exclusive

ROGER ORTEGA [@RnBPoPWrytr]: LIGHTS, CAMERA, ACTION!

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We recently had to catch up with writer and musical superstar Roger Ortega, and the conversation was amazing. We get to hear all about his most recent project, The Lottery, and what else he has in store now that the music is pumping out consistently again. Check out the exclusive below!

 

Thank you so much. You have so much going on. Obviously, your progression is something to be noted. I love what you’re doing. This is especially good because we work to promote and push independent acts, so in that respect, there’s so much to talk about. It would be good to start with what brought you into music. I know you’ve been here…

 

It’s funny man. Long story short, I was born into a musical family. I didn’t want to do what my dad’s band was doing, but I listened to them practice. I knew this was what I wanted. At 14, I put together a group with my cousin and another guy. We changed members and names, but maintained the R&B and Pop feel. Eventually, we got a record deal. 

 

Almost like a new edition…lol

 

Right. And New Kids on the Block played a big factor. One morning I saw them on TV, and was like who are these guys. Being a solo artists as a kid, I felt like I’d have more support with a couple other guys on stage. Eventually, some faded away, and I found more guys. We got a deal in Kansas and moved to New York. Universal was buying out everybody. We got locked into this deal where they just wouldn’t do anything with us. We eventually got out of that deal. By age 24, I said I was done. I went on about my life, but would write more for the love of it. Through a random series of events, at 37 I got a deal. I started off as a writer, and eventually they wanted a record. I quit at age 24 because I thought I was too old. How would it be at 37? I reluctantly said yes, and it ended up being number 62 on iTunes. I kept at it, and worked on a second album. The Lottery came out last year, and hit number 8. There’s so many good songs on the album, and you learn from your mistakes. You put all this work into an album, and you are to let it breathe. With the new single, The Worst Hangover, it’s actually a remix to the album’s first single. It’s doing pretty well. Not the same rules as an independent artist. You don’t necessarily have to do something new every year. You can work with what you have. 

 

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Now that you’re independent, how does it feel, having been with a major before? I see a lot of artists who don’t do well in the transition. Many artists don’t realize the level of work. How has it been for you?

 

I hate being told what to do, and am a lot less motivated when I am told what to do. So it’s one of those things where I’m in control. Failure or success comes back to me. My team is amazing, but they’re name is not the brand. If it doesn’t work out, it’s on me. I can sit with a little more pride when things go good. 

 

I think it’s cool. What you have is hot and in so many ways, you break the stereotypes, and break the color lines. What has been your experience with connecting with other artists? I turn 40 this year, so I appreciate the fact that you pay respect to the artists before you of our era. I find it so funny that because of this new edition movie, our kids know all about New Edition now. My son is ten and is so enamored with Cool it Now like it just dropped yesterday…lol. 

 

I think that has driven the direction of my music and where it comes from. Like you, I grew up on all that. It’s infused in my DNA. The Lottery album pays homage to a lot of those artists, and has a 90s appeal. That was one of the biggest things. I definitely wanted to be taken serious with this, but I knew my fanbase was 28+, and people who knew that era. That’s what was so cool. 

 

I also think it’s cool because a big part of me misses that era. I make it a point to look back and connect with artists of that era now with the magazine. I like to be able to show what these artists are doing now, and how they impacted music. The blessing is I get to connect with my favorites, the ones who don’t get the respect. As far as shows go, what have your shows and tours looked like? Are you doing a lot of shows?

 

Yea, I have been. My last show will be in New Mexico. The last few months, I’ve had shows in New York, Miami, and so on. The shows have been great. One of my favorite shows was a tribute to George Michael. 

 

Awesome. I grew up listening to him in Wham, and so much of his music. 

 

He was one of the first to really cross over to R&B and radio play. I can remember hearing him on Hot 97. He had a lot of respect for R&B and Soul, and vice versa. I respect how he rode that line, and was one of the first major stars to cross over. I released a cover of Father Figure a few months ago along with a video. The video was to tie into the next video. That and The Worst Hangover is like a series. It was a cool concept. 

 

I saw the father figure video, and I heard the single first on reverbnation. What are your plans moving forward and progressing?

