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BRIAN MCKNIGHT RELEASES HIS 20TH AND FINAL STUDIO ALBUM, IN STORES NOW

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Brian McKnight

New album, ‘EXODUS’, available NOW

What a moment in musical history this is! Brian McKnight has released his 20th and FINAL studio effort, appropriately titled ‘EXODUS’.

"EXODUS" is globally available on all streaming and download today, via the SRG ILS Group/UMG label imprint. The album can also be found here EXODUS by BRIAN MCKNIGHT.

"EXODUS" encompasses 13 tunes with signature Brian love songs, a poignant emotional tribute and a surprise cover-song performed as only Brian McKnight could.

EXODUS TRACKLIST
1. Unbelievable 
2. Neva Get Enuf Of U 
3. '42 (Grown Up Tipsy) 
4. Nobody 
5. Bad 
6. Stay On UR Mind 
7. My Baby 
8. Hula Girl (Leilani) 
9. Sexy 
10. When I'm Gone 
11. Good Ol' Fashioned Love 
12. Can't Say Goodbye 
13. Fragile

"Exodus" is Brian McKnight's 20th album, and according to Brian it is his final release of all original material. If Brian keeps his word, he will have left his fans and the wider music-world an incredible legacy of hit singles and albums.

We all look forward to the day Brian returns to the road to perform his songs for sold-out crowds all over the world, but until that day arrives you can purchase, stream, download, "Exodus" today!

BRIAN MCKNIGHT recently released the touching and emotional visuals for his latest chart-topping single, "Nobody" via Billboard.com and features footage from Brian McKnight's actual wedding ceremony.

"Nobody" was written by Brian McKnight and produced by Earl CohenChris Paultre and Claude Villani and is available now via all platforms.

Be sure to stay tuned right here to U.G. Digital Magazine for the latest details on ‘EXODUS’….

INTERVIEW: Renn Tyler: Beautiful Chaos

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As we work diligently at reintroducing ourselves into the media world, I spend a lot of time critiquing artists, and determining who I would like to feature within our pages. It’s not always an easy decision. Obviously, the industry is flooded with artists, and we have to be sure any artist being considered fits the concept of our pages, and just that it makes sense. In my recent search, I came across Renn Tyler, and I’m beyond impressed. Renn certainly has what it takes to make it in this industry, and it becomes ever-so-clear at the first listen of her music. By look, she’s not what you would necessarily expect, which h is more reason why you should never judge a book by the cover. Sure, we hear that all the time, but there’s much truth to the idea. You would miss out on an amazing artist here if you took the initial look and ran with it in terms of her capability. No question, she’s beautiful by all standards, yet, she doesn’t have the “typical” hip-hop look. She’s authentic in every sense of the word, and you would be doing yourself a disservice by not giving her a listen. So we had the opportunity to catch up with her, and it’s awesome that we were able to get an interview completed. She’s perfect for our rebranding and relaunch, and I’m excited to have connected with her. We’re also her first interview, which is amazing in itself. Check out the feature below, and be sure to give her a listen. We have an artist page for her here at U.G. Digital as well, so you can definitely hit that page up and listen freely to her music. 

U.G. Digital: First and foremost, I want to thank you. It’s huge, first of all, to connect with you. I think you really have something big, especially with the single “Nada”. I liked it immediately. I don’t say that about many today, and I’m in this place where I’m not necessarily the biggest fan anymore. Honestly, I’m stuck in the 90s and early 00s. I drive uber as a side hustle, and many of my passengers marvel at the music I play because it’s often more than 20 years old. It’s a little refreshing that you’ve come along, and have something that I’m eager to play. You sound authentic, and I believe it’s a good look. We’re in a bit of a reinvention stage, even though we’re seven years in, and you’re that perfect look for us. I appreciate that so much.

Renn Tyler: Yes, thank you as well. 

U.G. Digital: So the first thing I want you to do is tell everyone who you are?

Renn Tyler: I am Renn Tyler. I’m a rapper and an artist in so many different areas. I like to dabble in all sorts of things, so whatever I’m into at the moment, I just get it done. I’ve always been unapologetically myself. That’s kinda like my mission. We’re all so unique and powerful on our own. People spend so much time trying to define themselves, and I want to encourage people to do that. 

U. G. Digital: I like what you said. You said you were “unapologetically yourself”. What fans want is somebody that puts out the music they love of course, but more importantly someone they can relate to, whose life resembles theirs, and so on. They have the same ideals, or same principles. In the last few months, I’ve been in this place where it’s like “F” everybody, I’m unapologetically me, and whoever doesn’t like it, whatever. That resonates with people. 

