMPIRE. This same date, she released her latest single #YAK (You Already Know); which is currently available on iTunes. 

Da Brat continues to work on her music career, by writing and producing music, as well as searching for and developing new artists. As she expands her career to include television and film, she is also taking acting lessons to further enhance and maintain her star power in the entertainment industry.

[ARTIST] DJ Mustard

Los Angeles native, DJ Mustard, is quickly becoming one of the most sought-after producers in the business. He has produced chart-topping hits for 2 Chainz ("I'm Different"), Young Jeezy ("R.I.P.") and Tyga ("Rack City"). Complex has also taken note, naming DJ Mustard one of their "25 New Producers To Watch Out For." While some have dubbed his signature sound as "ratchet," Mustard describes his beats as "undefinable." Says Mustard, "I just want people to hear my music and feel good; go to the club, dance, have fun, and get home safe…none of that gang-banging stuff." 

The New York Times has praised Mustard's sound, stating "it's made for some of the starkest and most vibrant hip-hop of the last year or two…booming and square, like well-sequenced jabs with no need for combinations." Mustard has not only been been inspired by his native L.A., but also looks up to producers such as Dr. Dre, Swizz Beatz, and Timbaland. He is currently working on YG's upcoming album, as well as singles for Ludacris and B.o.B.

 

MORE INFORMATION

www.djmustardonthebeat.com

 

[Music] Penny Shaw: The Art of Integrity

For all the interviews I do, there’s always an artists who sticks out like a sore thumb, and Penny Shaw stands strong in that bunch. I’m so proud, beyond words, to have the opportunity of presenting him to you and the ever-growing audience here at U.G. Digital Magazine. Much like we’re selective in regard to what we cover and present here, he’s an artist of the same nature. In an industry that has become saturated with nonsense, Shaw stands mightily on his own level. He’s taken the time to build a brand, not from what he’s been surrounded by, but what he, himself, wants to see from an artist. His brand is based on what he wants to represent, how he wants to be remembered, and ultimately, what he represents in life. As the title suggests, it’s all in the Art of Integrity.

 

Never is it about bashing anyone here, but I will be honest though. Integrity in this business is at an all-time low. There’s so many who conform based on what the rest of the crowd is doing, and it’s beyond refreshing to come across an artist who, although they want popularity, is not willing to budge against their own beliefs, style, and character to attain it. What also reigns clear, not only from this conversation, but just from looking at his journey is when you’re free and willing to be yourself, the popularity is inevitable. Penny Shaw is coasting at an all-time high, and as he puts it himself, he hasn’t even reached the pinnacle yet. Trust, it is coming though. It’s only a matter of time.

 

In our exclusive, we talk, not just about the simple stuff, but we really get into his mind about his journey thus far in the industry, and how Ill City Blues has put him on that level that so many aspire for. He talks openly about the work he’s putting in as an independent artist to build his brand, who inspired him from his own neighborhood of Queens, the unity he’s built among his team that is ultimately pushing him to the top, and so much more. I’m proud of this feature because among everything, Penny Shaw represents the type of artists that I as the publisher LOVE to present here. His artistry and character is what I envisioned in the artists that we would spotlight with U.G. Digital. Hopefully, you all love his story!

 

With that being said, I present to you: Penny Shaw: The Art of Integrity.

 

U.G. Digital Mag: Again, I appreciate you for your time. I love how different you are from everything else out today. I talk to a lot of people in general about the changes in hip-hop. I’m almost 40, and I never want to sound like my parents, but I feel like a lot of the direction hip-hop has gone, I struggle to get into it. The good thing is there are a number of people like yourself who are taking it back to the roots and the essence, if you will, and they really have something to talk about. I believe you’re one of those artists. How difficult is it for you to remain different, and be yourself, given the climate of music?