 

What I feel like right now; someone asked me when the third album was coming. I don’t think I’m in a place emotionally to do a third album. I’m just writing right now. When something hits me emotionally, I’ll do a third album. With The Lottery, it was a lot of start and stop. I immediately went to work on the second album, but the owner of my independent label passed away and the label shut down. I lost a lot with that first album. All the stuff I had before was good, but not as good as this album. My dad developed cancer in the process and passed away as I started on the second half of the album. That gave me a lot for the album. I wrote three songs on the plane back from his funeral. One of those is Never Forget, which was a tribute for my dad. I also wrote The Worst Hangover, which is about losing someone and how you feel. I changed it to be more about losing a girl, but I pulled the pain from losing my dad. I also wrote a song called Put It On Me. Through darkness comes light and that’s where that came from. My plan moving forward is to work on singles and get as many people to hear my projects. 

 

What else is to come for people to look out for?

 

There’s a song I’ll be working on for a project that my fans had been inquiring about. I can’t say much about it yet. I’m working on a song with another guy which will eat up a lot of time. Two guys from my group joined me for the George Michael show. I put up a video of us practicing Careless Whispers, and they agreed to do an album. That’s down the road, but right now, I’m focusing on me. I have to get to the Grammys, one way or another, even if I got to work the door [laughing].

 

Where can people check you out online?

 

Everything is at rogerortega.com. I’m on Facebook, Instagram, and Snapchat. 

 

I look forward to your upcoming projects. You clearly love the music so much that you’re still here. I appreciate having the opportunity to connect with you. I feel like you’re breaking barriers. Thank you. 

 

Thank you. I appreciate telling my story.

[FEATURE] JOURNEY INTO THE MIND OF ERICA ON 'THE HAVES AND THE HAVE NOTS" WITH PRESILAH NUNEZ [ @PRESILAH ]...

Presilah Nunez, PHOTO CREDIT: Dana Patrick

Presilah Nunez, PHOTO CREDIT: Dana Patrick

We recently had the pleasure of featuring cast members from Tyler Perry’s The Haves and The Have Nots here at U.G. Digital. The current season is heating up, and in support of the show, we’ve taken some time to catch up with some of the cast to look at their roles in the show, in addition to some of the other things they have going on. 

 

This week, we feature Presilah Nunez, who plays the role of Erica on OWN’s most popular scripted series to date. For the past few seasons, Erica was thought to be besties with Candace, played by Tika Sumpter, but in recent episodes, it was ultimately revealed that she’s not only against Candace, but a part of the big plot with recently-turned nemesis; Warwick, to take her for everything she has. The storyline has indeed gotten much-heated, and Erica sits down to chat with us about the show. 

 

 

U.G. Digital Mag: Thank you ever so much for the opportunity to speak today. It’s one thing to interview a megastar like yourself, but it’s a completely different thing to connect with someone you admire, and watch every week on a television show. You’re amazing at what you do, and you play your roles so wonderfully. Thank you for not only entertaining us, but inspiring us. UGD is all about entertainment of course, but my side-mission in this is showing our youth, and even adults, that you can do what you love, and have a blast, all while making a decent living. 

 

Presilah Nunez: Thank you so much…that means a lot!

 

U.G. Digital Mag: What’s been your experience doing this show?

 

Presilah Nunez: Straight off the bat, my experience was one of those Tyler Perry stories in the sense that the character was supposed to be that one interaction with Benny where she sold him the car…

 

U.G. Digital Mag: Wow, that was my next question…

 

Presilah Nunez: Yep. That was all they had written. Contractually, it was supposed to be three episodes, but two out of those three were phone conversations. For die-hard Haves fans, they’ll remember that Erica called Benny twice, and on one instance, Mitch is in the episode, and Benny is like “yo, this is that girl that sold me the car for $500”, so that was one episode, and you see Erica do the whole interaction. So it was supposed to be three episodes, and we’re doing our thing. Tyler Lepley and I are doing our thing, and we really hit it off. Tyler Perry came up to me and asked how long I had been acting, and I don’t know … he’s just a visionary. He just saw something, and from there he pulled me aside and said “I’ll see you soon”. I’m like Ok, I didn’t really know what that meant. You know, you’re in L.A., and a lot of people say stuff like that. They’re like I have a part for you, or whatever, and you never hear anything. That’s not to say I didn’t believe him; it’s just one of those things you chalk up as a grain of salt. Nine months later, I’m sitting in an acting class and I get a text message from this Atlanta number. I had also missed a couple calls. It was Mr. Perry, calling to say he was bringing me back, and how he had all these ideas for Erica. So we spoke, and I was freaking out [laughing]. You have to understand, I grew up watching Tyler Perry. My mom had The Diary of a Mad Black Woman on DVD, and she had two copies. She would keep one, and lend the other out to her girlfriends. I was like 15 at the time, and now I’m talking to Tyler Perry on my cellphone and it’s like an out of body experience. He just kinda went through the character. He’s always evolving characters and has ideas. He wanted her to go a certain way and said we would see what happens. He said my agent would have it on their desk the next day, and that’s how Erica came to be. 

