hiphop

CHRISTIAN HIP-HOP ARTIST RHYAN LAMARR RELEASES 'RELIEF'....

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Christian hip-hop artist Rhyan LaMarr has released the new single, ‘Relief’.

"RELIEF" was written by Rhyan LaMarr and produced by Mod G.Jack Red & Rhyan LaMarr. The inspirational Hip-hop single features Rhyan LaMarr alongside CanonJohn Giveznobigdyl.Kris NoelByron Juaneand Jack Red and is lifted from Rhyan's upcoming debut album, "Red Guerrilla Entertainment Presents

Rhyan Lamarr's: aPERFECTmess (Volume1)", is available now on all streaming platforms, via the Empire/RMG Amplify label imprint.

The powerful "RELIEF" music video was directed and conceptualized by Rhyan LaMarr.

The "Relief" visuals just made its world premiere on BET Jams this past weekend and is coming following the critically-acclaimed recently released and (in-real-time) music video for "Fight Another Day".

"RELIEF was inspired by the message of testifying through transparency," mentions Rhyan. "Together these artists each bring their challenges to light, lifting each other up. Humbly, they profess Jesus Christ as their one true RELIEF and cure during their darkest of times," he adds.

Rhyan shares, "When shooting this video, all we wanted to do was join forces and bring light to this powerful message, but never in a million years, did we think that a week after shooting the video in Los Angeles, that the nation and the world be "sheltered in place", due to a pandemic. And to think that this song was created after the album was already completed, is an extra enforcement in the message of the song... all of us uniting as one."

The Chicago native, readies the release of his debut musical project, "Red Guerrilla Entertainment PresentsRhyan LaMarr's: aPERFECTmess (Volume1)". The inspirational and thought-provoking album features appearances by Charlamagne the GodSway, Jonathan McreynoldsTwistaSocial Club MisfitsDon BenjaminCanon1K PhewDestorm PowerDa Brat and more.

Look for more info on this release here at U.G. Digital Magazine in the coming weeks!

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ABOUT RHYAN LAMARR

A true renaissance man. That’s what Rhyan LaMarr proves with the release of his debut musical project, aPERFECTmess. The Chicago-based artist taps into his first love of music to tell his life story through 20 tracks bringing together a list of who’s who in the industry. A cross between DJ Khaled-esque curation and Quincy Jones-like craftsmanship, the album unites voices from across genres and regions, including skits from radio personalities Sway and Charlamagne Tha Godto tell LaMarr’s story of hope and perseverance. aPERFECTmess holds dual meaning to describe the mashup nature of the music and LaMarr’s personal journey enduring homelessness on his way toward establishing himself as a reputable filmmaker.

Lead single “Stayed Down” enlists 1K PhewSocial Club MisfitsJack RedMico Wave and Chi-Town legend Twista for an epic posse cut. “The Remedy” brings listeners a reflective note with Jonathan Mcreynolds and Jack Red as LaMarr expresses gratitude for the light he found when he was at his darkest point.

It took me my whole life to make one album, but this album is my whole life,” he shares of aPERFECTmess.

Canal Street the film was released in 2019 and was LaMarr’s big break as a producer/director/screenwriter that gave him confidence to continue pursuing his artistry. It allowed him to travel across the country to share his story and build his own entertainment production company Red Guerilla Entertainment with fellow business partner Bishop Eric D. Garnes. After doing projects with late comedian Bernie Mac, Grammy-winning musician Common and Academy Award-winner George Clooney. He’s come a long way from having nothing but a pen and notepad.

LaMarr isn’t reinventing the wheel by combining his love of music and film. He’s following in the footsteps of Kanye WestPharrellJohn Legend and 50 Cent by taking ownership of his craft and putting in his own spin of positivity.

R&B SONGSTRESS @PORCELANMUSIC DROPS NEW VIDEO FOR 'ACT OUT'...

You’ve heard the smash hit, now it’s time to see the visual that accompanies! Yep, R&B songstress Porcelan has dropped the visual for her new single ‘Act Out’, and you know it’s hot like fire! The "ACT OUTdont-mess-with-me music video was directed by Hotkey Studios and is available now on all streaming and download platforms, via the Made In Memphis Entertainment/Beat Root label imprint.

