@_leovance_ : A UGD Exclusive

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It's always such an amazing thing to catch up to budding artists and emerging talent. After all, that's where much of our focus lies when it comes to music and entertainment. We love the idea of introducing new artists to you, and that rings especially true with Leo Vance. Based in Canada, Leo is blazing a strong trail through the industry, and he shows no sign of slowing any time soon. He was recently a part of the Cut Hip Hop Awards in Toronto. Check out our exclusive with below with the man himself.

 

U.G. Digital Magazine: What feeling do you having been a part of the Cut Awards show?

 

Leo Vance: I felt amazing about jt. It was a good opportunity to showcase my music and meet the different artists. I think it was just a really good opportunity.

 

U.G. Digital Magazine: It's huge to be part of something on that level.  So many people were involved, including companies like Def Jam. Talk about your background. I know music has been in the fiber of your family.

 

Leo Vance: Well, I'll start with my mother. She was a singer. Growing up, I have memories of being in the studio while she was recording. She had a live band as well, I believe. That was a good experience for me. She moved onto the beauty industry after music. My dad has been a producer, rapper, and engineer. I'd be there while he produced and engineered for other artists.

 

U.G. Digital Magazine: Looking at their accomplishments, how did that inspire your dreams?

 

Leo Vance: My dreams were a little different. I really wanted to be a basketball player, but it turned out I wasn't happy with it. From there I picked up a keyboard. It made me happy to rap over instrumentals but I wanted to make my own as opposed to rapping over everyone else's.

 

U.G. Digital Magazine: It's good to see your progression. You've turned this into something really huge, which is remarkable. Talk about everything else you have going on?

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Leo Vance: I'll be recording the last song of my album and hope to push that out in the summer. It's really just my album that I'm focused on.

U.G. Digital Magazine: That's great. How much have you put into it? What's to be expected?

Leo Vance: It's a collection of my best songs over the last two years. I've been honing my craft and my album will reflect that.

U.G. Digital Magazine: So we can look for that later this summer. Anything else we should know about?

Leo Vance: I have a mixtape that will come out.

U.G. Digital Magazine: We definitely will stream that for you.

Leo Vance: Yea, for sure. That'll drop late August or early September.

U.G. Digital Magazine: Shout your website and social media for the readers?

Leo Vance: Facebook, twitter, Instagram, and YouTube are all as follows:

Facebook: https://m.facebook.com/profile.php?id=100007104182108&_rdr

Twitter: @_leovance_

Instagram: @_leovance_

YouTube: https://www.youtube.com/channel/UCc2Hj6DXE9AoGJwm_IshxVw

U.G. Digital Magazine: I appreciate your time bro. This is really great. Good luck with everything and we'll be following for sure.

Black Ink Chicago's @Bishopdon_9 in the Upcoming Issue of Urban Grandstand Digital

We're thrilled to announce that Bishop Don of 9Mag & Black Ink Crew: Chicago will be hitting the upcoming issue of Urban Grandstand Digital Magazine. We're happy to have connected with Don, as he not only talks about Season 3 of the hit reality series [which returned to VH1 May 24, 2017], but also the impact he continues to make within the urban communities of Chicago, how the untimely death of his sister has altered the way he handles family problems, and the growth of his amazing brand, which now includes the launch of his new line of cigars. 

We're only a few weeks away from the release of the new issue of Urban Grandstand Digital Magazine, so definitely be on the lookout for that! 

Check out the exclusive trailer for Season 3 of Black Ink Crew: Chicago, below!

[FEATURE] ART YOU CAN HEAR with @A5KEM

It’s always wonderful to reconnect with artists and individuals who we cover with U.G. Digital Magazine. Many will remember that we first connected with A5kem nearly two years back for one of our many issues. Arguably, he’s one of the most artistic people you’ll find , titling his brand an legacy ‘Art You Can Hear”. Over the years, he’s created amazing artwork of some of urban music’s largest figures, and that work as been recognized all around the world by many of those artists.

 

We’ve reconnected with him to get a much-needed update on his journey, and where his work has taken him since we last spoke. 

 

U.G. Digital Mag: First of all, I have to really thank you for this opportunity. You were so instrumental in our early success as a publication. I've always wanted to give light and shine to individuals like yourself, and your willingness to participate in one of our early issues was so appreciated. Thank you for this time around as well. I have so much respect for you and what you're doing. I understand how big this is for you, and at the same time, it's just your everyday life. I love how your artwork really depicts the artists in the way we know then, but i sort of feel like it also defines them in a totally new way. Talk to me about what's in your mind when you create?

 

A5kem: I love to create images that resonate with the target audience. Like a song, I aim to allow each image to speak to the individual and invoke memories and emotions. Through this imagery that I entitle 'Art You Can Hear' I aim to have each image take you on a journey, to relive that first moment when you heard a particular song or artist. I think this is important as I create a relationship between the individual viewer and each image. Art is really about the experience and what it gives to you both visually and mentally, but without the pretentious 'art speak' that so much art has as an almost ball and chain around it. I think that if art is presented in that way it can very intimidating for the audience and potential buyers. 

 

U.G. Digital Mag: What gives you the passion to create? Do you go through periods where you've kind of had it and you put it down for a while? If so, what brings you back to that mood of creativity?

 

A5kem: Well, I began my artistic career as a surrealist, painting dark images that came from deep within my soul. This form of art caused me to pack up tools and walk away for a year or so. I just felt as though the work had become almost like a form of therapy and each canvas was a record of my poor mental state. I returned to art with a completely different perspective and mission and that was to chronicle my lifelong love of Hip Hop. Hip Hop really is my inspiration, from the unique and powerful story telling and socially conscious lyrics of the golden era to today's interpretation. Hip Hop always enables me to find inspiration and opens the door for creativity.

 

U.G. Digital Mag: What's happening in your mind while you're creating? What thoughts are flowing in reference to that particular artist?

 

A5kem: Typically I try to find a hook that associates the artist with something that relates to their character, for an example I did a Kanye West piece where I had many hidden faces within the main portrait and references to Da Vinci's Vitruvian Man. I think this reflects the spectrum of Kanye's personality and creativity. My thoughts are to always challenge the audience with what I create, to create something that is truly iconic and unique from any other artist’s work, again 'Art You Can Hear'.

 

U.G. Digital Mag: You've gained so much more acclaim in the past year and I think it's amazing. Speaking from the mind of creativity, I absolutely love the entertainment industry, and it excites me when I interview someone and they love it. There so much bad media, and people who are vindictive when writing about pop and urban culture, so I love when people see my true intentions. How do you feel to see people like Chuck D on a plane posting about you, or any other artist for that matter who has given you praise?

 

A5kem: For me having artists such as Chuck D provide validation and interest in my work is what makes it all worthwhile, these are artists which inspire me and through they’re craft have allowed me to grow not only as an artist but as an individual. It is something that really gels well with my ethos and vision for the work as ultimately I am recording their craft so the relationship is essential to be a two way thing built on mutual respect and love for each other’s work.

 

U.G. Digital Mag: How has business been for you now that more people know of you?

 

A5kem: Art is always a challenge and there are so many preconceived ideas of what or how art should be presented and defined and with the presence of social media it is an even bigger challenge for artists, however I have been fortunate to cultivate a good following and have built many contacts within Hip-Hop itself that it has allowed me to have art as my day job.

 

U.G. Digital Mag: Where do you see things heading in the future in terms of artistry, and the subjects you want to depict moving forward?

 

A5kem: Currently I am working on a book with Chuck D and some fellow artists. This should appear at some point in the summer. I also plan to move stateside and bring ‘Art You Can Hear’ to America as it will allow greater opportunities to grow and diversify my work. I visualize creating an art foundation at some point where I can facilitate teaching art to young people and bringing art to urban America. 

 

U.G. Digital Mag: Without me going into heavy detail, I know you've experiences some of life's most tragic moments throughout your time doing this. I can only imagine how it has affected your creativity and will to move in at times. How have you gotten inspired to move forward?

 

A5kem: Well, I would say that the beginning of this year has been without doubt the most difficult period in my life and I have really struggled to find the inspiration and motivation to move forward. Ultimately, I provide a service and there is an expectation for me to deliver consistently to an audience that has been loyal to me. So really, I draw inspiration from those who like my work. If I can keep them interested and enjoying my work that is the greatest reward and allows one to heal as well.

 

U.G. Digital Mag: What things can we look out for in the near future?

 

A5kem: As I mentioned a move to the USA where I will then be more accessible to my audience and Indeed providing access to the birthplace of Hip-Hop itself. I am looking at creating a full service art agency providing ‘Art You Can Hear’ to the industry and beyond.

 

U.G. Digital Mag: Any final thoughts at all?

 

A5kem: Thank you to a woman that gave me everything in life and always encouraged me to pursue and succeed with a career in art. A woman who is irreplaceable. My mother. The journey continues. 