 

U.G. Digital Mag: That’s so amazing, and you speak of it being an out of body experience. Do you ever get to that point where it kinda becomes a regular thing and the excitement of getting the new part fades? Like, I’ve been in Journalism for 15 years, but anytime I connect with someone, I’m super excited about it. Are you just as excited with each new thing?

 

Presilah Nunez: I feel like I’m always just as excited. I feel like if you’re not that way about what you’re doing, why are you doing it, especially in this profession. What people don’t see is there is a lot more rejection. There’s a lot more no’s than there are yes. I have a lot of younger cousins who didn’t see me grow up because I’ve been acting since I was nine years old. All of my family that’s older knows I’ve been doing this since I was a little kid, but I have a lot of younger cousins who see me on TV and I have to remind them, you don’t remember coming to my shows? I have to break it down to them. I keep a spreadsheet of all the auditions I go out on and the opportunities I get. One side is the yes column, and the others is the no column. It allows you to never be complacent in this industry because you’re always fighting. Even the people who are on the covers of magazines right now, they’re fighting to maintain it. It allows you to remain humble. 

 

U.G. Digital Mag: I love the fact that you do a spreadsheet because it lets you see not only who said yes and no, but you see your success and all you can do and accomplish. Look at what people said yes to. I love what you’re doing, and especially what Tyler is doing, because it creates so many more opportunities for minorities. I absolutely love it, and we haven’t seen it before with a show like this to do the numbers it does. People are clamoring for what is to come. How do you deal with the crazy success of the show, and the way people have really taken to you even more as an actress because of your involvement?

 

Presilah Nunez: What’s great is the show was already the number one show on OWN and cable on Tuesday nights. It’s easy to come onto a show when it’s already successful, but what’s been great is to be a part of it as it maintains that success. I think that the audience is able to see that Tyler added a few more cues to it when he added Erica and Officer Justin. It was great because we came onto this show and met everyone. I always tell this story because Tika Sumpter and I had never met. So we met and it was my first day on set, and we had to shoot this scene where I’m up in her room, and we’re talking about the whole house thing, the money she owes and the mortgage. I’m freaking out because I said War is really dangerous and he killed my sister, and all that stuff. I remember going onto set and we shake hands. Tika’s like “nice to meet you, I guess we’re playing best friends now”. I’m like yea, apparently we’re girls, and that was it. That was our first scene. What’s funny is the tweeting that came about when that scene first aired, and everyone was saying that we were definitely girls and you could see the chemistry. If only they had known we had just met. I say all that to say Tyler has an eye for talent and personalities. It’s almost like he does background checks because we mesh so well off camera. It really helped translate on camera, and it’s a big part of the success of the show. There’s a lot of chemistry so it’s been great. Renee, who plays Katherine, she is amazing, and hysterical. In the make up room, she’s always singing. There’s all these people my character never gets to interact with; Crystal Fox, who plays Hannah, she was hosting Barbecues every weekend. A couple of months ago, when we shot in Atlanta, we would hang out at her house. That’s what has allowed the success to permeate. 

 

U.G. Digital Mag: I’m glad you mentioned Crystal Fox because we ran a feature with her last week. I absolutely love the show and we’re working to feature everyone. Angela has done the cover for us, and we’ve also featured Ro Brooks. I think it’s great what everyone has been able to do. I also believe Tyler is a visionary. I’ve been in management before, and even in that, you have to be able to find people who not only can do that job, but people who also can work well with the people you already have. No one would have ever said that you and Tika had just met. It’s a testament to your talent and also hers. It’s huge and speaks to the credibility of you as an actress. 

 

Presilah Nunez: Thank you so much. 

 

U.G. Digital Mag: Now getting right to the meat and potatoes, Erica is my type of character. She can turn the drama on and off at the snap of a finger. She can be a mess all the way, and then be an angel the next minute. Nothing would have ever said to me that she would turn against Candace and work with War. Where did that come into the role at? 