"The inspiration behind the music video for “Act Out”, was one of my favorite 90's movies “A Thin Line Between Love and Hate", mentions Porcelan. "I wanted to capture the intensity of how broken she was from her past and how he came along and made her think he was different, all while he was playing games the entire time," she adds.

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"Act Out" is the follow-up buzz single to PORCELAN's chart-topping hit song, "Lois Lane", which became a Billboard Magazine Top15 record. "Act Out" will be featured on PORCELAN's forthcoming debut album, "Mood Ring", to be released this Summer. The in-your-face single was written by PorcelanHamilton HardinDenarious Holmes and produced by Hamilton Hardin.

PORCELAN has just been announced as one of the Brand Ambassadors for PZI Denim by Lisa Raye. "I am truly honored and humbled for this awesome partnership with Lisa Raye. As a bottom-heavy girl myself, sometimes its a challenge finding the right denim that fits right and holds it all in and PZI by Lisa Raye does just that...so the product speaks to me," mentions Porcelan.

ABOUT PORCELAN 
Her name is PORCELAN!

Recording artist and songwriter, born and Raised in the Westwood area of South Memphis, TN. is today's contemporary urban/R&B “It Girl”.

PORCELAN couldn’t help but ultimately pursue her musical aspirations, having immediately absorbed her historic musical surroundings from a young age while growing up in a family of instinctively musical people. “I don’t really remember it being anything I heard on the radio; I really m remember it being my family, like my Mom singing,” recalls the breakout songstress, when asked about the source of her first musical impression. “My parents are singers and musicians, so at family reunions it was really like `a thing'.

Spurred by the encouragement of a fifth grade teacher who heard her voice early on, along with long car rides with her Mom listening and singing along to the likes of Bobby Womack, Al Green, Stevie Wonder, Aretha Franklin and Marvin Gaye, school-aged PORCELAN found herself auditioning and performing for school graduation ceremonies which soon thereafter uncovered another musical gift…writing. “I started writing poetry I middle-school and realized I was good at it,” PORCELAN recounts.

In keeping with that momentum, PORCELAN focused on building her reputation in music circles, doing everything from appearing on BET’s 106th & Park, collaborating on material with super-producer Timbaland, opening for Tank and gaining invaluable performance experience via a three-month tour of China with a cover band. “Doing show bands is totally different from being an original artist, so I had to learn how to entertain in that realm. Even though I was new to it, I started being around a lot of seasoned people who showed me the ropes."

PORCELAN soon found herself in the studio with David Porter and fellow Made In Memphis songwriters/producers Hamilton Hardin and DeNarious Holmes recording her smoothed-out adult R&B debut single “The Real Thing Don’t Change” (along with “The One” and “Can You Hear Me Now”), which soon thereafter facilitated notable and buzz-worthy live bookings at SXSW (South By Southwest) and Essence music festivals. Once audience members and radio programmers increasingly grew aware of her simultaneously promoted EP, response to her second single release – the infectiously sumptuous beat ballad, “Lois Lane” – PORCELAN found her dream unfolding as she made her way up the Billboard R&B chart straight into the Top 15.

While newfound fans await the forthcoming debut album, "Mood Ring", scheduled to be released later this spring, a steady-on-her-grind PORCELAN delivered her first Christmas album, "Joyful Hearts: A Season of Love", this past Holiday season. A most contemporary-sounding Christmas set which further displayed her knack for composing vibrantly soulful songs amidst thoroughly-pleasing, contemporary production.

NEWS: @IAmCardiB Breaks Apple Music Streaming Record....

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Friday, April 13, 2018 - New York, NY - It's looking like Cardi B has got the world of hip-hop fans in the palms of her hands. Just a week beyond the release of her new album, "Invasion of Privacy", the New York rapper has broken yet another record, this time with Apple Music. The album, since it's release, has streamed more than 100 million times, besting Taylor Swift for the "most first-week streams by a female". "Invasion of Privacy is expected to top the Billboard 200. Cardi B's popularity has soared throughout the past year with release of her music, and the climb shows no sign of slowing any time soon. 

If you haven't had an opportunity to hear the album, you're in luck! We've got a stream below for you. Check it out now!

 

[NEW AUDIO]: @Sevyn: HOW MANY....