 

Penny Shaw: I appreciate you saying that. At one point, it was really frustrating for me. To take a step back, everything that’s on the radio that’s popular, it has a certain sound to it. The way rappers are flowing, it’s almost a copy of someone before them. I think maybe two years ago, it was frustrating. I questioned if I was taking the right path. It felt right, but it’s like everyone else is doing something different. I guess you just kinda navigate through life. With my last project, it was really about finding myself, going through a slump, and just getting through it. It helped to find myself. I’m so comfortable right now that it’s not even funny. I’m comfortable with what I do, and I understand a lot of people who are pushing the envelope and doing different things, it won’t be the most popular immediately, but in the long run people will look back at my catalog and understand that this kid is rapping about what his life is really like; the things that others are scared to talk about.

 

U.G. Digital Mag: I’m glad you touch on popularity. To me, what you have should be revered a bit more. You think of the artists like Kendrick Lamar, and I place you at that level. I think in the beginning, people weren’t necessarily leery, but they didn’t tap into Kendrick Lamar the way I thought they would have. Now, obviously, the world is behind him. I look at J. Cole, who I feel still doesn’t really get what due to him, but I feel like he’s one of the dopest out there. Does it bother you, knowing that it takes so long for people to catch on, or they sleep on what you have due to the differential content? You speak of being comfortable, but is there ever that part of you that wants to tailor your music to what people have grown accustomed to in hip-hop? Even relating it to our mag, there’s certain things that I’ll admit to watching, but you’ll never find that type of content in our pages because of what I feel like I want to offer the reader. It makes us suffer a bit in comparison to all the other digital mags, blogs, and such, but for me it’s the principle, and it’s non-negotiable for me.

 

Penny Shaw: That’s a loaded question in itself. A lot of it is somewhat perspective man, because I definitely agree. A lot of people around me, they say people really slept on me. Even when I do shows, people come up and ask if I’m signed, and I say I’m doing it all myself. That’s technically the reason why I incorporated the name Penny, because it’s often overlooked. I said OK. This is a lot of people where I come from, so I’m going to embrace this and speak for them people. It’s really perspective because if you take a Kendrick or J. Cole, they may not get the props I feel they deserve, but it’s perspective because J. Cole is doing a million with no features. His fan base it crazy. Kendrick Lamar with the Grammys, I mean, he has a couple classics. Some people are lucky if they even get one. I feel like longevity-wise, they will get theirs. I’m not too worried. I’m not going to say I want to be underground forever. I want people to hear my music. I’m not one of those guys who wants to sit underneath, but I’m not willing to do certain things just to get there.

 

U.G. Digital Mag: You also mention doing it all on your own. I look at artistry, and I feel like independence should be the goal. I know that’s backwards considering how most begin, but I do believe that. I look at the big picture, or grand scheme of it all. There’s a lot more money to be made, and a lot more respect to be gained. There’s a lot that goes into being independent obviously, and a lot of artists are not ready to put in that kind of work. Where do you sit in regard to that? Would you want to be anything aside from independent? Would you sign to a major label, or any label for that matter?

 

Penny Shaw: I always say I will never rule anything out of the equation. I was good at writing music, and making songs. I didn’t realize that for as long as it takes you to make you a song, you need to push it for just as long, if not longer, just for it to make it. Nobody will hear it otherwise. So myself, and one of the guys who also produced my project, he owns the studio that I record at. So it’s myself, him and this dude is a jack of all trades. He’s a producer, he does mixing, videography, and one of my other boys is into videography. So it’s really me and my peoples. We’re doing this, and they’re like “we’re going to make this work”. These guys are helping me. I would say independent artists, not even just making music but pushing yourself independently, it’s frustrating as hell. Sometimes it’s like, I don’t want to do this. I don’t want to email this person, or take care of these logistics. At the end of the day, if the right deal comes to me, then it’s really like, I’ve been paying for this, that, and the third. You need to be able to offer me better. I should not be able to do your job better than you.