 

Presilah Nunez: Look, you and me both. I had no idea. When you’re in TV, it’s different. I grew up in theater. Even my first couple years as a professional actress, it was all theater. What’s different about that is you get a script, and you know the beginning, middle, and end. Your job as an actor is to find the moments of excitement. Now that you know the whole story you have to make sure you don’t play the end too soon. If you know you’re going to die in the end, you have to make sure the audience doesn’t know that because you want that element of surprise. When you work in TV, the writers kinda help you in a sense because you never know what they’re going to write for the next episode. All you can play is what is in front of you. I remember getting that script for the episode, at the end of last season where Erica and David are in bed and War walks in, and I screamed, like me, myself, Presilah, reading it by myself in my hotel room. I’m like what!!, I remember saying to Tyler “you’re kidding me, like, me and War”? He was like, “it’ll be fun”. I thought it was interesting. Now, I have to play that in my mind. It’s like, you get added a few more colors. Now I have to play with this. I love reading the tweets because some of you are very insightful. You guys can see things and I never notice it. Some can see that Erica is a little shady. 

 

U.G. Digital Mag: That was my thing…

 

Presilah Nunez: Yea, then you’re one of those people who are really smart. I didn’t even know what was happening with War. That wasn’t until the next year that we filmed that. As an actor, there was no way I could play that at the moment because I had no idea where it was going. I just thought Erica was helping Candace get money. As far as her turning against Candace, I start to realize it and analyze it all as it is given to me. That’s when I start to piece it all together and realize that oh, she’s a lot more conniving than I thought. It’s a lot more fun to play. Angela and I have so much fun. Angela is a sweetheart. 

 

U.G. Digital Mag: It’s so weird that her character is so out there. When she visited the girl in the hospital and was slapping her around, I was floored. It’s crazy how she can play that so good, and meeting her in person, she’s the total opposite. Nothing like the character. 

 

Presilah Nunez: Right. Nothing like it. So Erica came in a little slow, and what’s airing right now is when I began to realize there’s a lot more to it. Even as her relationship develops with David, there’s still a lot about her that Tyler hasn’t told anyone about. It’s like, where does she really come from, and what is her story. Why is she like this. These are all things that sometimes, you get told in the back story. When you don’t, it’s kinda freeing because you can make it up. It’s like you meeting Angela. Every time I shoot, I feel like I’m meeting Erica and learning more. I’m doing what’s written, but it’s so out of this world. 

 

U.G. Digital Mag: It’s strange because when you look at the past episodes, I’ll catch things, like when Erica and Candace were together and Erica spoke about what happened to her sister with War. Then to see them together, I was like, how could they be working together? It’s crazy to see it unfold. How is it for you, considering you shot all this a year ago. How difficult is it to sit on it without telling anything?

 

Presilah Nunez: It’s hard because you’re excited. People ask and you’re like, if only you knew what was going to happen. It’s exciting to know, but I don’t get to see a lot of what is shot because I’m not in every scene. A majority of time, I with Peter Parros. I started working with Angela, Tika, Jon, and that’s it. I never see Benny anymore. All these other stories are unfolding that I don’t know much about. It’s fun to watch because I get to see what other people are doing when they’re at work. I know what I’m doing, but now I see everyone else. Like the other night, Christian, who plays Landon, had this whole elevator scene after my elevator scene, and I’m like excuse me, I wonder where he learned that from? He was laughing because we never see them. It’s exciting to watch with the audience because I’m seeing things I had never scene yet. Even this past week with my scene in the elevator…

 

U.G. Digital Mag: Oh my God. I love both of your characters, so I was back and forth like get her Erica, and no, slap her Veronica. I loved it, and you two did an amazing job. 

 

Presilah Nunez: Thank you. In that scene, we had a really good time shooting. Funny thing is all the shit talking was really us, but when hair was being grabbed, those were body doubles. So at that moment, Tyler had us step out and brought in the stunt doubles. They started actually fighting. They had this whole choreographed fight, because everything is choreographed to be safe, and he throws Peter Parros in the middle. He tells the doubles to just go at it, and Peter is supposed to keep them from touching each other. At “Action”, they starting going …and going … and going, and by the time they stopped, his tie is over his head, and Tyler is cracking up because Peter is breaking a sweat. These stunt doubles are jacked. Peter is trying his hardest to keep them apart, and looking at Tyler like, ‘Can you yell cut?”. Finally Tyler yells cut and is like, “Peter, you look a mess”. It came out so good. 