Sevyn Streeter is back with a new album, "Girl Disrupted", and you can listed to the single "How Many" below....

"Girl Disrupted" is now available with all online retailers, Apple Music, and more!

Released via Atlantic Records #GirlDisrupted available now: https://Atlantic.lnk.to/GirlDisruptedAY Follow Sevyn Instagram - https://www.instagram.com/sevyn Twitter - https://twitter.com/sevyn Facebook - https://www.facebook.com/sevynstreeter Website - http://www.sevynstreeter.com/

[MEET THE MANAGER][LEGENDARY] Steve Lobel

I can’t begin to say how excited we were to secure Steve Lobel for a feature within Urban Grandstand. As someone who dreamed as a child of working in the entertainment industry, he’s someone I sure followed along the way. When many others were literally playing games, Steve was running things, making things happen not only for himself, but for so many others. Coming from Cleveland, I watched, almost first hand, as he helped create some of the biggest opportunities for Bone Thugs N Harmony as a group, as well as each member in their solo efforts. He’s worked with a wide variety of other artists in addition to them, but his history began well before that. Brought into the fold of entertainment by the legendary Jam Master Jay, the same love, respect, and admiration he shows for helping artists build their brands and careers was extended to him by one of the greatest. Actually growing up with Jam and Run DMC, he saw first hand from some of the best to ever do it just what it took to survive in this industry. Now, having been in this business for nearly three decades, he’s working to sharpen his brand even more, and not only continue offering greater opportunities, but show the younger generation just what the business of music is all about. The magic that he has brought to this industry is unparalleled. This article is a way for him to showcase his world, and it’s an opportunity for us to honor a man who anyone interested in any part of the music business should know.  It’s our chance to salute the incomparable Steve Lobel!

 

UG Digital Mag: This is an amazing opportunity connecting with someone like yourself. You’ve done so much here in this industry that we can’t help but learn from you. It’s a great opportunity to emphasize the things you’ve done for those who have followed, and it helps to continue to introduce you to those who have in a sense been under a rock. You go back a number of years, and the positivity from many artists comes from them having worked with you. What does it do for you to know that you have left that type of impact, when you’re still building?

 

Steve Lobel: To be honest with you, if people don’t who I am, it’s OK. I do have a resume in stripes, and that’s what I try to tell the younger generation. Hard work pays off, and you have to build a resume. You have to put that work in to become who you want to be. I’m just blessed. I’m a man of my word, and I’ve worked hard. I’ve done a lot and it’s a gift and a curse. I’m blessed, but humbled to work with so many different people from different eras, genres, and states so to speak, from Bone Thugs N Harmony in Cleveland, to Run DMC in New York, to Nipsey Hussle in Los Angeles, to Sean Kingston in Miami. Three Six Mafia in Tennessee, Fat Joe in the Bronx, so on and so forth. 

 

UG Digital Mag: I’ve been one who has followed you all this time. I love the industry, have family who are in it, and it’s amazing, not to mention inspiring, for me to see what you’ve done. Being in Cleveland, I’ve followed Bone Thugs for example, and part of me gaining that stronger appreciation for you is the way you’ve worked with them and treated them. I’ve seen the people they’ve worked with otherwise, and I think you’ve been the strongest force for them, and simply put, the one person who hasn’t screwed them over or taken them in the wrong direction, and that also goes for other artists you’ve worked with. People have a tremendous amount of respect for you?

 

Steve Lobel: You give respect and you get respect. If people disrespect me, I’ll disrespect them harder. It took some time. I am a caucasian guy in an urban Afro-american business. I’ve dealt with a lot of people who maybe have never dealt with someone like me, or grew up and hung around with someone like me. It was all about building a relationship organically, and getting to know one another and building trust. My relationships are decades long because I’m a man of my word and integrity. I can still talk to Fat Joe 25 years later, and I’m still working with most members of Bone Thugs all these years later. We kick it like father and son. When you say Bone Thugs, and I call this 216 number, it’s weird because I used to deal with 216 numbers all day long with the members of Bone Thugs and the Mo Thugs artists. A lot of people came around Bone, and I’ll tell y’all the truth one day of what really goes on, but it’s not easy to manage a group. You have so may different emotions, feelings, and personalities in a group. It wasn’t easy. I’ve kept it more than 100 with Bone. I’m still down with most of them for so many years, over and over, through the trials and tribulations. I know more about that situation than a lot of people, and like I said, I’ve been through ups and downs with them and I’m still here. I was a part of putting the Bone and Biggie song [Notorious Thugs] together, Ridin’ Dirty with Chamillionaire, so on and so forth. I’ve been booking them with my partner Jamie for many years and making money with them. I’ve brought so much to the table for them, so you’re right. Some people come in and out of their world, and I’m still here standing, loyal, and doing great business. Time will tell, and the truth always comes out, but I’m still here standing. 