Renn Tyler: Right. 

U.G. Digital: You were a poet before. What took you to rap?

Renn Tyler: I’ve always been a fan. It’s always been there, but I never believed in myself as far as being that artist. I just remember going to a spoken word event, and being completely awe-struck over the spoken word and the ability to communicate through story-telling and put it to a beat. What pushed me over to rap was meeting James and Darren. It was like a snowball effect. 

U.G. Digital: I think I’ve been a huge fan  rap, R&B, soul, rock, alternative, and just a lot of different music for my entire lite. Rap was where it started for me though. I’ve also been into the diversity of hip-hop and the fact that everyone who raps is not black. There’s always this idea of somebody being a culture vulture when visibly they’re not really a part of the culture or when they’re not black, but I really look more at how organic it is though. I would imagine, though, that people judge you just by the look, without even hearing you. What has been the feedback that you get as you go out and you’re introduced to people as a rapper? Do you get the side eyes?

Renn Tyler: Yea, I think it’s still foreign for me to call myself a rapper, and I’m hesitant for that reason. In the end, that is what I’m doing though. I haven’t gotten any crazy looks though. Nothing has been too disheartening. Mostly its people who have heard me or know me already. I’m kinda like a wild card, so no one is surprised that I’m doing it. 

U.G. Digital: As crazy as society can be, I think things are changing slowly. Everyone has their own experience, and many people grow up with rap now. 

Renn Tyler: Right. 

U.G. Digital: Talk about the material you’ve been putting together?

Renn Tyler: We have a couple other songs already recorded. I write everyday. I’m always writing, so there is so much material out there that’s all influenced by my life. I don’t think there’s anything written that is not an honest experience. 

U.G. Digital: I have such an appreciation for the artist that talks about a day job (laughing)

Renn Tyler: Yea, we gotta pay bills too [laughing]

U.G. Digital: Right, but it’s just cool to know that we’re all on the same page. I have many jobs, so I know the whole thing with it (laughing). 

Renn Tyler: Yea, for sure. 

U.G. Digital: I think it’s cool though. I love what you have put out. What do you feel you want to represent as an artist?

Renn Tyler: Like I said, just being unapologetically yourself, but I also want to encourage young women. It’s so hard to be a young girl in this society. I want girls to look at me and say that’s what I had when I was younger. I want to give back in that way. So being who I am, self expression, and communicating through storytelling. Being able to take that to the next level and make music is great. I’m communicating my experience which is therapeutic for me, but they take it in however they do and it becomes therapeutic for them. I love that exchange and it’s the power and importance of life. You’re not alone and other people have gone through what you’re going through. 

U.G. Digital: I love the poetic side of it. When you think of your Jill Scotts, and many others, this is something that’s definitely being done. What are your thoughts on hip hop and its current state when it comes to women? How can you help?

Renn Tyler: I think it’s going in a good direction and I’m excited. Everyone has their own brand and it feels natural. All these dope women are making the music they want, and they can be sexy when they want. I think it’s moving in a cool direction. 

U.G. Digital: That’s dope. I ask that because there’s so many women who are phenomenal, and they struggle so bad to work together. They’ve lost a lot of respect in the industry, and it seems like it’s moving backwards. 

Renn Tyler: I think we’re coming to that place of being organic and genuine. We used to want the larger than life artists, like Brittany Spears, but now we want to know the artist is just like us. Why do you ask? Do you think it’s going backwards?

U.G. Digital: What I think is the respect is gone. You have so many dope women, and they’re constantly at each others’ necks, for wthings that seem ridiculous. It’s changed a lot of the new dynamic that was forming for them in past years. I think you have the Queen Latifahs, and the Monie Loves, and so many other females in rap who have worked so hard to not only make it more inclusive of women, but to build the respect level for women, and you have women today who are so brash, rough, and unapologetic about it, and it’ ruining the work that was done.  I look at the stuff with Nicki and Cardi, and to me, there was no point in it. They have their own styles, and are both dope, but they’re killing the game with their nonsense and it overshadows the music, which truthfully is what fans really want. It makes people pay less attention to the woman herself, and look more at the unnecessary stuff. Like Missy Elliott has this new EP out which is super dope, and I feel like it’s totally being slept on. 

Renn Tyler: That’s so true. That speaks to the nature, like people want information so bad. They don’t respect it as much. I agree as far as the beefing too. Women are so powerful, and when they get together that power is insane. 