 
 

[MEET THE PRODUCER] @Jazzfeezy : MEET THE PRODUCER

One of the things we’ve enjoyed doing here at U.G. Digital Magazine is providing coverage and showing love on all levels of entertainment and music. One of the many features we do within the magazine is “Meet the Producer”, which gives us an opportunity to spread the word about some of the industry’s best and brightest producers. These individuals are creating some of the biggest staples in music, and it’s beyond fitting for them to get some love out there. Naturally, there’s not a lot who really shine a light on the producers, so we’ve taken that lane with “Meet the Producer”. 

 

We’re excited to transition the feature directly to the site with this new feature with JazzFeezy. It’s definitely fitting, and lends to the things I just spoke of because our connection actually came via us showing love for one of the big hits he handcrafted, that being Hardo’s “I Know You Ain’t Got Act Like”, which also featured rapper T.I.. We tend to post via social media about a lot of the songs we enjoy, and through that post, JazzFeezy hit back showing his gratitude, which ironically is something we don’t see a lot of, whether it’s with us, or anyone. It’s honestly was pretty refreshing, and we knew at that moment we needed to connect with JazzFeezy, who we truly view as one of the game’s super-producers. 

 

JazzFeezy gives us an open view into his life, what got him to this point, and the things he’s got planned to elevate the production game to an all-new level. 

 

Check out our exclusive below…

 

U.G. Digital Mag: This is really awesome that we’re connecting man. Obviously, it’s been a while since we posted to that track, and it was so dope, but I honestly had never looked into the overall production. Once I saw your post, and really looked it up, I felt a little crazy. You’ve worked with so many people I follow, from Travis Porter down to T.I. and MGK, who hails from here in Cleveland. It’s dope to see all you’ve done. Kudos for everything you’ve done, and thanks again for tagging the post. 

 

JazzFeezy: I’ve been listening to a lot of different motivational speakers, and they’re basically like have you ever sat down and searched the hashtag of all of your hit records? That’s what prompted me, and I saw so many people showing love. Someone recommended I post, say thanks, and introduce myself. You never know what could from that, whether it be a follow, or a production relationship. That’s honestly what I did, and it’s how we ended up here.

 

U.G. Digital Mag: I think another thing that makes me appreciate you so much more is so many producers are out there, but they kinda disassociate themselves with “enjoying” the fame and wanting to know who really digs their music. They don’t really care who is following, and it makes them lose that human side. For you doing this, it shows that side, and my thought is that this is supposed to be fun. I think it’s really cool, and people see that you’re just like them. 

 

JazzFeezy: Of course. Before I started production, I was a lover of music first, and it also goes back to manners. If someone shows you appreciation, you give it right back. The fact you took the time to show love and post it, it means a lot because without that support, the song is dead. We release these songs by the ten-fold, but it’s the fan appreciation that gives it the longevity. Saying thanks is nothing, but it shows that this is a human being. Comments will say that it’s dope, but you don’t really know if it’s a bot or something. To actually say thanks and a few words behind it, it gives that person the idea they’re talking to a human being. 

 

U.G. Digital Mag: You’re from Canada, right?

 

JazzFeezy: Right. Where Toronto is, I’m about an hour north of there in Barrie, Ontario. If Toronto was like the hubcap, there’s like an hour of trees, farms, and uninhabited land; then you have a city called Barrie, and that’s where I’m from. 

 

U.G. Digital Mag: It’s dope man. I connected with Peter Jackson, and I thought he was so dope too. I know you guys have worked together before. What got you into music, and how did it really start? 

 

JazzFeezy: At 16 and 17, I began to see how easy the school system was, and I stopped caring as much. I started doing more with Sony Sound Pro, Fruity Loops 2, and Cool Edit Pro. I started tinkering with it, finished high school, went to school for a computer systems degree, and then realized that wasn’t what I wanted to do. My father let me go to a private school called Harris. It’s basically a studio, but they offer production engineering. Upon completion, they promise you a job, but there was nothing, and I was always on the Toronto scene. I went to the battle of the beatmakers, and I met Matthew Samuels who is Boi-1da, and T-Minus from Ajax, and I kept in contact with them and kept sending them beats. I had the drive and just kept following music man.

 

U.G. Digital Mag: I think you’re perfect for this column though. There’s a lot of people who know your work, but it’s been easy for them to overlook. You’re behind so many people. What comes next, and what more do you have planned?

 

JazzFeezy: In 2016, I put down the roots by working with a lot of labels. One of my managers, G. Roberson, has me locked in for a few different projects, so I’ve been working on those. We’ve been plugging away since October. 

 

U.G. Digital Mag: In terms of your brand, what plan is there for continuing to get yourself out there? I compare you already to the biggest names like Dre. Where do you want things to go, and what outcome do you envision?

 

JazzFeezy: I always write my plans down. If you’re familiar with the Boi-1da kit series, I created the first one with him. 

 

U.G. Digital Mag: Right. I know you have your own kit as well. 

 

JazzFeezy: Right. I have one now, but in May, I’ll do volume II. I think it’ll bring more people to it. Every 3-4 months, depending on what people want, I’ll continue the kit series. Other than that, I want to get into the merchandising side of things. Maybe snap backs, T-shirts, and real merch. It’s a lot of ideas that once I get into a certain atmosphere of being known, there’s a lot that I’ll have in the works. Property out here is very cheap, so I want to buy like an acre of land and build my own house, but on the back end have my own studio with overnight accommodations. 

 

U.G. Digital Mag: I love the mindset. It makes perfect sense, and it’s outside the box. Not many have thought that through, and it really makes sense and goes next level. I say why not?

 

JazzFeezy: Absolutely. It all comes down to having better funding. The more cuts you have and credibility, people are more likely to get it and invest in you that much more. 

 

U.G. Digital Mag: In terms of Canada, do you look to take any of this back to that area? There seems to be so many artists there without the proper voice behind them. It’s really growing in that sense. 

 

JazzFeezy: That’s why I want to build the studio to have the infrastructure. We have some great studios, such as Metalworks, and Phase One Studios. I find there’s a lot of big sessions that producers go to, and they don’t necessarily keep notes about the experience. I start sessions off with my notepad, and at the end, I write down what we covered. Down the road, I want to write a book, and give my experiences. I want to offer some type of mentorship that Canada lacks. Truthfully, all of our talent goes to New York, to L.A., to Atlanta, and to Nashville. People rarely stay here. 

 

U.G. Digital Mag: I think it makes sense. A lot of places are that way where their talent will go to other areas, and in a sense, it’s like that here in Cleveland. The city is growing so much though, and people are now trying to build here so you don’t have to leave. Will that ever happen in Canada? 

 

JazzFeezy: You know what? I don’t know. There’s this mystique about L.A., and I can’t explain it. Over time I’ll talk to an artist, and they get hooked. They say L.A. has exactly what we have, but it’s also the weather. If we have a few producers come together and the proper infrastructure is there where we can set it up, they may stay. America just gives more opportunity. The actual budget you can get is much more in the states, and you just feel more valued in the states. 

 

U.G. Digital Mag: I get it. I love everything you have, and I’ve been going through your site. I like the set up, and can honestly say I haven’t seen it from very many producers. You make it a point to connect with your listeners, and again, I don’t see it a lot. It’s dope and game-changing. You’ll go a long way. 

 

JazzFeezy: It also helps with publications like yours and people who take the time. If someone takes even an email just to say I’m from here, and please check out my music, I’ll give them feedback whether it’s good or bad. I’m never out there to crush dreams, but if someone clearly recorded something on their computer and you can hear the reverb and mom cooking dinner in the background, then I’ll let them know it was a good first attempt, but if they want to take it seriously, then here’s what they can do. It’s only as serious as you want it to be. A guy wrote me back and said nobody took him seriously and that he was 16 and really wanted to do this. I was 16 once, but if you really want to do it, then you’ll find a way to get to where you want to be. 

 

U.G. Digital Mag: Exactly. What is the biggest take away from the time you’ve put in? What’s been the biggest lesson?

 

JazzFeezy: Oh man, I think it’s patience. When it comes to it, there have been situations where I know I got the cut, I know it’s on the album and everything is good to go, and then 6-months later, were still finishing paperwork and you’re still waiting to get paid. I think the mystique of people in the limelight who show you they have the money, cars, and whatever, that’s cool, but most of that is their advance. They never say 6-months from now, this will be happening. It’s too much smoke and mirrors. 

 

U.G. Digital Mag: Right. Now where can everyone check you out online? Facebook, Instagram, etc?

 

JazzFeezy: Twitter, IG, Facebook, and the website. My handle is @Jazzfeezy. People speak of Snapchat and Linked In, but you don’t have to do them all at once. I need to get more credits, stay creative, keep working, and keep following up with different A&Rs, artists, and managers. Down the road, I may do the whole Snap Chat thing. 