 

UG Digital Mag: Two things I want to hit on. Jam Master Jay, and Run DMC. I know you fully credit them for your success. How did you connect with them in the beginning?

 

Steve Lobel: You know, Jam Master Jay put me in the game. I grew up with Run DMC and Jam Master Jay. I definitely give credit where it’s due, and I’m a loyal dude with integrity, so I always give props to them, and I say Russell Simmons is my mentor. I don’t want to sound repetitive in the things I do, but a real brand stays consistent and doesn’t switch up. People who do hear interviews are saying this guy really stays true to the game and who he is. I’m from Queens, New York, and I don’t forget where I come from. I started with them and the sky was the limit. Rest in Peace to my mentor and my man, Jam Master Jay. 

 

UG Digital Mag: You spoke on the idea of managing groups, and dealing with trials and tribulations. How have you managed that through the years, given it goes through ups and downs from day to day. Some artists are difficult, obviously.

 

Steve Lobel: Managing artists can be difficult, but at the end of the day, I love what I do. Everything in life is difficult and nothing’s easy. You have to deal with a lot of bullshit. I don’t know how I’ve done it so long. I’ve been through a lot and have been stressed out, so on and so forth. Sometimes I have no patience and I want to throw it in, but the passion and drive keeps me going. Nothing in life is easy so you have to deal with the good, bad, ups, and downs. You have to laugh and cry, and put God first. 

 

UG Digital Mag: Where are things with A2Z Entertainment? It’s been 15 years now. 

 

Steve Lobel: I named it A2Z Entertainment because I do everything from A to Z. I know every part of the music industry. A lot of young people don’t know about the whole part of the industry from publishing to royalties, ancillaries and splits. Not many new artists have a team, lawyer, agent, and manager. A lot of these artists haven’t done a show. We’re more of a production company label. I do a lot of consulting, and not as much management. I have my whole brand reworking on Instagram and Snapchat. A2Z has been around, and it’s an LLC. It’s management, production, film, and a bunch of stuff. 

 

UG Digital Mag: Have you considered documenting or chronicling your day to day in general?

 

Steve Lobel: Well, I’m writing a book called The Coach Lasts Longer Than the Player, I just joined snapchat, and it’s documenting certain things with that. I want to do a documentary on my life. Have I done reality shows? Yes! I was on Millionaire Matchmaker, I was on Road to Stardom with Missy Elliott in 2004 when reality television wasn’t as big, and I did another one called Managers & Celebrities. I’m pitching different shows. What’s fucked up is everybody feels like nobody cares about what goes on behind the scenes in the music industry, and I tend to disagree because there’s so much great positive stuff in showing what goes on to be in the music business and be great. So many TV companies say it’s boring and they just want to show the finished product. To me, I’d rather see the behind the scenes and the making of it. I shot some sizzles and I’m pitching some stuff and trying to sell some stuff. I've got a thing called Beats & Bullshit, meaning show ‘em the music business and all the bullshit that goes with it. People don’t see that. They don’t know how to set up this and that. Most people are followers and not leaders. It took for Empire to come on TV and everybody feels it’s the business, but that’s not the music business. That’s what they want to show you as the music business. I want to show you the raw and uncut. To be honest with you, if someone doesn’t want to be a leader with me, then I might have to shoot it myself and put it out somewhere online. Online is very powerful, and content is key. I have my own talk show, Live with Steve Lobel, where I sit with artists and interview them. I interview everyone from J. Cole to Bizzy Bone to DJ Mustard to Logic to Focus the producer. The list goes on. I feel like I want to be the next Johnny Carson or Howard Stern. I just want to be innovative and creative, but I’m playing around with snapchat, documenting certain things in my life, and going from there. 