U.G. Digital: So what are your plans as far as releasing more material?

Renn Tyler: Yea, we have a remix that is being worked on right now, and I’m excited for that. Then I’ll take care of the music video. 

U.G. Digital: I’m excited for you. I dig that we are your first interview too. I also appreciate how prepared you are today. You sound like a complete natural at interviewing. I think its definitely your time. How can people keep up with you online?

Renn Tyler: On instagram, I’m at @bulletproofteeth. That’s normally what I’m on. I also do fashion design, and hand embroidery. 

U.G. Digital: I think it’s super dope. Thank you so much. Any final comments?

Renn Tyler: My single is out everywhere, buy it on iTunes and all online retailers, including Tidal, Spotify, and so forth. Make some Tik Tok videos to it. I would really appreciate that (laughing). 

[ARTIST] Fantasia Barrino

Even before the question is posed, she makes clear the essence of her sound. “I’m a soul singer,” she says, with much pride and little hesitation. That’s who she is, at her core, and no matter the song she sings, her spirit seems to resonate from the speakers along with her voice. That’s the magic that Fantasia brings, every time.

At first listen, Side Effects of You might sound like an album about heartbreak and the process of piecing oneself back together. That’s true, in part, but if you have her tell it, there’s much more there. While the Grammy-winning singer has certainly enjoyed chart-topping, triple-platinum and multi-platform success since winning season three of American Idol, she, like everybody, has made some mistakes, too. Though she has never shied away from being transparent in her music, she wasn’t necessarily thinking about putting her words into song when she picked up a pen and her blank notebook two years ago.  

“When I started writing in my book, I had a bittersweet taste in my mouth,” Fantasia says of how she was feeling – professionally, personally, emotionally – after putting in a decade’s worth of hard work. “I’d been doing one-off shows and not really recording, but when my doctor put me on bed rest, I decided to use that time to start writing down some of the things that were on my mind. If I was able to get to the grocery store, people would stop me in my Hoveround chair and tell me what they were going through, so I wrote about that, too.” It was only after she met (and vibed with) London-bred producer, Harmony Samuels, that she realized it might be time to get back in the studio. With her trusted notebook by her side, she would eventually co-write seven of the 13 songs that comprise Side Effects of You. “I’ve always wanted to collaborate with someone the way Michael Jackson did with Quincy Jones,” she says of joining forces with Harmony, who serves as album producer. “As soon as I heard the song, ‘Supernatural Love,’ I knew he was the one.”

Crafting this, her fourth album, was like a dream come true for Fantasia as she made it her mission to tap into the music that has inspired her over the years. “When I was growing up, we listened to so many different types of music in my house,” she remembers. “It started with gospel and then the blues because my grandfather loved B.B. King. Of course I loved listening to my girls Monica, Brandy, TLC and SWV, but I also played Billie Holiday, Josephine Baker, Elton John, Ella Fitzgerald, Luther Vandross, Anita Baker, Bonnie Raitt and Queen. You can listen to any of those artists today because their music still stands and that’s what I wanted to do with this project. I want my music to be timeless.” 

Leading the album out of the gate is “Lose to Win,” which she co-wrote alongside Andrea Martin over a sample of The Commodores’ classic, “Nightshift.” “This is my testimony,” Fantasia says of this ode to the power of understanding when to hold, and fold. “Andrea and I really connected and I wanted to deliver this song for her. She allowed me to switch a few things up, but we were both able to put our feelings into the song.” Fantasia followed up with the slow-bounce club banger, “Without Me,” featuring Kelly Rowland and Missy Elliott. The song, which she co-wrote with Al Sherrod Lambert, Kyle Stewart and Missy, set the blogosphere and urban radio ablaze in record time. She sings of the moment that the veil is lifted on an unbalanced relationship. Once Kelly and Missy chime in, there’s no avoiding their burning question – “Where’d you be, without me?” “I always love working with Missy and it broke my heart that she wasn’t a part of my last album. I wasn’t going to miss the opportunity this time. And Kelly? She killed her verse!”


“End of Me” is a song so moving that it literally sweeps you off your feet. Co-written with Lambert and Amber Streeter, Fantasia sings of the type of love that is absolutely no good, but keeps calling you back, over and over again. Who hasn’t been there? On “Change Your Mind,” co-written with Lambert, Fantasia tips her hat to the late Whitney Houston. When she sings, “Come home to me, baby, I’ll be good to you, darling,” it’s so very reminiscent of Whitney’s 1990 hit, “I’m Your Baby Tonight” and that’s exactly how she wanted it.  