 

U.G. Digital Mag: How into social media, are you? I ask because when you look at Facebook, there are a number of groups created for the show where everyone talks so much about the characters and what they think will happen next. Do you ever join in on comments at all?

 

Presilah Nunez: I do, but moreso on Twitter. I definitely do, though. I’m not as active as others, mostly because I don’t feel like my life is that interesting [laughing]. I go to auditions, I go to Trader Joes, I walk my dog, like it really isn’t that interesting. But on Tuesday nights, I will tweet. I do it usually on east coast time. For them, it’s just premiering. I respond and it’s a lot of fun. Overall, this show has forced me to be a little more active. Otherwise, my Instagram, in my opinion, is a little boring. I think other people’s lives are interesting. Another bazaar thing about me, I watch family blogs on YouTube. There’s a family I watch from Wyoming, and I think it’s so fascinating to see the things they do. My boyfriend thinks it’s ridiculous but I like it. 

 

U.G. Digital Mag: I think it speaks to how down to earth you are and how much you relate to the average person. 

 

Presilah Nunez: I guess that’s a good way to look at it [laughing]. Have you seen them?

 

U.G. Digital Mag: I do watch a lot of YouTube. I haven’t want her them, but I know exactly what you’re talking about. Now you were recently in “Dear White People”. Can you talk a little bit about that? 

 

Presilah Nunez: So “Dear White People”, my role is Kerry Washington. It’s a parody. When I first moved to Los Angeles, Scandal was still really big and everybody would be like you’re like Kerry Washington. I don’t think I look like her, even though she’s beautiful. I think they meant more like her essence. Erica is a lot more flirty, but my natural essence is a lot more grounded. So when I got this role, I loved Kerry Washington and now I had to make fun of her. The writing is so funny and it was a blast to be a part of. Dear White People as a whole is so monumental. The timing on it is really perfect. It’s great to be a part of it in a sense that speaks to the culture, gathering around to watch, and it was a fun little Diddy I did. 

 

U.G. Digital Mag: Also, what was your experience being a part of Rosewood?

 

Presilah Nunez: Rosewood is interesting because my ethnicity is Dominican. I’m Latin. It’s funny that people from the east coast will pick up on it, because there’s a lot of Dominicans on the east coast, especially in New York and Florida, but other people, like here in Los Angeles, have no idea. Most think I’m mixed in terms of White and African American, which in a sense, I am. The Dominican Republic is basically a country made up of mixed people, half African and half European. I’ve never played a Latin role until Rosewood. America thinks Latin and they think Sophia Vergara, or Jennifer Lopez. They’re eyes haven’t been opened yet. It’s happening, like there’s a lot more roles for women of color now, and people of color in general, so they’re eyes are being opened. So people are realizing we are African, but we come from a country that speaks Spanish. With Rosewood, it was a cute role. I was like, I’ll go in , audition, a lot of girls will look like Sophia Vergara, and whatever. But it was different. I went in with my name plaque on, which is a very Latin thing. It’s like a gold necklace with your name on it. I wore that necklace, and did an accent. Naturally I don’t have an accent, but I have a lot of aunts who do. I spoke it from the time I walked in until I walked out. I got the role, and then went for the table read after I had been hired. I walked in and the producers are looking at me funny. Finally they go around the table, and then they take a break. They finally said they had no idea who I was. They were shocked that I could just do an accent. It was great and I felt honored to play a Latina because I never had. It was so much fun; the mannerisms, accent, and flavor I grew up with but never had been able to put into a character. 

 

U.G. Digital Mag: It’s really cool. Do you see yourself playing more roles that speak more to your ethnicity?

 

Presilah Nunez: I think if the role is appropriate and if that’s what the role and character is about, then sure. It’s always important to be in touch with your ethnicity, background, your people and culture, but to be honest with you, it’s never something that I felt like I needed to force down people’s throats. I think when the time comes and when the character is there, then it’s great. I’ve just love to tell stories, which was why I wanted to be an actor. I love the details about storytelling. If the character necessitates that element in terms of her being Latin, I would love to play it, but if not, it isn’t necessary. With time, I know that because of the way shows are going and being diverse and showing what America is, and people being more accepting, it will happen. I have a lot of family who will be able to understand what I’m saying [laughing]. 