 

UG Digital Mag: I love and appreciate the fact that we’ve connected. I agree with all you’re saying, and a lot of what you’re doing and planning, I’ve personally looked for that, from the lawyers, to contracts, to everything else, so you know the things that are coming and what can happen. For those new managers coming into this, what advice do you offer?

 

Steve Lobel: I mean look... everybody is everybody these days. Everybody is the manager, rapper, singer, dancer,  andvideo director, but we’re all the same. We all bleed, shit, and we’re all going to die one day, or you’re not human. So I don’t judge people. Only God can judge, but the advice I give is make sure you want to do this. Work hard. My 5 or 6 keys to success were communication, organization, follow-up, never taking no for an answer, and common sense, which is not common. That’s the advice I give. Make sure you want to do this, love doing this, and know it’s a business. You need to know certain things. 

 

UG Digital Mag: I love it. Again, I appreciate you, and I’m grateful for this opportunity.  

 

Steve Lobel: I just want to tell every body that less is more, quality over quantity, money comes and goes but history stays. I’ve been blessed, but it’s a gift and a curse. You have to take the good and the bad. Love what you do, and work hard. The hard work pays off. Nothing happens overnight. Rest in Peace to Eazy E, Rest in Peace to B.I.G., Rest in Peace to Big Pun, Rest in Peace to Tupac, Rest in Peace to Jam Master Jay, Heavy D, you know, I’ve had the opportunity to work with a lot of those people. Sky is the limit. 

[FEATURES][ARCHIVES] Grandson: Loot Skywalker [January, 2011]

U.G. Digital Mag: Thank you so much for your time man. I appreciate you taking the time today to knock this out…You’ve developed a very strong following on the underground circuit. What do you attribute this to? Why do you feel music fans have gravitated to you and your music?

 

Grandson: Mostly, I always attribute the ground floor to the internet. My brother and I had a group and we worked with MySpace. Passing out mixtapes. Events. On the net, then face to face. I think consistency is the main thing. If they only see you once in a while, then maybe. I come out 4 to 5 months a year. Then quality music speaks for itself.

 

U.G. Digital Mag: Knowing how rough your surroundings were, obviously you were able to escape the pitfalls, but how do you feel like you were affected by all that was happening around you? And how has that reflected in your music?

 

Grandson: It affected my younger years. Brushes with the law. Unfortunate situations. Being away from family at time. You can escape it. I didn’t focus on education so fell victim, but you learn from it. It’s a learning tool. Prison made me see that. It shows you that it gets no different if you keep doing the same thing.

 

U.G. Digital Mag: What has the climate been like around Virginia where you came up? Obviously a number of acts have come out of that area. Do you see that people look back for those who are looking to make it out?

 

Grandson: It’s pretty much like, I guess, everybody is trying to get away as fast as they can. There’s nothing here but those trying to make it. Nobody is here that made it. They may have studios, but you don’t see it. The underground climate is fierce. It’s strong and on the come up. I build a lot of camaraderie. DJ LES. He’s my mentor. He’s got a studio, and even some mainstream artists come through.

 

U.G. Digital Mag: How difficult has it been for you to make a name and build your career there?

 

Grandson: Oh man, it’s been very difficult. It’s all about really, doing what you don’t know. Once you know what you don’t know, then it gets better. I’ve been educating myself on the business side

 

U.G. Digital Mag: So talk to me about your new mixtape?

 

Grandson: Loot Skywalker. I felt like the actual Star Wars theme was relevant, because we want to take fans somewhere far away. People gravitate because of the different melodies, and hard edged sound. I use melodies that haven’t been used. Different production.

 

U.G. Digital Mag: What do you feel like you did differently this time around?

 

Grandson: Mainly, I’m doing a lot more singing on this album. Vocal singing. I usually mix it up more, but this one was more melodic and singing.

 

U.G. Digital Mag: So aside from the interviews, what else are you doing for promo? Are there any shows at all?

 

Grandson: We’re setting up for shows. I’m in the streets with the mixtapes. Promo events. I want to break a couple singles, videos, running out of time, and shorty got me gone. I want to get the streets going and the net going. I have a few viral videos coming out. The mixtape is coming with digital products, untitled, coming out at end of March, and the upcoming album is called Grand Opening.