Two words come to mind when she talks about “Get It Right” – rock soul. “When I say ‘rock,’ I’m thinking of Tina Turner and when I say ‘soul,’ it’s all about Aretha Franklin,” she says of the high-octane track which she co-wrote with Streeter and Lambert. “With the live instruments, you get a Tina Turner/James Brown feeling and maybe even a little bit of Andre’ 3000’s ‘Hey Ya.’ When we were recording, I ran and grabbed everybody in the studio to sing with me. I love this song!” Then there’s the album’s title track. Produced by Naughty Boy and written by Emeli Sande’, Shahid Khan, Claudia Bryant and Ben Harrison, “Side Effects of You” is as haunting as it is vivid when it comes to the business of releasing someone who has wrecked havoc on you. “This song is the truth,” Fantasia says, “but it’s also kind of tricky because it’s about a man and medication. At first, I’m singing about him like he’s what I needed, but in the end, I flip it like he was actually the drug.” As for choosing this ballad as the title track, she explains that the song’s sentiments also relate to life, in general. “Everybody’s been hurt and the pain can be caused by family, friends and in my case, the industry, too. When I sing this song, I’m telling everybody who has ever done or said anything to hurt me that these are the side effects of you. Yes, this song is the truth!”

Back in 2004, on the night of May 26, a then-19-year-old Fantasia Barrino stepped onto the American Idol stage and won top honors. After wowing television audiences with her vocal talent, the North Carolina native released her debut album, Free Yourself, which featured as its first single, “I Believe,” a song that made her the first artist in Billboard history to debut at #1 on the Hot 100 chart. Her second single, “Truth Is,” would later hold the #1 spot on the charts for 14 weeks. During 2006, she released her New York Times bestselling memoir, Life Is Not a Fairytale, starred as her younger self in the Lifetime movie of the same name and by year’s end, released her second album, entitled, simply, Fantasia, which included the hit single, “When I See U.” What followed were the coveted role of Celie in Broadway’s The Color Purple (for which she won a Theater World Award), a guest spot on The Simpsons and a two-season run of the VH1 reality series, Fantasia For Real. During the summer of 2011, she released her third album, Back to Me, which featured the Grammy-winning single, “Bittersweet.” To date, she’s sold nearly three million records and 1.5 million digital tracks, domestically. Looking toward the near future, she will expand her musical repertoire even further when she joins classical singer, Andrea Bocelli, for his world tour in summer 2013.

Each of her experiences have contributed to who she is as an artist and also, as an inspiration to the next generation of performers whom are listening to each note she hits and watching her ascension. As she continues on her creative journey, she’s still has more learning and growing to do and many more songs to sing. What remains constant is that she loves music, she knows music, and she always sings from her heart, with all of her soul. 

So, how does she feel about her latest work now that it’s out in the world, for all to hear?

“I know that every artist says that their albums are like their babies, but Side Effects of You really is my baby,” Fantasia says with a laugh. “Besides the music, this album means so much to me because it represents the amazing creative relationships I made and the thoughts and ideas that were spoken into my life during the recording process. This project came together right in the nick of time.”

[ARTIST] Kelly Price

“I’m a writer, first…”

Those are the words Kelly chooses to describe herself, her talent. When you listen, closely, to her songs, it’s evident that she writes and sings from her soul. It’s a place she’s come to know quite well. “Music saved my life,” she says. “Writing has been like therapy; it’s the most incredible gift.”  

At this juncture, Kelly Price has learned to loosen the reins on her creativity. Sure, she still reaches for a pen-and-pad and rattles off lyrics into her Dictaphone, but she’s also learning to be more patient, allowing the songs to reveal themselves. Sometimes, the words will come. Other times, she’ll hear the song as a fully-orchestrated composition. Either way, the results of her efforts are illustrated beautifully, truthfully, on her new album entitled, simply, Kelly.


Leading the album out of the gate is the spirited single, “Tired.” Produced by Shep Crawford and inspired by a creative heart-to-heart she shared with fellow musician and past collaborator, R. Kelly, the song sheds light on the social ills that not only cause her distress, but also seem to be plaguing our world community. Even before she starts running down the list of things that consume her thoughts – from guilty feelings and broken dreams to baby mommas and ghetto dramas – you’ll know where she’s heading from the opening verse…

there’s a hole in my heart, 
my soul is bleeding
I need to free my mind,
and say what I’m feeling
‘cause Lord knows...I’m tired.