 

U.G. Digital Mag: That’s perfect in that sense. Should the opportunity come along, you know immediately if they are trying to play you because you’ve already been doing it yourself, and doing it well I would add. With everything you’ve done already, you’ve built a massive amount of success alone. There’s not much they can offer you that you haven’t already provided for yourself.

 

Penny Shaw: Exactly. And it’s really just the dollar amount. That’s really it.

 

U.G. Digital Mag: I think the setup you have is perfect. You have a massive amount of success already, and it’s only going to get bigger.

 

Penny Shaw: Definitely. I’ve just been blessed. I don’t even think I’ve reached anywhere close to my potential, and I’m still being blessed with so many opportunities. Even artists that are “so-called” bigger or more popular, they don’t get some of the looks and opportunities. I’m just blessed that people look to me and my music for certain things.

 

U.G. Digital Mag: Obviously, you come from Queens, and there’s so many artists from there. You have L.L., you have Run DMC, and so many others man. Who were those artists that you listened to, and not so much emulated, but moreso who you looked up to? Who is or was doing it where you want to get to their level?

 

Penny Shaw: Queens has a long list of artists man. I would say I didn’t necessarily grow up to them, but I’m a student of the game so I went back to all the classics. Actually, they just put up Phife Dawg Way around my neighborhood, right where A Tribe Called Quest was from, so I had to go back and listen to them. They’re one of my favorite groups. Mobb Deep, but my biggest inspiration from Queens is Nas.

 

U.G. Digital Mag: Surely he’s one of the dopest out there man.

 

Penny Shaw: Yea, most definitely. It’s funny because usually you had to pick which one, between Jay-Z and Nas (laughing). It was like, I remember being more partial to Jay-Z. I don’t know if I even understood what he was saying. I think I just liked it at the time. As I grew up, and understanding more about Nas, I realized his poetic flow was so intricate. I would say he inspired me because of his career, ups and downs. He pushed the envelope, whether it was with the Damian Marley album, or the song with his pops, but he did a lot of things to push his creativity forward. I really respect that.

 

U.G. Digital Mag: I look at him and Jay-Z both. Jay has clearly been out there, but so has Nas. 1995 and 1996, it was my first year of college, and I can remember Nas had out Street Dreams, and If I Ruled the World with Lauryn Hill, and that was like the introduction to him for me. It made me go back because he definitely had hits before that moment. Even just until that point, that was 25 years ago. Like, he’s done so much, and inspired so many. It still sounds fresh, even when you listen to him now. He’s not dated, but he still sounds fresh. I would also lean more toward Nas, looking at how he has maintained through it all.

 

Penny Shaw: Listen man. 25 years. I heard that artists are lucky if they get to two major albums.

 

U.G. Digital Mag: Definitely, because tapping back to the independent side, there’s a lot that you know because of your independent status, and most artists have someone doing those things for them. So when it comes down to sales being low, or people not knowing what they’re doing, or the labels don’t stay behind them, it results in them falling off. Keeping it real, many don’t get past the first album. For the time you’ve been here, and looking at careers of artists like Nas and Jay, it says a lot to be here and have that longevity. It’s hard out here artistically, especially as an independent because you’re fronting the money before you get any money. It takes time to put it together, and promote it, and it’s not cheap.

 

Penny Shaw: Right. It takes money to make money.

 

U.G. Digital Mag: So where do you see things moving? You’ve had a number of projects out. You get a lot of accolades for Ill City Blues.

 

Penny Shaw: We put it out in March, and we kinda just let it run. Then August and September I was basically doing shows in the Northeast. We did a few shows in New York. We went up to Boston and opened for Ras Kass, and I was able to go to D.C. and do this huge music festival they have called the H Street Music Festival, which brings thousands out. During that time, we’re filming all these videos. We just launched the first video, Questions, a few days ago. We haven’t even started our run for Ill City Blues yet. It’s just the first of many visuals we’re putting out. This weekend, I’m actually having my own pop-up shop in New York because we’re launching some merchandise to further my brand a little bit. So at the end of the year, I’ll have my own pop-up shop in Harlem. We’ll launch the merchandise and I’ll do some performances. I just want to expand the brand a lot more and promote a lot of this music, and give people a different angle of viewing it as well.