 

U.G. Digital Mag: What else can we look out for from you? You’ve been put on a larger platform and people recognize you now…

 

Presilah Nunez: “Dear White People” will be back for a second season. 

 

U.G. Digital Mag: That’s amazing. 

 

Presilah Nunez: Absolutely. It was a little bit of an experiment. That was another character that was booked initially for one episode, and it was expanded. That will be fun. We just filmed another season of The Haves and The Have Nots that will air next year. 

 

U.G. Digital Mag: I like that you mention filming more of The Haves and the Have Nots. A lot of fans, including myself, often look at various sites about the show, and I had seen something that kinda timelined you on the show as ending in 2017. 

 

Presilah Nunez: Oh no, there’s more. There is definitely more of her, and it’s a lot of fun. That will air, and you know, we’ll see what else is to come. I just got a puppy. I didn’t realize it’s like having a child. No one told me. OK, correction. My boyfriend did tell me this, I just didn’t listen. But, I’m doing that. I’m on the show, and I’m grateful. People don’t realize that in our off-season, we still hustle. I still audition for things. I try to get the next job and gig. It helps that with all of these things, you ride the steam. You have to go with momentum and put yourself out there. I’m still hustling. That’s my job. The cake and batter is the audition. Getting the job is easy. The meat and potatoes is pounding the pavement. 

 

U.G. Digital Mag: Where can people keep up with you in terms of social media, and online in general?

 

Presilah Nunez: All my social media is public and it’s all my first name, @presilah. My mom and dad were dating; she was like 15 and he was 19, but anyway, my dad wanted to name me Presilah. My mom said absolutely not. They argue, break up, get back together, have a daughter, and name me Presilah. My mom is like, you win, but I’m changing the spelling. She starts deciding, and comes up with my spelling. Phonetically, it’s actually how you say it in Spanish. All of that is to say that it’s all my first name because no one else spells it that way. 

 

U.G. Digital Mag: I think that’s great. You’re showing so many people that dreams really do you come true. I love it and thank you for that. 

 

Presilah Nunez: Thank you. That means a lot.

[EXCLUSIVE] Mya: Smoove Talkin'

We’ve literally watched R&B songstress Mya grow before our very eyes. We saw her come into this industry as a new artist, and she has since become a major force in the independent world. We all know how fickle the music world can be at times, and unfortunately, that can correlate to lower sales figures when in actuality, your core audience is definitely rockin’ with you 100%. As a trickle effect, the major labels may not be as supportive as they once were, and as an artist, it can leave you in a state of shock and ultimately become more difficult to release your projects. Mya has become that example of what can be done when you simply want more as an artist, and you believe in yourself and your product. In a few short years, she has taken the reigns of her career and is reaching amazing heights like never before.

 

Following a series of independent releases on her own label, Planet 9, Mya has dropped an extraordinary project titled Smoove Jones. Not only is she flexing her growth as an artist, but she’s showing the world that she is high-powered businesswoman. Taking from all she’s learned throughout her journey from others along the way, she’s now handling the marketing, advertising, promotion, overall vision, and so much more. We see so many artists who don’t make it after their time with the majors, but she’s showing that it can be done when the hard work it put in. Obviously representing how much Mya has grown musically throughout the years, Smoove Jones also represents her true independence in this music business.

 

In our exclusive with Mya, she talks about the process of putting this album together, the difficult, yet exciting parts of being an independent artist, and whether we could see her with another major label in the future. She also leaves us with some amazing advice for all the artists out there considering an independent route. So as Mya would say, sit back, recline, and sip some wine, because it’s time for a little Smoove Talk!

 

UG Digital Mag: It’s such an honor to be able to connect with you finally. Many of our loyal subscribers have been asking and requesting that we run a feature with you, and we, too, have always wanted to do this, so we’re tremendously grateful to you for your time.

 

Mya: Thanks so much for having me.

 

UG Digital Mag: So, getting right into Smoove Jones. I feel like this is some of your best work to date. Every artist wants to feel in their heart that they are not just progressing with the times, but progressing within themselves and their craft. What are your feelings on this body of work, in respect to progression?