[ARTIST] D.R.A.M.

D.R.A.M. is just like the guy next door -- if the guy next door could rap, sing, and make smash records. "I always had a boisterous personality," says the 28-year-old singer/songwriter. "Even when I was dead ass broke, I still found ways to have fun." 

Born Shelley Massenburg-Smith in Germany to a military mom, D.R.A.M. (an acronym for Does Real Ass Music) and his family planted roots in Hampton, Virginia, where he was raised. Growing up, he hung around his older cousins and found inspiration in artists beyond his years, such as luminaries like Al Green and Parliament. "As a kid, I remember everyone in my family played older music, it just rubbed off. It was a blessing," he says. 

When he hit his teens, D.R.A.M. was enamored by hip-hop and hit the mall every day after school to look for local rappers to challenge. "I was rapping just like Cassidy. He was my favorite rapper at that time," he recalls of the Philadelphia rapper. "It took a lot of growth, but I always knew that I was gonna make it as an artist. Over time my sound just developed." 

The biggest development came when D.R.A.M. dropped his '#1EPICSummer' mixtape in 2014 and captivated fans with his break out hit "Cha Cha." The infectious Latin rhythm fully showcased his soulful singing voice, and penchant for crating catchy melodies. The world took notice, including Beyoncé who posted a video on Instagram of her dancing to the song. 

"We put '#1EPICSummer' out on a whim, we didn't know how we were gonna make it work, but we knew we were gonna make it work," he says. "It was energy, the universe, the lord, all of that and timing." 

Fast forward a year and D.R.A.M. has quit his job at retail chain, Best Buy, dropped the highly-favored follow-up EP 'Gahdamn!,' hit the road on sold out tours with the likes of Chance The Rapper, and worked with the legendary Rick Rubin, who D.R.A.M. cites as his mentor. 

Now with the release of his debut album 'Big Baby D.R.A.M.,' D.R.A.M. is more determined than ever to prove that he is here to stay. Heralded by the double platinum, Lil Yachty-assisted "Broccoli," which hit #1 on the Billboard "Top Rap Songs" chart, as well as #1 on the Rhythmic radio charts, 'Big Baby D.R.A.M.' is filled with an assorted mix of soulful jams, laced with appearances from Erykah Badu and Young Thug, that are all tied together by D.R.A.M.'s magnetic personality. 

The wildly fun anthem "Cash Machine" starts with a show tunes piano courtesy of producer Ricky Reed, before erupting into a joyous toast to the good life. "Cute" is a flirtatious boy-meets-girl story where D.R.A.M. remains charming and innocent singing "I chose you like a Pokémon." "WiFi" features the Erykah Badu and together they tackle the question that's on everyone's mind: What's the code to your WiFi? Then there's "Sweet VA Breeze," a love song to D.R.A.M.'s home state, which he recorded over three years ago. "That's my favorite one on the whole project," he admits. "No matter where you go, you'll be alright if you stay true to where you're from. I'm from Hampton, Virginia." 

"I want to set my mark, and leave my mark. This is my intro, but I want it to stick and be one of the great ones," he says. 

With each track, D.R.A.M. remains a relatable superstar that will captivate fans for years to come. "Through conversation if I can relate with other people why not portray that in my music as well," he says. "I just gotta be true to me."

[ARTIST] Casey Veggies

Casey Jones, better known by his stage name Casey Veggies[1] (born July 18, 1993), is an American hip hop recording artist from Inglewood, California. Since 2007, he has released five independent mixtapes under LA clothing and management company Peas & Carats Intl.[2] He released a collaboration mixtape with Rockie Fresh called Fresh Veggies, on December 16, 2013. His debut studio album, Live & Grow, was released on September 25, 2015.

 

-For More Information-

Official Site | Facebook | Instagram | Twitter

AUDIO/VIDEO

Mixtape: Customized Greatly 4: The Return of the Boy

[ARTIST] Dreezy

Remaking a song from the hottest artist in the industry is a dicey proposition. For most emerging artists, it’s a bad move, one that keeps them on the musical periphery. For Dreezy, her rendition of Nicki Minaj and Lil Herb’s “ChiRaq” catapulted her to national prominence because of her fiery delivery, ferocious lyricism and magnetic microphone presence. 