 

U.G. Digital Mag: I really appreciate this opportunity. This is something we love to do, showcasing producers man. 

 

JazzFeezy: I appreciate that as well. The other thing is it’s become this “cool” thing [for producers] to not have things in publications like your, and people just see songs that you do. I think it’s just the big producers who are doing articles, and the other producers are less likely to reach out and do it. To me, that makes no sense. You should do every publication you can. You need them to help you, otherwise people won’t know your story. 

 

U.G. Digital Mag: Right. Any kind of final thoughts at all?

 

JazzFeezy: It goes back to what I’ve learned the most. I think the biggest mistake I’ve seen is if you go to a networking party, and you get different email addresses for other producers, A&R people, or labels mates, I think the biggest mistake people make is they try to hit them up a week, month, or year after the fact. The best thing to do is hit them up right away so they at least know you’re serious. People always blame the A&R, but if the producer doesn’t even make the attempt to reach out, they don’t need the new guy. If you want to get into that infrastructure, you have to make that connection. So the best advice I can give is to follow up. You never know what kind of relationships can spark. The only one who suffers is that person.

[ARCHIVE][FEATURE] MILYN JENSEN: MISUNDERSTOOD

This is probably one of the best interviews we’ve had the blessing of doing here at Urban Grandstand Digital. Milyn Jensen is a name the world knows very well. Unfortunately, it’s not necessarily for the things she wants to be known for, or the things we should know her for. Without naming specifics, anyone who has googled her name sees the amount of negativity that surfaces. It’s pretty sad that as media, given the responsibility that those in the media have taken upon themselves, they opt to reinforce the stereotypes and negativity that have all become so prevalent. Now that’s not to say that the celebrity or subject is not at fault for some public perception; yet, there’s still a responsibility from media to decipher what is to be covered, showcased, and/or broadcast, and what isn’t. Nevertheless, we have Milyn Jensen, and it’s definitely a treat for us, and hopefully for you. In this feature, we opt to focus solely on her dreams, aspirations, and direction she’s looking to go following her ending to Bad Girls’ Club. There’s quite a bit to know about Milyn. For starters, she was a nursing student, and has basically completed all but her externship. So she’s definitely far from what people may have thought about her. She’s got some other things jumping off that are taking her in the direction of following her passion, and at the end of the day, following our passion is all we want! With this feature, we want the world to see that she truly just been Misunderstood all this time. 

 

 

Urban Grandstand Digital: I appreciate you taking the time this evening to chat. I know we through this together fairly quickly…

 

Milyn Jensen: Oh thank you

 

Urban Grandstand Digital: So talk to me about the things you have going on. Obviously, I think there’s so much out there that isn’t really what should be covered so to speak. People should be getting to know you right now, and the different facets. You’re obviously a nursing student. 

 

Milyn Jensen: I mean, I’m really known from the reality show, so discussing it is not an issue or anything. As far as what I’m doing, I’m basically at a point where if it happens, it happens, and if it doesn’t, then it just doesn’t. I know people that when they get to do what I’ve done, they choose to stick with it, like reality shows. They want to keep going with it and doing more reality shows. I did not sign up for this, and I did not audition. TV was not anything I thought about doing. Now I just feel like if more opportunities keep falling into my lap, then I’ll keep doing it.

 

Urban Grandstand Digital: So not seeking it, how does a nursing student end up doing the Bad Girls Club?

 

Milyn Jensen: I guess I’ve always just had a really big personality. I talk a lot. Honestly, I think I’m really shy. I never liked speaking in front of class, I get anxiety in large groups. People just have always thought I was someone big. The energy and vibe I give off is just who I am. I don’t watch reality tv, so when they asked me to do it, I was like “I don’t know”. My mom was saying to do it, and she thought I would be good for TV. Apparently it worked. 

 

Urban Grandstand digital: Are there any regrets in the show?

 

Milyn Jensen: I wouldn’t say I regret doing the show. I just hate the name attachment. People hear Bad Girls’ Club, and they frown. I had friends who saw it, and they were like oh my god, it’s fighting. Going into the house, it was completely different. The girls were timid. I’m a free spirit and having fun. It was really my life, but just with cameras. I was comfortable. So I don’t regret filming. I do regret the production crew. That’s my only issue. 

 

Urban Grandstand Digital: So given your goals, and the fact you say you don’t watch reality TV, would you do more?

 

Milyn Jensen: I feel like I would do it again. It was fun and normal for me. It was natural. People would think it was uncomfortable, but i forgot the camera was there. 

 

Urban Grandstand Digital: So where do you go now? I realize you want to get into more serious acting, so how do you get there coming from Bad Girls Club?

 

Milyn Jensen: Well I had my first audition. I was really excited because my dream is to do a horror film. I’m obsessed with doing a scary movie. That’s what I really want to do. I didn’t get the part, but the experience of auditioning was great. I never had acting lessons, so to just go in and do an audition was great. They said for no training I actually did a good job. 

 

Urban Grandstand Digital: So given your desire to really pursue acting, do you have any plan to take advantage of acting lessons or get a coach?

 

Milyn Jensen: I do, but, I know so many people in the industry. I went to lunch with a friend of mine who is on that acting side, but more with producing and directing. She told me about an acting seminar her friend had, and she was breaking it down for me. I told her about my audition, and she gave me some advice on what to do next time. She explained in the seminar, they basically say people waste money in those classes when it’s really about being in touch with your inner feelings. That’s what will sell. They want it to be real and you become the actual character. So I don’t know if I really want to waste my money on it.

 

Urban Grandstand Digital: So will you be doing auditions regularly? What are your plans in terms of progressing?

 

Milyn Jensen: I hope so. I mean, I’m searching for more roles that catch me and get me interested. Where I know I can become that person in the audition. It’s not like I have twenty auditions. If I can get one per week, that’s where I’m at. 

 

Urban Grandstand Digital: What is your ultimate role?

 

Milyn Jensen: The scary movie things. I thought the audition I did was perfect. The girl was raped, and her parents were super malicious. It was the opposite of me. I said it was perfect, and I get killed. I want to live til’ the last second of the movie and then get brutally murdered [laughing]

 

Urban Grandstand Digital: I think it’s good that you are spreading yourself round and doing different things. I’ve never been a fan of complacency, so I think it’s good that you’re doing different things and not being complacent. It definitely gives you something to fall back on. You don’t want to just get stuck on one thing

 

Milyn Jensen: Right

 

Urban Grandstand Digital: So are you pretty much done with nursing?

 

Milyn Jensen: I did feel like I wanted to go back. All I had to do was my externship. I’m all over the place, so it’s a little difficult. I’m only twenty-six, so I can aways go back. When I turn thirty, if I’m still absolutely dry, then I can always go back. 

 

Urban Grandstand Digital: It’s a good outlook though. You do always have that option. So you’re also doing some event hosting. Talk to me about that. 

 

Milyn Jensen: I’ve just hosted parties, and with that, they always want me to get on the mic. I’m just a face. You’re just supposed to look at me [laughing]. 

 

Urban Grandstand Digital: I’ve really enjoyed talking to you this evening. You seem like a really cool person.

 

Milyn Jensen: I am [laughing]..

 

Urban Grandstand Digital: But you know what I mean though. In researching and whatnot, there’s so much negativity out there. You almost don’t really know what to think. Talking to you, listening to your dreams, and things you’re working on, it’s clear that you’re really a cool person. Is there anything else that you really want us to get out there?

 

Milyn Jensen: I think everything is pretty much out there [laughing]. There’s no secrets with me. Not even secrets, but like you said, you research, and of course there’s things that are totally false. No one’s ever going to know what’s really me, and at the end of the day, I don’t really care what people think because it doesn’t affect my happiness. So it’s like, sorry about my language, and if you want to believe it, you do, and if not, you don’t. 

 

Urban Grandstand Digital: Well what sets us apart here is what we cover and how we cover it. Most media cover the negativity and the crazy stuff. We really want to change the face of media. There’s such a bad name because of the paparazzi, and what gets covered, and contrary to popular belief, the average person doesn’t care about all of that. People just care about the talent, and the person and thats what we want to push. 

[ARCHIVE][FEATURE] ANDRE PITRE

We’re back with another exclusive, this time with famed Actor, Producer, and singer Mr. Andre Pitre. We take pride in the fact that we like to spotlight individuals who are making moves and doing positive things not only for themselves, but for others in their respective communities, and across the world. No one fits that bill more than Mr. Pitre. Obviously, he’s been doing his thing in the entertainment world. He’s starred in several films, including BET film “Heaven Ain’t Hard to Find”, Tyler Perry’s “I Don’t Want to Do Wrong”, and “Love in the Nick of Time”. He’s also blowing the music world apart with his music, more recently his single “Come On Baby”, which has been doing phenomenally on iTunes. Aside from that, he’s doing outstanding work with his production company, Triwen Productions, which has allowed him to do all types of mentoring within his community in Houston. With so much going on, it’s amazing he can keep everything in line, but that’s what makes him the genius he is in entertainment. In our feature, we talk about all of this and more!