 

U.G. Digital Mag: So for the pop-up shop, what’s your big picture?  I’ll precursor that by saying that there could be a lot I just don’t understand in it all. Do you see a profit from that, or do you expect to see a profit at all?

 

Penny Shaw: I guess it depends on where your shop is, what you’re selling, and your venue. I’ve seen cases where it costs tens of thousands to get it. I do a lot of other people’s events, and go to different cities, so once a year, I throw my own event and push our own brand the way we want to. For this, it’ll be a real intimate performance. For anyone who has come to my shows, I don’t just get up and do things the way you hear it on the CD. I switch it up. We’re doing it at art galleries. Some of the painters I’ve connected with, we’re putting their work up on the walls. Everyone I’ve had relationships with, and really it’s for the brand. I want to connect with people. Of course, you want to be profitable at the end of the day, but its one thing to be profitable for the moment, and another thing to think long-term.

 

U.G. Digital Mag: I would imagine this will affect things long-term.

 

Penny Shaw: Exactly. You may take a hit in the short-term, but you come out better in the long run. It’s about how you look at it and what you want.

 

U.G. Digital Mag: Again, I look at the love and respect you get. What’s next for the project?

 

Penny Shaw: We just dropped Questions. We’ll probably go into four more videos. We’re heavy into the visuals, and we’re really creative. Around the spring time, I want to do another batch of shows around the east coast, but perform the project in full for cities where I have a big supporting fan base.

 

U.G. Digital Mag: That’s like the dopest thing when an artist can come and perform every song from a project, especially when one song plays off the other and it’s like a story. Lately I’ve seen a lot of artists doing that. Notably, being based in Cleveland, Bone Thugs is from here, and lately they’ve been in that mode of basing their concerts off one entire album and performing each song from that project.

 

Penny Shaw: Definitely. I always tell people, everyone is different. I try to create moments. For the pop-up shop, I’ll do a special performance for that. I don’t want to do the same shows for people, so when I come back in the spring, it’ll be a different look. I just want people to come out and get their money’s worth, and get something different each time, and not expect the same thing.

 

U.G. Digital Mag: You sound like someone who enjoys crowd interaction and participation. Are you partial to smaller, more intimate sets like The House of Blues, or do you prefer the larger scale arenas?

 

Penny Shaw: I’ll be honest with you, it really doesn’t matter. I just realize performing is one of the best ways for me to connect with people. My visuals have been one of my strongest assets. I like to get out there and talk to people, take pictures, and have these memories.

 

U.G. Digital Mag: As far as touring, what type of line-up is set so far?

 

Penny Shaw: Right now, I’m focused on the Northeast. January 6 I’ll be in D.C., and as far as doing the project in full, I’ll start in New York, then New Jersey, and that whole Tri-State area.

 

U.G. Digital Mag: That’s cool knowing where your best places are to perform, but obviously, you’ll know that as an independent.

 

Penny Shaw: Definitely.

 

U.G. Digital Mag: In terms of final comments, you have a lot of people who read these because, they too, are artistic and want to do this for a living. What type of final comments do you have for them?

 

Penny Shaw: To anyone out there pursuing music, or anything, you have to keep going. There will be ups and downs. The frustrating moments are what take you to the next level. Push through it when it’s something you want to do. When I get frustrated, I know it’s just GOD testing me and preparing me. I’m not too much of a religious dude (I know I just sounded like it… laughing), but that’s really just how I think. As far as the project, I just want everyone to listen to it, and know that this is a project you can go back and listen to and pick up something new each time. It’s intricate and we put a lot of thought into it. If you don’t get it by listening, the visuals will help you. We just want to paint a full picture and give a full 360 video for us to connect.