 

“I’m a fan of Nikki Minaj and I like what she did on the original ‘Chiraq’ with Lil Herb,” Dreezy says of the 2014 cut. “But I got the best bars in Chicago so it was only right for me to remix it and represent. The day my version of ‘ChiRaq’ came out her boyfriend texted us saying ‘You won’t last a week.’”

Dreezy has more than outlasted that prediction. Today, she’s one of the game’s most promising artists, a lyricist equally adept at delivering mind-blowing punchlines, riveting street-based stories, introspective selections and odes to true love. Her talent is on full display on 2014’s acclaimed Schizo mixtape, as well as her just-released Call It What You Want EP.

Dreezy developed her writing prowess growing up in a number of locations throughout the South Side of Chicago. By the time she was in kindergarten, she started drawing. Soon thereafter, she kept diaries and began crafting her own tales. 

“Sometimes I wrote really dark, sad stories about rape, murder and violence or stories about rocky relationships,” she recalls. “I remember writing a poem about my grandma when she passed away. I was always telling other people’s stories weaved with mine. I saw and experienced a lot and had to mature at a young age. I expressed it all through my poetry.”

Even as a child, Dreezy’s words were piercing. “I had no filter as a kid,” she says. “I was always saying something and not realizing what I just said. I wasn’t a bad kid. I was just smart for my age and wanted to express my opinion — and it got me in trouble. My mom got to a point where she just couldn’t deal and my dad had to tighten my ass up. When I moved to Dad’s, I learned there’s a time and a place for everything and not to go on first emotion with stuff.”

But the move brought its own set of complications. After getting caught stealing, Dreezy’s father put her on punishment for three months. Rather than sulk, Dreezy wrote to a beat CD she had. She’d grown up listening to Ciara, Bow Wow and B2K. But as a rapper, she was channeling Lil Wayne, Kanye West and Drake.

“When punishment was over I went straight to the studio and recorded all those songs, resulting in my first mixtape, The Illustration,” Dreezy explains. “I was talking about my life and really going hard, just giving bars. My auntie made a bunch of copies and I passed them out at school. The principal heard it, called me in to the office over the loudspeaker – and busted me for cursing on the tape.”
Dreezy’s profane raps were matched by straight-As in the classroom. Similarly, her lyrical skills translated well to her AP writing class, in which she excelled. She applied to and was accepted into Northern Illinois University. Dreezy attended the school for a few months, but dropped out to pursue music full-time. 

In 2013, a friend introduced her to producer D. Brooks Exclusive, the beatsmith whose work with King Louie, Lil Herb and others had him perched as one of the Windy City’s hottest rising sonic architects. “Chicago is known for a hard drill sound and Brooks was the only producer really adding piano melodies and violins, more feeling to his music,” Dreezy says. “And when the sound changes, he knows how to embrace it and make it his own.” 

Brooks produced Dreezy’s Schizo mixtape, which was released in February 2014. Her subsequent work on the “ChiRaq” remix led to her appearance on Common’s “Hustle Harder,” a cut from his acclaimed 2014 album, Nobody’s Smiling. The pioneering Chicago rapper appeared on Dreezy’s “No Good,” solidifying their bond. 

“I know if I ever need to talk to someone, Common can give me some good, sound advice,” she says. “He has good intentions and doesn’t want anything from me.”

Common isn’t the only prominent artist checking for Dreezy. “A few females reached out when ‘ChiRaq’ took off: Rah Digga, Shawnna, Remy Ma, Tish Hyman and some others,” she says. “I’ve already done collabs with Tink, DeJ Loaf, and Chicago female MCs Sasha Go Hard and Katie Got Bandz. Sasha is like my sister. Our friendship started out from rapping but we’re like sisters now. Katie and I are really good friends, too. We support each other. There’s room for everybody. That’s how it’s supposed to be.”

As Dreezy makes her mark among music industry icons and new artists alike, she remains focused on being counted among the genre’s elite. “My goal is to be legendary,” Dreezy says. “Music is my purpose and I want to set the bar — especially for females — and break all the records that come with it.”