 

 

Urban Grandstand Digital: Thanks so much for your time today. It's great to be able to talk about the many things you have going on. When I look at the things you've done thus far, it's like these are things that some of the biggest personalities want to do. Let's see, there's Tyler Perry’s “I Don’t Want to Do Wrong”, "Heaven Ain’t Hard to Find", and "Love in the Nick of Time". Tell me about how you stepped into acting. 

 

Andre Pitre: I’ve been singing and acting all my life. Singing is my passion. I would always incorporate being dramatic when I sing, because if you’re not believing what you’re saying, then it’s not going to come out the way that it should. I don’t know anyone who sings that doesn’t do that. Naturally, the theatrics are going to come out. You have Patti LaBelle, Marvin Gaye, Michael Jackson, it was in them. You see the natural acting ability. I’ve always wanted to do both because they go hand in hand. But singing, I’ve been doing that since I was 4 years old. I would hear a song one time, and pretty much have the melody. My dad would always play music. I came out with it in me. I have family members who sing on both sides of the family. No one is doing it professionally, but they can really sing. It’s just something that God blessed me with. 

 

Urban Grandstand Digital: It’s a beautiful thing that you’re not complacent. Singing, acting, and having your production company are really awesome accomplishments. And I actually want to tap into your production company as well. It’s pretty cool that you’re working with Charnele Brown (of A Different World). How did you two come together?

 

Andre Pitre: We met in 1999. I was out here in Houston, and she had just brought her acting academy to the area. I went into the audition, and I see Kim from A Different world, and thought to myself that this was the real deal. So her business partner at the time held the audition, and I got the real world. One thing about me, if I see things I can jump out with [and help with], I gravitate to it, regardless of my status. If I got the lead role or whatever, I still want to make sure everything is fine. I want to know what’s going on behind the scenes. We were out on the road, and certain things were not going the way they should. It worked out that we would become business partners. We clicked very well. She’s like a sister I never had. We’re an extension of each other, and think so much alike. Where I’m weak, she’s strong. She’s helped me a lot to understand not to believe the hype, and to be prepared for things. 

 

Urban Grandstand Digital: It goes to show, too, that we as a people can really work together. 

 

Andre Pitre: We can…

 

Urban Grandstand Digital: People feel like we can’t, but we definitely can!

 

Andre Pitre: It’s up to us. It’s amazing how much power we have. It’s amazing what we can do. If you look at anything in entertainment, you see someone in color doing it. Producing, football, basketball, owning your own franchise, we can do whatever we put our minds to. We come into this world naturally hustling. We have to do ten times more than the average person born into wealth. The one thing as blacks we must do is save money, so our kids' kids' kids come into something. They don’t have to fight as much because we’ve left something aside for them to build and continue instead of starting from scratch. That’s another reason we started this production company. We wanted to show that you don’t have to go to LA and New York. Houston is just as big, and there’s an opportunity. It’s people like us coming together and showing you can do the same thing. 

 

Urban Grandstand Digital: I can appreciate you saying that people don’t have to leave the city to achieve these things. That was our principle with our company. Cleveland is big enough that you don’t have to leave here. 

 

Andre Pitre: You can make your city the next Hollywood. You just have to be willing to stay there and make it happen. The reason these other cities like LA are the way they are is because you have people born and bred, and they made it possible. They pushed it and made it drive. It’s like we get there to the edge and then say let me go over here to where everybody else is. I believe that once it comes through, I’m opening the doors for people, like what Tyler Perry is doing. He opened the doors for others like myself, and others who have dreams of doing it themselves. It’s possible. With God, anything is possible. That’s something we’ve been doing. The music is about to take off. I’m working on a major project right now, and I’m excited about that. I’m building an incredible team. This is something that’s like a life-long dream coming to fruition. I’ve been through ups and downs in this music game, but it has prepared me for what’s coming. I’ve always said “much is given, much is required”. I asked for big things at a young age, but now I understand that you ask for it but you ain’t just going to get it. You have to go through some things to truly appreciate owning your own company. 

 

Urban Grandstand: I’ve seen people in this industry go through so much before they finally made it. 

 

Andre Pitre: Right…

 

Urban Grandstand Digital: Now we're especially talking today because of your music. “Come On Baby” has been doing pretty well so far. I know it hit iTunes earlier this year. Tell everyone about this single, the process of putting it together, and the direction you’re heading now?

 

Andre Pitre: Well, two summers ago I was in Miami. A friend of mine and I were working on this project. My projects are never-ending. Once I do the major release, people see each songs come together to make a masterpiece. A friend of mine was helping me, and some people he knew introduced me to a guy who produced “Come On Baby”. His name is Terrence Rogue. When you hear this guy, he’s incredible. He’s a 26-year old protégé. He sings and plays every instrument. He produced and co-wrote it. It was just one of those moments where you’re doing something and it clicks. 

 

Urban Grandstand Digital: Had you two ever worked together at all?

 

Andre Pitre: No. The day I met him, we recorded two of the best songs I’ve ever done. That’s “I Need You” and “Come On Baby”. We did those from scratch. Like you and I are talking, we did it. As I’m talking, he’s playing. 

 

Urban Grandstand Digital: It’s evident; though, that it was a good connection seeing as how you came together and immediately knocked those tracks out. 

 

Andre Pitre: Just like that. When I say it’s one of those things, it’s almost like Janet Jackson with Jimmy Jam & Terry Lewis, or Snoop & Dr. Dre. Whenever they don’t work together, you know the difference. It’s that magic. They were made for each other. That’s what I feel like I have with him [Terrence]. We clicked. 

 

Urban Grandstand Digital: Now is he working on the remainder of your project?

 

Andre Pitre: Yes, and as a matter of fact, in a couple weeks I’ll do some more with him. I have another guy I’m working with in Los Angeles, but with him it’s magic. It’s like that missing piece. 

 

Urban Grandstand Digital: You’ll work with a multitude of different people, but you have to have that one person who really knows you and gives you the best stuff. It’s the same too with people like Missy Elliott. Regardless of whom she is working with, everyone knows Timbaland gives her the absolute best. 

 

Andre Pitre: Right…

 

Urban Grandstand Digital: So when are you expecting the project to be out there? 

 

Andre Pitre: Our goal is the first of the year. I’m putting together a Christmas project we’ll drop in the holiday season. It’s just a little EP with a few Christmas songs, one original and one cover. The album and single, we’re pushing for “Come On Baby” will be the first single. The feedback has been great. I’m working to secure a major situation so the masses can hear it. I grew up listening to that feel good, real old school flavor. When you listen to music it tells a story. That’s what I want my music to do is take you to a place, and make you feel good, cry, make you happy, you know. That’s what I want to project. That’s what I want my album to do. When you put it in and push play, it goes all the way through non-stop. I want my music to be like a movie. You don’t skip ahead. 

 

Urban Grandstand Digital: Sort of like D’Angelo’s first album. Play it straight through. 

 

Andre Pitre: That album was incredible. 

 

Urban Grandstand Digital: That actually answers my next question too, which basically was what you felt you offered that was missing in music these days…..

 

Andre Pitre: We’ve gotten away from talking about love. I have respect for all genres of music, but when you listen to the radio, there’s not enough love anymore, and that’s why we’re having a lot of issues with relationships because music is what we go to for our answers. If you want to get in the mood, and get closer to God, you listen o that certain Gospel song, but when you want to hear that love song, it’s not too many of us newcomers, or even the R&B generation now, you have them but they don’t get the airplay they need. Somebody I really admire, and I think he’s incredible, is Tank. 

 

 

Urban Grandstand Digital: Man. It’s crazy you mention that. I was saying the same thing, and I’ve been following him since the Aaliyah days. He’s done so much in his career. You would think at this point people would recognize. Then I covered the BET awards this summer, and he was there wit TGT. The show was absolutely awesome. He puts so much work into it that I don’t see why some people just aren’t getting it.

 

Andre Pitre: Man, he has one of those albums with “Sex Love & Pain”. It’s one of those albums where you press play and the album is like wow. I met him a few times, and we’re always playing basketball and softball with whom I call the fraternity members of the industry. He’s just an all around good guy. That’s the kind of music that’s missing. The Anthony Hamiltons and Tyreses. This is the essence of R&B. This generation and what they think is R&B is different. To me, R&B is when you feel good listening, It’s not just the production, but it’s the story behind it. What are you telling this woman? It’s straight to let me hit that. It’s none of this let me take you out. When you listen to them old school songs, Lenny Williams is a good friend of mine and like a mentor. We did a production together. It’s just amazing that the song he did, people still sing it like it just came out. “Because I Love You”. That’s a legendary song. I just admire him. He still has that energy. This man is almost 70 years old and he has a tone that stands the test of time. Watching Frankie Beverly & Maze. I opened for him a few times, and it’s just amazing to see those guys. They haven’t put out a song since I’ve been living, and they still sell out. I really had a chance to appreciate them more this summer. I did a show with them new years eve, but this summer I did a show with my band. Just to watch these guys, and they gave us some great feedback. To have them give us that kind of feedback meant a lot. Every night, they give that same energy. That’s what I look forward to. 50 years from now, I want people still singing Come On Baby. 