 

Mya: I’m very proud of this body of work.  It was birthed from a very pure, free place with no pressure, no interference, no deadlines, just simply the love of music.  So to create from that space is progression itself. I have musical influences from the 70’s, 80’s, and 90’s throughout the project, with some complimentary hints of now with joints like “Team You” & “Spoil Me”. 

 

UG Digital Mag: Talk about the progression of your work in general. You’ve always brought your A-Game in terms of being sexy, sensual, and the overall theme of love with your work, even beginning with your single “All About Me”. I remember you doing “My Love Is Like Wo” and thinking damn, she is really taking us there. Of course, you did your thing in Chicago with the musical numbers there, and moving forward over the years, you seem to elevate. So now we’re at Smoove Jones, which is a Valentine’s Day release, and you seem to be at an even higher level. How did you plan for this project in terms of what you wanted to bring forward?

 

Mya: For this project, I just wanted all positivity, uplifting feel-good vibes, drama-free, elevation music, whether on the dance floor, in the car, at the club, in the living room, at work or behind closed doors. Smoove Jones is a radio personality & show who serves her listeners based on their special requests.  They have consistently said they don’t listen to the radio anymore and asked me for some “Real R&B.”  So they inspired me to create my own fantasy world and radio station. Somethin’ for the fans that have grown up with me over these last 18 years, you know? We grown folk now. (laugh)

 

UG Digital Mag: You worked with some pretty amazing people for Smoove Jones in terms of writing. Obviously Terry Lewis had his hand in things, Kalenna Harper worked with you on “Hold On”, a track which I especially love. How did you, and do you, determine who you want to work with for your projects? What were your plans, or expectations, in respect to Smoove Jones and what you wanted fans to get for the final outcome?  

 

Mya: I am always writing, recording, experimenting and practically live in the studio. Being an independent artist allows me a limitless playground to create.  Over time, I’ve worked with so many different people.  There’s really no one particular process to getting in the studio with folks.  We chop it up on the phone or email, set up a time, and take it from there creatively or they’ll send me something to download, I vibe to it in a completely different city, state or country… and we build from there.  For this project, I wanted to give more of an experience with musicality & R&B roots.

 

UG Digital Mag: What was timing in putting this together? How long did you work on this project?

 

Mya: There was no particular in timing in putting the project together.  With the exception of the intro, the outro & Coolin’, I’d recorded the other songs over the course of the last 3 and a half years which were just sitting amongst an archive of unreleased music. I handpicked what I thought would work best together for another grown & sexy themed project to complete the EP of the Planet 9 EP Series.  The Smoove Jones title came to me around October 2015, when I started going through pictures to assemble the 2016 Calendar… I said “That’s it…that’s the cover right there! That’s Smoove Jones. That is HER & that’s going to be the title of the next EP.” Now, the crafting of the calendar, the digital booklet, all of the paperwork, mixing, mastering, design, packaging, metadata organization & manufacturing of the physical CD was all done in-house through my label, Planet 9… I’d say it was at least a 2 1/2 month process.

 

UG Digital Mag: I’m not one who watches the charts constantly, but from what I can see in terms of your fans, the album is doing great. 

 

Mya: That’s great, because I certain don’t pay attention either.  I’m just happy that my music is in the universe having folks feel some type of way (laughs) and is being received well.  

 

UG Digital Mag: So let’s talk a little about the independent world. You’ve been independent for a number of years now. You’ve released a number of projects, which in my eyes have been quite successful, and you’re now on your latest which is doing phenomenally. What difficulties have you had along the way? How have those things gotten better over the years?

 

Mya: Well being independent and managing to pay for your projects & put them out into the universe yourself is quite a success.  But coming from the major label world, my independent projects might be looked at as a failure from some. Some of the difficulties have been not having enough time in the day to wear every hat. I enjoy the process and making sure the product is right, but damn it is a struggle trying to be 20 different people in one day (laughs).  And I often laugh at & even question myself… “like damn… you are either super passionate or you are just insane.” I guess the two go hand in hand. Difficulties… Well because I am not supported by a major budget which pays for marketing, promo, advertising, radio & TV time, the perception has been that I quit singing. But it’s actually been the complete opposite. I’ve never traveled, performed, recorded so much, pushed out this many projects or actually recouped & profited this much in my life… the way I have in my independent journey. There are many things that could be better, but many things that could be worse. But one thing that’s gotten better is my art, self love & knowledge of business that only doing time in the trenches can teach you. 