On the touching ballad, “I’m Sorry (My Apology),” also produced by Crawford, Price sings of the freedom that comes from practicing the art of forgiveness. The song takes off where her gospel hit, “Healing,” left off four years earlier. “We always hear about why it’s important to forgive other people, but so many times we continue to punish ourselves for [having made] bad decisions,” she notes. “I believe that God is displeased when we’re so hard on ourselves.” When she closes with, I wrote this song to say that I love me…and I forgive me, perhaps you’ll consider releasing some of your past shame. That was her intention.

Speaking of letting go, she joined forces with Warryn Campbell to create the ever-candid testimonial, “The Rain.” Originally slated for inclusion on the motion picture soundtrack for the Oscar-nominated film, Precious, Price later snagged the song for herself. Having weathered her share of personal storms – think family tensions, homelessness, molestation, body image issues and teenage pregnancy – the lyrics were drawn from her strength and ability to overcome.  

Other signature titles on “Kelly” include
“Get Right or Get Left” and “A Little Something, Something.” both of which remind you of the ballads of yesteryear, then there is the groove infused mid-tempo “Feels So Good” and the lighter uptempo flow of the Warryn Campbell produced “And U Don’t Stop.” It’s a new direction for Price and she seems to like it. “I love a good, party record, but I still feel like I need to sing it. Uptempos have been challenging for me in the past because I knew that nobody would believe me singing ‘bubble gum.’ I don’t believe me singing ‘bubble gum’,” she laughs, “but this song worked. 

The second of three daughters, Price was raised in Queens, New York, in the church. That’s where her musical roots were planted, and tended to, early on. It’s where, as a two-year-old, she began singing in the children’s choir, where she sang her first solo at three and was fittingly-blessed with the moniker, Little Mahalia, a nickname given to Kellly by the teachers in elementary school after hearing her sing the first time. She’d go on to write her first song at seven and belt out her first solo in the adult choir and sing on her first studio recording all before her 10th birthday. “I grew up in a family full of singers and musicians everybody in my family wrote songs and played one or more instruments, everyone could sing and we are all self taught, no formal lessons or musical education other than what has been past on from one generation to the next”. Price, whose “strict, old school Pentecostal” upbringing restricted her from wearing jewelry, make-up and pants (long skirts were the preference). But like most creative spirits, Price was destined to soar far beyond her point of origin. And so, she has.

1998 saw the release of her double-platinum debut, Soul of a Woman, which featured the record-breaking single, “Friend of Mine.” The song made history as the first to garner the #1 spot on the singles chart without an accompanying video clip, a rare feat during the era when music videos were the driving force of popular culture. She returned to center stage three years later with the platinum-plus seller, Mirror, Mirror, led by her remake of the R&B classic, “As We Lay,” and followed up with the gold-selling holiday collection, One Family: A Christmas Album in 2001. Three years after releasing Priceless, she returned to her roots for This Is Whom I Am, a live gospel album recorded at her church home in Long Island. The album included the uplifting single, “Healing,” which not only reached the top of the gospel charts, but was also credited and awarded at the 2007 ASCAP Awards as one of the top five songs played across both R&B and Gospel genres during 2006. 

Along her journey, she’s collaborated with the likes of Mariah Carey, George Michael, Elton John, The Isley Brothers, Brian McKnight and Sean “Diddy” Combs as well as Faith Evans, Whitney Houston, Donnie McClurkin, Eric Clapton, the late James Brown, Shirley Murdock. She’s also expanded her reach as a model for Lane Bryant and Ashley Stewart and taken her talents to the screen and stage with roles in Soul Food, the series, Bringing Down the House and the stage plays Why Did I Get Married? and The Bible Experience. In 2005, she added the title of ‘self-published author’ to her resume with the release of the inspirational tome, Inscriptions of My Heart. The audio book is currently in the works.
For this new musical offering Kelly departed from the “machine” of the major labels where artists and their visions can often be sacrificed or lost. Instead Ms Price chose to do it her way and forged a musical partnership with Producer Warryn Campbell whose start up label My Block Records was just forming. A conversation led to a joint venture and the joint venture led to “KELLY”, a body of work that Ms Price calls her best yet.

There’s no denying that music is where Kelly Price’s heart resides, always. With the release of Kelly, one might wonder what she hopes to accomplish this go ‘round. “When I was growing up, I’d put on a record and let it play until the needle lifted,” she remembers, fondly. “My goal for this project was to create a contemporary R&B album that you can listen to without skipping a single song, whether you’re cleaning the house or driving up the coast. Hopefully, I got it right…I think I did.”