 

Urban Grandstand: What would you say the biggest thing was you’ve learned from the likes of Frankie Beverly& Maze, and Lenny Williams?

 

Andre Pitre: Humility. If I can sum it up in one word, Humility. Professionalism. These guys are legends for a reason, and they didn’t become legends overnight. They stood the test of time. Not too many artists can stand the test of time. They come out a month or two and you never hear from them again. They depend on the machine to keep it going. If you have it, it’s no denying it. It can’t be taken away. R. Kelly is another one. This dude is a genius. You can’t deny it. Beyoncé. People that are still here, it’s a reason why every time they drop an album, it’s no miss. They keep raising the bar. 

 

Urban Grandstand Digital: Before we end, I also want you to touch on some of the community work you've done in terms of camps, programs for kids, and so on

 

Andre Pitre: I started doing that on my journey to pursue my dreams. I always enjoyed working with kids. I’ve coached basketball, baseball, football, and I’ve mentored. I work with the kids, and Charnele works with adults. My dad used to coach baseball, so I got it from him. At four, I sang and played baseball (laughing). I watched my dad go to different places. These kids he helped couldn’t do nothing. They would probably be locked up. But I saw how he made an impact. It rolled over to me. One thing about kids is they are honest. They’ll let you know how it is. As adults, what happened to just being straight up. If you don’t like somebody or something, just say it. For some reason, we feel like we’ve got to like and sugarcoat. What happened to the innocence? It’s days when I’m frustrated by my own career, not booking a certain commercial or a movie, trying to get something right music wise, and these kids are happy just to have someone spend time with them. 

 

Urban Grandstand Digital: It says a lot that you take the time to do this. We’ve all been there, but you get some people who don’t go back and help. 

 

Andre Pitre: I never wanted to wait until a certain stage of my career and say it was time to give back. You should do it because you want to do it. Not because of PR. It’s a lot of stuff I do that I won’t put on social media. You’ll see what I do by how productive these kids become. They may not even be into art, but it helps them by me talking to them and showing them with discipline. I tell them what goes on, and keep it straight up. I tell them they’ll go through ups and downs. They have to put in the work. 

 

Urban Grandstand Digital: What you see on TV is not always reality. 

 

Andre Pitre: Right, but the joy I get working with these kids, i look forward to it. It gives me just as much joy as singing and acting. It’s so innocent. They don’t realize they’re learning until later on. Those interested in acting, it helps them with memorization too. 

 

Urban Grandstand Digital: And even if they are not interested in entertainment, it helps them figure out their path. 

 

Andre Pitre: Right, and it helps them get out of their shell. A lot of them have been bullied, and are dealing with family issues. They’re the adults and they have to feed their brothers and sisters because mom and dad may not be home. It’s just stuff like that. I can’t save everybody but if I can save one, I’ve done my job. These young men need it more than anything. They are killing us and locking us up like animals. These boys have so much anger because their daddies aren’t around. The daddies don’t take the time. I don’t shy away from that. I’d rather have a challenge than go to a kid that has everything. These kids that don’t have it, you shouldn’t run away from it. They are crying out for help and want attention. 

 

Urban Grandstand Digital: Right, and the more people that ignore them, the more violent they become. 

 

Andre Pitre: Right. They build and build and build until they explode. They do it in front of the wrong people and the cops get involved. They’re just expressing how they feel. A lot of things going on, people aren’t thinking rationally. They have built up rage and then take the law into their own hands. Everybody has a story and it’s a reason why some people are the way they are. It starts from home. 

 

Are there any other projects you’re working on, or anything you want to get out there?

 

Andre Pitre: The main focus is the album. I did an independent film with Slim Thug called “Red All Over”. It’s a local producer here in Houston that shot it. As well as the projects that Charnele and I have coming. I’d rather show you. I don’t like to put the cart before the horse. Nowadays, with social media, everybody shows you everything. It’s like baking a cake. By the time it’s ready, you have them everything and it’s nothing to see. You have to be discreet. I like the element of surprise. I’m very excited about my music project. I want people to see the music side totally. When I shoot my videos, you’ll see the acting side. My songs tell a story. It’s a message. I want my music to be heard by everybody. It’s more than just sound and words. When I hear a song, it takes me back to what I was doing at that time. That’s what I want my music to do. I’ve had guys say they play my song because they couldn’t figure out the words to say and that the song spoke for them. 

 

Urban Grandstand Digital: It’s really a blessing when your music can hit home for listeners. Are there any kind of final comments at all? Anything I missed?

 

Andre Pitre: Just want to thank everyone for the support. Thank you for even having me. I’m looking forward to doing great things. I’m really excited about what God is doing in my life and career. It’s so many people out there like me, putting in the work. They just want to give up. You get out of life what you put in. Put in the work and you’ve been obedient, you season will come. It’s never too late to follow your dreams. Just because you started a family and had ups an downs, you’re still God’s child. That’s the motto of our production company. Triwen Productions. It means try until you win. You only live once. 

[FEATURE] JG ( @iamjgforreal ) : THE REAL DEAL

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​Artists like JG are truly redefining what it is to be a rap artist in today's hip-hop world. We've seen a complete metamorphosis in terms of what artists represent, and not only how they're portrayed, but how they present themselves. For those who have been around long enough to witness hip-hop from the eighties, through the nineties, and right into the new millennium, many will argue that we've watch the slow death of what we once knew. We've seen it start from artists coming with real "message" music to those who weren't saying anything at all. It had become more s stage show than anything, and not many truly respected the essence of the craft. In essence, it was no different than someone working a job simply for a paycheck, which goes against the whole code because the idea is that people are doing what they love. We're now arriving at a place where artists are becoming more attuned with themselves, and using the stories of their lives not only to elevate themselves, but connect their to the rest of the world. More importantly, we're seeing more artists with a genuine love for the art form, and it's reflecting in the product.

We recently ran the debut of JG's "Birds in LA", which feature Rich the Kid. With one watch if the clip, its clear to see he's bringing back the essence of hip-hop that has been missing for a long time. While he's not drilling you with any particular message, it's clear he's having fun, and his heart is in it. It gives you a sense not only of what can be expected from his album, but also the direction hip-hop is heading, and how things are truly

coming back around.

JG sat down to talk with us about the new single, the idea he had behind the track, and how this, as well as the upcoming barrage of singles will strategically lead us into his EP, which we'll likely get later this year.

U.G. Digital Mag: I appreciate you sitting down with us bro. Kudos for all that’s happening your way.

JG: Thank you man. I appreciate that.

U.G. Digital Mag: Start off first by talking about Birds in LA. There’s a lot that I can really appreciate, not just about the song, but also your delivery, overall flow, and I think the style you’re bringing is needed right now. There’s a lot in hip-hop that I struggle with in terms of direction, but you’re taking it in the right direction. With that in mind, talk about the single and your goals for that?

JG: Well I mean, with that record, just getting rich on it was a big thing because I wanted it to get the recognition it deserved. I felt like the verses were hot, and I was just trying to establish myself. Before this, I hadn’t had anything out there, so I was trying to establish myself, get on a record with somebody who may be in a different lane than myself, but also showcase what I’m trying to bring to the table. I feel like the record doesn’t have any real meaning per se, and its definitely not a political message. It’s just a dope record. I was showcasing my lyrical ability.

U.G. Digital Mag: I think people who look at it can see that there's not necessarily a cockiness, but more a level of confidence. Overall, it’s like I’m here, this is me, and this is what you get.

JG: Basically that's it. It’s really something that you speak about the confidence, because for me, it something that comes out more in my music. It’s like I’m two people. On the mic, things I want to say, that side of me comes out more.

U.G. Digital Mag: I think that’s good. How do you feel like taking it back to your own life, this will allow you to show more of that confidence outside of music?

JG: It’s not that I’m not confident. Im just not flamboyant or boastful. I don’t seek that, and my goal isn’t to flex on people. My goal is to make good music and hopefully, people will relate to my music. I don’t think this will really reflect superficially, but I am confident in my abilities. I’m just more reserved.

U.G. Digital Mag: I think a lot of people can appreciate that, and relate. I see where your influence comes from, and obviously you listen to the J. Coles, and those artists who people label as “artists with something to say”. I think people see it, but at the same time, you’re your own artist. Talk about how this single leads into the album?