 

UG Digital Mag: I have the debate with artists often in regard to being independent, and I’ve always felt like it was so much better being independent, in terms of freedom, marketing and promotion abilities, and so on. I’ve always felt that nobody can sell or promote you better than YOU. Having been independent for a good deal of time now, would you go back to a major label deal? 

 

Mya: I will not entertain any traditional new artist deals.  Been there, done that.  I am however open to entertaining the proper partnership deal. 

 

UG Digital Mag: So back to Smoove Jones. What are your plans in terms of promo, touring, etc? Have you even had time to think of shows yet?

 

Mya: I’ve already done some spot dates prior to and during the release. I’m in rehearsals & live band rehearsals right now for a Smoove Jones promo tour. All dates can be found on myamya.com/events

 

UG Digital Mag: “Welcome to My World” and “Team You” have done amazing. Have you looked at additional singles at all?

 

Mya: I’m letting the fans decide what they want on radio and/or video. Now that they have it in their hands and they can live with it a little bit, whatever they say goes & will be. I’ve been listening.

 

UG Digital Mag: I applaud you for the work you have done with your career, transitioning from the majors to being independent. You’ve managed to stay afloat, taking full control of your artistry and product, and the results have been nothing short of amazing. What are you most proud of with your transition in music?

 

Mya: Thank you so much. Well I’m most proud of my faith, strength & resilience. I’ve discovered first hand that there are great lessons to be learned about self and life in every devastation, loss, change, etc.  The greatest gift in my life has been the gift of music and all of the wonderful possibilities it possesses.  I’m also proud to say I’ve finally arrived at the beginning of true artistry, craftsmanship & knowing what I’m made of which is a beautiful place to be, create & share from. 

 

UG Digital Mag: I always ask artists what type of encouraging comments they like to offer to fans who are looking to pursue and do similar things in music, but I open this question up to you in regard to other artists. Given the experiences you have had in music, beginning with the major labels, and ultimately becoming this major force in the independent world, what advice do you offer to other artists who are considering an independent route, or are in a situation where independent may be their only option?

 

Mya: Faith first.  Stick with it.  Love it by breathing it. Treat it like school. Do the work and calculate every year as a grade that you’ve passed. Graduation takes time. It may take years, it may not.  But usually great preparation for long term goals will & most certainly do.  Live smart & simply so that you may invest in YOU, the quality of your product, brand & presentation. The pay off is not now. The pay off comes later after you’ve delivered several great meals whether operating as a small restaurant or a large one. Go out and meet as many creative, artsy & business folks that you can benefit from and be a benefit to. Ask for help. Build your team & create from a place of freedom. Remember.. it ain’t just about you.  It’s about how you can serve people & raise them up. And remember to help or repay those who have helped you reach your goals for free.

 

UG Digital Mag: Finally, what final comments do you have to your fans?

 

Mya: Thank you, thank you, thank you for the opportunity to serve you at Mya’s (vegan) Chi’kin & Waffles. I’m sure y’all are so ti’ed of these daggone sides & appetizers. But we are currently developing what I believe will be our most popular main course.  So for now, lay back, recline, sip some wine and enjoy these taste testers on Planet 9.  The grind is for realz!  Appreciate your patience.  

[EXCLUSIVES][THE MAGAZINE] Faith20

Without a doubt, this has been the opportunity of a lifetime. On a humble, our love for Faith Evans and her musical legacy brought along the idea of commemorating her debut album, FAITH. As many of you know, this classic LP that changed the landscape of R&B music was released in 1995. The 20-year anniversary was August 29, 2015, so to commemorate this special album, we put together a special issue with #NothingButFaith! That's right, there's now an issue of Urban Grandstand Digital devoted to everything there is about Faith Evans' debut! In that issue, we had the amazing opportunities of catching up with some of the masterminds that worked together in putting this album together. We have exclusives with Prince Charles Alexander, Herb Middleton, and in the final hour, we caught up with Q. Parker from the R&B group 112. In the issue, we also talk about the singles that were released, as well as the remixes that resulted, and how the entire recording process went along. Access our Special Issue by clicking HERE!

Now, We're thrilled to present to you a super-exclusive interview with the lady of the hour! Yes, we have an exclusive with Faith Evans herself, and she gives us the rundown on the album, the process of putting it together, BIG's influence throughout the process, and so much more. You definitely don't want to miss this!     Access FAITH20 by clicking HERE!