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JG: It’s definitely the lead-off to the album. I really was trying to set things up in terms of what you could expect. It’s a little different to me. The vibes on the album, and this song in particular, it’s more melodic. "My Side" is more upbeat, more wavy and club vib-ish. I try to give something for everybody, but at the same time, deliver a message throughout the project. That’s what I want people to take away from this. I have songs to turn up to, but then I also have songs where you have to sit back, listen, and think. Like you said, J. Cole and other artists are my inspiration, but I also realize there’s a fine line that you have to straddle. People don’t want to just be put to sleep, and unfortunately, we live in a time where the attention span Is not what it once was. It’s changed a little, so I try to cater to that, but also do what I love to do.

U.G. Digital Mag: I think in terms of attention, a lot of people just want more artists who will bend the lines and be different. I think what helps a lot is being independent. There’s so much happening on the independent front, and you have the ability to do so much more of what you want. People see that creativity within you, and can see you’re not being guided in terms of what someone else thinks is hot.

JG: That’s pretty much what it is. I don’t like being labeled, and being put in a box. If I want to make a super melodic record and then come back to make an east coast rap record, I like to exercise my freedom to do just that. That’s more of the artistry I want people to see. With these first 4-5 records, it’s a bit of every aspect of that. I’m hoping people get out of it what I’m trying to put into it.

U.G. Digital Mag: I think they will. Even going back to "Birds in LA", I immediately felt it, and that’s a compliment in the highest form because being honest, I don’t easily get into a lot of music today. It’s not even in a disrespectful way either.

JG: Right. No disrespect, it’s just not your lane.

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U.G. Digital Mag: Right. But I played it, and felt it right away. Then my son, who is ten years old by the way, listened and could vibe to it. You can reach people of all age ranges, which is cool. I think people, again, can appreciate that. What happens between now and later this year when it drops?

JG: Right now, we have about 4-5 records lined up. We’re just building the fanbase. It’s been a while since I've released any music. A lot of people have not heard of me, and for those who have, it’s been a while since I put anything out. So it’s connecting with the new fans, and recapturing old ones. There isn't a date set in stone yet.

U.G. Digital Mag: The reality too is that people don’t even need the date because as long as you keep coming the way you are, people will take to it, and regardless of when it drops, people will support because it’s something tangible.

JG: Yea. I have a lot of music ready. My problem is I’m always eager to drop it. I think things are going in the right direction though. I think it’ll be a good year.

U.G. Digital Mag: For people who want to check you out, we have the social media, Instagram, Twitter, Soundcloud, and YouTube accounts. Where else can people check you out?

JG: I have my Facebook page, which gets the most interaction. I know Facebook is not really so big, but I get a lot of interaction there.

U.G. Digital Mag: It actually depends on the artist. Some actually do better with Instagram and Twitter, but those who have more engagement, they do better on Facebook. It just depends.

JG: Yea like me, I’ve neglected Twitter. I barely tweet, and I’m trying to get better, but it just isn’t my thing.

U.G. Digital Mag: Everyone has their thing. I neglect Snapchat. Some people are religious to Snapchat.

JG: Right. Also I have a few records on Spotify, and Pandora. I have one on Apple  music, and we're working on getting the rest up there. The music coming now will hit all of those outlets. Other than that, that’s about it. Worldstar obviously also. I think that’s about it.

U.G. Digital Mag: What about your personal site?

JG: It's www.iamjgforreal.com

U.G. Digital Mag: Any final comments at all?

JG: Not really. I feel like we touched on some good stuff. Really, I’m not even going down that route [laughing].

U.G. Digital Mag: I just want to say I really appreciate you. Your artistry makes me want to do what I do. I relate to your comments about being in a box, and that goes for any industry. In terms of journalism or black media, if I write for others, which I have, and do here and there, it’s easy to get put in a box in terms of what you can and cannot cover, and the way you go about it. Having my own allows me to talk about what the artists really want to talk about. I appreciate being able to connect, and I thoroughly appreciate your music.

JG: It’s a blessing to have this conversation. Everything happens so fast, and it’s been a long time. We just launched the campaign, and it’s happening so fast. The main thing is I don’t want to be in a box. If somebody is not feeling this record, just wait a minute, and you’ll feel the next one. I touch on certain areas just to show I can do this, and I also can do that. It’s not to say I don’t have a style; I just do what the fuck I want to do musically.

[FEATURE] NASHIEM MYRICK [ @TheProducerNash ]: LIFE AFTER DEATH [THE NOTORIOUS B.I.G. TRIBUTE]

For as much as we felt we already knew about The Notorious B.I.G. and the classic double LP, Life After Death, the process of completing the various features we have has been quite eye opening. It’s been an opportunity to look deeper into the lyrics that he truly lived, and the words that have lived posthumously for 20 years now. 

In this particular feature, we connect with Nashiem Myrick, who was an intricate part of Bad Boy’s Hitmen, the in-house production team that ultimately crafted a majority of the songs we all knew an loved, not just from Biggie, but from many other artists on the booming roster. Myrick has been lauded for his work through the year, especially the personal touch he added to Life After Death. Having developed a relationship with B.I.G. that began during the “Ready to Die” days, it wasn’t difficult for him to know exactly what the King wanted. Myrick definitely delivered with four of the album’s most revered tracks: “Somebody’s Gotta Die”, “Niggas Bleed”, “My Downfall”, and “What’s Beef”. We talk to Myrick not only about these powerful tracks, but also the legacy that has lived now for two decades, and continues to grow with each passing day. He also gives us a glimpse into what he has going on right now, and what we can be on the lookout for. 

 

U.G. Digital Mag: I’m immensely grateful to you for your time man. As someone who religiously read album credits, I've wanted to connect with you definitely this entire 20 years. This is really awesome to talk so someone I feel was majorly vital for the overall creativity in this project. Clearly we're honoring the legacy of Biggie in Life After Death, but you're responsible for a bulk of the album in terms of production. What was that like at the time, knowing you would contribute, and then what's it like now, looking at how inspirational it's been to so many people?

 

Nashiem Myrick: Well, you know, it was the hitmen, and we got a chance to do a bulk of the album. Me and B.I.G. were in tune, and we had a connection when it came to music. He liked the stuff that I liked. With Somebody’s Gotta Die,  I got that to him well before the album started. We were still working Ready to Die, and I have him the track. It pretty much started the direction of the new album. Not to say that it was the maiden fact for the album, which it is on the album, it’s the first track, but he got into that new vibe at that time when he started to wrote to that song. If you listen to Life After Death, and then you go back to the first album, you can tell his rhyme style changed a little. 

 

U.G. Digital Magazine: Oh it changed a whole lot. 

 

Nashiem Myrick: Right. It got way more intricate and sophisticated. I got a head start before everyone else. I had an opportunity to do way more tracks for him. 

 

U.G. Digital Mag: I felt like there was something in I’m that, while not trying to be like anyone else or prove anything, it’s like he was saying “look, I can roll with the best of ‘em, no matter who It is”. Coming from Cleveland, People here really looked out for Notorious Thugs featuring Bone Thugs, and he clearly switched his entire flow. He did stuff many were scared to do. 

 

Nashiem Myrick: Right, and it’s like, if you wasn’t from the midwest, you wasn’t doing that Bone Thugs n Harmony record. At that time, he surprised everybody, but we knew he had it in him. Him and Jay were just on another level at that time. I can’t explain it, and no one can, but they was just on another level when it came to the rhymes, it was like out of this world. 

 

U.G. Digital Mag: My own interpretation with Life After Death was that you had the most introspective tracks on the album. Not really any of the uptempos, but the more gritty cuts. Was that a conscious move? How would it be determined what you worked on versus what everyone else in the hitmen worked on?

 

Nashiem Myrick: We all had different styles, and that was the beauty of it. It was never a case of us having to preplan anything. I had linked up with a guy names Carlos Broady a little before the album started. He and I collaborated on those songs, and we had the same ear, and the same style. When it came to the rest of the hitmen, D-Dot, Stevie, Ron Lawrence, you know, we were just different. Even though Ron Lawrence and D-Dot were a team, basically everybody had their own style. When it came to making the album, B.I.G. and Puff pretty much knew what each element; the elements being Me, Carlos, and Stevie, they knew what each one of us individually would bring. That would make a more broader album as far as music was concerned. You gotta understand; we was new at the time. I had a track record from Who Shot Ya, and a couple other joints floating out there like Queen Bitch. 

 

U.G. Digital Mag: It’s crazy because a lot of people really don’t know, and I look at how big some names have gotten in production. There’s so many songs you’ve done out there, from Queen Bitch, and Who Shot Ya, and you’ve worked with Mary, Jay-Z, Scarface, and a lot of people don’t recognize. You brought something to the table with B.I.G. that so many people fell in love with. Even looking at the samples you used, You figure the Isley brothers, Al Green, Richard Evans, The Dramatics, Run DMC, you introduced a lot of people to music before that time. Today, many artists don’t know about the predecessors, let alone even having respect for the predecessors. I talked to DMC last week about “My Downfall”, and we talked about the fact that musicians today don’t know those before them. 

 

Nashiem Myrick: I know, and that behooves me because I grew up on music since I was so little, and I was always interested in the credits, even before I was really making music, I always understood it was a process to make these songs. I was reading the sleeves at such an early age that I knew this guys also played in Funkadelic, and Bootsy Collins, or they derived from James Brown’s era. I always put it all together. My father was a big music fan, and he was also a DJ, and had a record collection that would blow your mind. That’s all I did was gain knowledge, and he was into every type of music. If it had soul, he introduced it to me. I don’t understand these kids. You’re not going to last if you don’t know your past. Period! Everything on earth relied on the elements that came before. 

 

U.G. Digital Mag: I appreciate hearing that from you because I was somebody that read the liner notes to see who was involved, where the sample came from, and everything. You speak of Carlos, and that was my introduction to him; reading the liner notes for the album. I remember listening to “Anotha”, and learning ti came from Barbara Mason. Before reading that, I had no clue. It’s good to hear this from you. Also, the people you sample, my son picks it up, even at 10. He knows “Stay With Me” by El Debarge was sampled for One More Chance; He knows Al Green, and so on. 

 

Nashiem Myrick: I had an advantage that these young kids don’t have today. I was born in 1970, so I was born when hip-hop was created. I lived through it, so I don’t really have to go back in time. I didn’t have to do too much history because it was right there for me, and since we as a culture, our music comes from what we have around us. We’re not band players. We actually developed through technology, so we relied on old records that were already done. You have to know your history. I was a guy who always knew the break beats. I collected break beats. Since I grew up around music, I always knew the samples as people were coming out with them. I always knew it, and if I didn’t, I went back into my record collection, or I would read the notes. I used to know, down to the drum loop, what songs were used. Even if they used a snare and a kick, I could name the snare kick when I was young, and it was crazy. I was a buff, and people would be amazed. That’s one thing Puff loved about me when we met. I met Puff when we was at Howard. He was DJ’ing and hosting parties. When he got his job at Uptown, he would call me over for studio setups. I would sit with him and go through break beats all night. 

 

U.G. Digital Mag: It had to be a good feeling in your heart to be involved from the very beginning of Uptown with him. 

 

Nashiem Myrick: Yea, when he got the job interning, I can remember he was still going to Howard. I knew like, I know this guy so somehow we’ll connect. Plus, I was in the group with one of his friends, one of my beats friends, Harve Pierre, and our friend Davie, we had the connection, and he was trying to get into the music business. We already had the record deal. He was promoting parties, and we was always in cahoots with each other. 

 

U.G. Digital Mag: How did you end up being production them?

 

Nashiem Myrick: Well, the record deal that me, Harve, and Dave had, Sticks and Stones was the name of our group, they dropped us. We was on Pay Day Records, and was managed by Empire management. That’s Group Home and Gangstarr, they was down with them also. They dropped us on my birthday and I’ll never forget. I got the call on my birthday, so from there, Puff had gotten fired from Uptown, and started shopping Bad Boy. He had already asked me to work for him when he was at Uptown, but it was more clerical stuff. I knew that could open doors for me, but I didn’t know nothing about clerical work. When he got his deal at Bad Boy, Mark Pitts was working for him. He invited Harve up there, and Harve was working for him. He didn’t really have a staff at the time. He had a studio in the crib, and needed an intern. I was interning under Poke of the Trackmasters. They were taking care of the studio and I worked under them, but two weeks later, I guess they had a break-up over something, and Puff wanted me to take a bigger part in this. He wanted me to step up, and I said let’s do it. He already knew I wanted to be a producer, and I knew the street essence of the hip-hop game as far as music was concerned. I was already heavy into the samples, and he already knew that from me being a DJ. Gradually it formed. 

 

U.G. Digital Mag: Of all the songs you worked with, you had “Somebody’s Gotta Die”, “What’s Beef”, “Niggas Bleed”, and “My Downfall”. What did those songs specifically do for the album to lend it the credibility it has maintained for 20 years now?

 

Nashiem Myrick: I think they were the glue for certain moments in the album. You could tell a couple of them were storytelling joints, which B.I.G. was incredible out. 

 

U.G. Digital Mag: Exactly. 

 

Nashiem Myrick: He had to display that. They were the glue. It’s like, you make a dish and you need something to keep the certain ingredients together. Those tracks gave it that grit. That’s where I came in at. It was to hold the album together. having an album with just video joints, there’s no depth involved. You need something to take with you. You need legs to an album to where it keeps with you for a while. If you have all radio joints, it gets exploited on the radio and in the club, and then you’re through with the album. This is so you can have something to take you into the future. They keep the album together and make it do beautiful. 

 

U.G. Digital Mag: It’s funny, though, how you speak of the radio tracks. You have “Hypnotize”, ‘Going Back to Cali”, “Mo Money, Mo Problems”, and by far, they took the album to the next level, but when you look at even “My Downfall” specifically, it has carried the album for this time. You had the more introspective joints where you could listen to what he was saying and relate it to your own life. Theycarried the album. 

 

Nashiem Myrick: Yea, and that’s the basis of a classic album. You gotta have a joint that’s not going to be exploited on the radio. it’s just for the album. You have to buy the album to get certain cuts. A lot of times, it can be worthy of a single, but let’s keep it on the album. That’s a trick I guess they learned long ago. 

 

U.G. Digital Mag: It’s definitely dope though. When you look at hip-hop today, how has this album aided the evolution of hip-hop? 

 

Nashiem Myrick: Wow, first of all the production on that album is fucking ridiculous. People wasn’t taking the time and effort to put into the production what we were doing, you know, we were taking sample based records but making them so orchestra-like, and bigger than they could be. You go back to like Dre would do it. He would get people to come in and play the parts of the sample and take it into a live form. What we were doing was the same, keeping the sample there, and creating on top of that. We added new material, new tracks, and new instrumentation on top of that sample, making it extraordinary. That’s where it took a shift, as far as I’m concerned as a producer. Hip-Hop took a shift, and if they didn’t learn from Dre that you had to do more with the music, and make it more extraordinary, they saw it with the Hitmen and how we did it on that album, and the Mary album prior to that. 

 

U.G. Digital Mag: I agree. I know for a fact that people were sampled who only cleared the samples because of who you were and what they knew your track record to be. 

 

Nashiem Myrick: Right. 

 

U.G. Digital Mag: I look at “Rise” from Herb Alpert, and I know so many artists were trying to clear that, and nobody could, but he immediately cleared it for the Hitmen and for B.I.G., which was amazing. 

 

Nashiem Myrick: We thought we wasn’t gonna clear it too. 

 

U.G. Digital Mag: Angela Winbush, the joint with her was absolutely amazing. 

 

Nashiem Myrick: And we had her come in and sing. 

 

U.G. Digital Mag: I know. That’s just what I mean. It’s a sample, but she sang on top of it, and killed it. Til’ this day, it’s one of the dopest. 

 

Nashiem Myrick: Took her song, and wrote a version just for that sample. 

 

U.G. Digital Mag: You won’t get that with anyone else man. 

 

Nashiem Myrick: No! Especially not anyone with her credibility. 

 

U.G. Digital Mag: So yea, there’s a lot of people who appreciate that. Where does the legacy go in the years to come? People are still buying?

 

Nashiem Myrick: It’s going to be there forever because of the untimely death of my man. That’s just going to grow the legacy more because it’s the last offering he had. He didn’t even get to hear the album. He didn’t get to hear “Somebody’s Gotta Die” in it’s latest form. 60% of that song was produced after he had passed. 

 

U.G. Digital Mag: Wow. 

 

Nashiem Myrick: It’s a lot of songs on there like that. 

 

U.G. Digital Mag: I would have thought he had finished it all before, seeing as how it released two weeks after he passed. It speaks volumes in terms of the connection everyone had. Now, going back a little, everybody knows you were behind “Who Shot Ya”. The song made people think so much. Was there ever any though just of any drama that could come from what people thought?

 

Nashiem Myrick: Not at all. We never thought that. I mean, emcees were going at each other unknown, subliminally, but he wasn’t. I was there during the session as it came out. It was never that. it was all fantasy-based. You never thought about drama. His lyrical skills were so amazing that it would make you believe that. But that never entered our minds. We just thought we had a dope record. 

 

U.G. Digital Mag: I really want people to know the many things you’ve done production-wise. Mary J, Scarface, Nas, Lil’ Kim, Jay-Z, Push T, Mariah Carey, and the list goes on. 

 

Nashiem Myrick: I worked with Mobb Deep. It’s a blessing. it was one point where people didn’t know my name. Then one record, and everybody wanted to work with me. That was cool. I wanted to produce for as many of these great artists as I could. I went from being an in-house producer to being one of the hottest producers in the industry. 

 

U.G. Digital Mag: What is there for everyone to see and follow right now?

 

Nashiem Myrick: I’m trying to put together a Hitmen album. I have a few artists I’m recording now who I will be putting out. it may take a couple years to get it out there, but I’m still working with artists. You just have to look out for it. I will be promoting it. I’ll be out there. 

[THE STAGE] THE BAZ BROTHERS: STRENGTH OF LOVE

Its always a good time when we catch up with The Baz Brothers. They’ve quickly become Atlanta’s go-to production company for some of the best stage plays and original stories. We’ve come full circle this time, as we reconnect for the second run of The Strength of Love. Many will remember we traveled out to Griffin, Georgia just over a year ago to cover this amazing stage play, which starred Chandra Currelley, Sean Baker, Paula Campbell, and Dwayne Cottle, among others. They all came together for an amazing show which centered around the undeniable strength in relationships, whether they be with spouses, significant others, or other family. It showcases the power of forgiveness, and so much more. Now, the crew has come back together to give it another go-round, this time adding a few new cast members. We talk with Maria Bazile of The Baz Brothers to get a full scope of what’s due to happen this time around. 

 

U.G. Digital Magazine: Once again, thank you so much for the opportunity. It’s so awesome to connect with your productions. There’s something amazing in the fact you’re redoing Strength of Love. Why relive this moment at this point?

 

Maria Bazile: Thank you so much for having us again. We just feel it has a positive and strong message to be heard. Some came to the play the first time who said it was a wonderful show. We want to bring it back to Griffin to be sure others see this strength and love. It’s told in a way it doesn’t just talk about spouses, it also talks about relationships, meaning children, parents, and best friends. Being that, we said we would bring it back for Valentine’s Day because there’s so much attention for love. Why not have a positive message during that time. 

 

U.G. Digital Magazine: How difficult was it to pull it together?

 

Maria Bazile: There’s always good and bad times in pre-production, but we love to do it. We have a blast in rehearsals, and the cast is working diligently to put on their best performance. Regardless of the trip-ups, it’s all worth it once it hits the stage. 

 

U.G. Digital Magazine: I’m impressed beyond measure with how it works out in the end. The professionalism is through the roof, even going back to me personally coming to Atlanta from Cleveland. Your productions are seamless. 

 

Maria Bazile: We appreciate it. Sometimes as a business we make the extra effort to be sure the cast feels good, and we put on a show for the people making sure we have fun, but showing a business of excellence. Are you doing the right things, and putting your best foot forward. When we hear those encouraging words, especially from someone like yourself, it’s encouraging to us. We appreciate it. 

 

U.G. Digital Magazine: In terms of cast, there’s new faces. You made an amazing choice in Meelah Williams. Her professional is through the roof and a perfect match with you guys. How many other new faces will we see?

 

Maria Bazile: We have Meelah Williams, and also Terrance Parham as the dad, and we have Iyanna Johnson as Monique. She was also in Making Moves. We also brought back the originals as well. 

 

U.G. Digital Magazine: I felt like I never had the chance to tell you how good Making Moves was, and how it connected so much with my life in regard to Sean’s character. Honestly, it mirrored my journey in terms of following passion, and needing that support. It definitely resonated with me. The writing was great, and again, it was seamless. 

 

Maria Bazile: With any production, there’s always that one movie that launches production into the spotlight. Stomp the Yard did that for Will Packard, and this is ours. The actors put their all into it. We stripped it down, filmed, and put it back together. We did everything we could as an independent production and more to be sure it was everything you wanted to see in a Hollywood production, and we’re hoping people get behind it because we’re looking to bring it to selected theaters this year. 

 

U.G. Digital Magazine: In terms of Strength of Love, it’s good, again, to see it come back. Do you see other cities in the future?

 

Maria Bazile: We have several investors coming out, and it’s in the works to take it on tour this fall. This play Valentine’s weekend will hinge all of that. 

 

U.G. Digital Magazine: What’s the ultimate that you want to see?

 

Maria Bazile: Going on the road. We will film it for distribution. We want to give a positive message with quality work. We don’t want your typical stage play. It’s not downing anyone, but we set our bar a little higher. 

 

U.G. Digital Magazine: I imagine that there will be a number of people who come out and they’ve seen it before. What will those viewers get to refresh it all?

 

Maria Bazile: The change of some cast members, and a slight change in the presentation. It’s the same story, but it’s told a little different. You’ll enjoy it a new way this time. 

 

U.G. Digital Magazine: In terms of the readers who want to know more about all else you have in the works, where can they go?

 

Maria Bazile: www.bazbrothersproduction.com, and follow us on twitter at @bazbrothers, Facebook as @bazbrothers, and instagram as @bazbros

 

U.G. Digital Magazine: What are you most proud of?

 

Maria Bazile: The cast and the crew who are putting in the work. They are making it their own. You write a script and have a production, but the people who get behind you and believe in you, and put it on stage to make it what it is, that’s what I’m proud of. 

 

U.G. Digital Magazine: What would you like to leave off with?

 

Maria Bazile: Come out February 10-12 to the Griffin auditorium, we have 4 shows through the weekend. We have a lover’s night special on Saturday night after the 7pm show, so you can come out and get a three-course meal, dining, dancing, and a night out with your spouse. It’s marriage ministry. When you come out and see this play, it will breathe into you what love is. If you are having problems in your relationship, come out and remember what it is to forgive, get redemption, and love again.

[THE STAGE] CHANDRA CURRELLEY [ @3agape ]: STRENGTH OF LOVE

We’ve had the honor of connecting in the past with Mrs. Chandra Currelley and It’s always been a good time. We’ve connected again, this time for the upcoming second run of the hit stage play, Strength of Love. Currelley will be starring alongside Sean Baker and Meelah Williams in the modern day love story that centers around the everyday struggles of relationships, and the processes of healing and forgiveness. The play kicks of Friday, February 10 in Griffin, Georgia, and extends throughout the weekend with 4 shows. 

 

Chandra talks with us about the play, what everyone can look for this time around, and the other projects she has in the works. 

 

 

U.G. Digital Mag: I’m so grateful for you and your time today. The last time we connected was for Making Moves, which was back in October. How have things been going?

 

Chandra Currelley: Things have been going great. It really opened the door for me with film. I have a new agent I’ve connected with, and I have a lot of auditions coming up. I needed a big machine (laughing). I have a few things coming up, and I’m excited. 

 

U.G. Digital Mag: Would you say getting to this point in your career was something you always wanted?

 

Chandra Currelley: Actually, It’s gone beyond my dreams. When I started, I just wanted to sing in front go millions. As I connected with people like Tyler Perry, my outlook became broader. 

 

U.G. Digital Mag: It’s amazing because so many people know the depth of your music, and your history. I still feel as though you being a part of these productions, especially with Tyler, it introduced you to a larger audience. 

 

Chandra Currelley: Yes. When I recorded with Roy Ayers, and then became the lead vocalist for the S.O.S. Band, it was a huge experience. As it went on, the DVDs did it. The tours were good, but by him recording the DVDs, it gave me such a huge exposure. I could get to people in a short amount of time. It re-introduced me to a whole new audience. People who knew me before knew me from S.O.S., and they saw me reinvent myself with a whole new generation. My demographic is pretty broad now. 

 

U.G. Digital Mag: I love that you realize how large your audience has grown. You’ve reach a lot of different age groups. I remember bringing a new camera guy for Making Moves, and he totally fanned out over you. He knows everything you’ve done. That showed me how wide your audience is and how many people you’ve touched. It’s pretty amazing. 

 

Chandra Currelley: That’s awesome. I had no idea it would be that way. As time goes by, it’s more and more. I’m still meeting young actors who have watched me. I’m thankful for that because I’ve always been a student of the arts. Hopefully when they saw me, they saw quality, and how things should go. I’m thankful for learning my craft and for the people around me. 

 

U.G. Digital Mag: We see the quality, and it takes me back to Strength of Love. It’s such an amazing story. You and I both know how good The Baz Brothers are. How did everyone come back together?

 

Chandra Currelley: I just think everyone was available and it worked out. Others were trying to secure me, but by the time they asked, I was already committed. I wanted to start the year off acting. When God puts you in a place where he extends a promotion in your talent and gift, then you recognize where you are and where you’re supposed to go. Sometimes you have to leave what you do best for your future. I wanted to start off that way. My experience was good. This time, I get to do things I never thought I would be able to try on stage. Now I have a better understanding. 

 

U.G. Digital Mag: I think of The Baz Brothers, and the professionalism that comes with everyone. Anytime I come out, I’m coming all the way from Cleveland, Ohio, and in a heartbeat, I drive out to their events because their professional. 

 

Chandra Currelley: It’s their integrity. Some people have professionalism, but no integrity. Everybody thinks they can write a play, but with Tyler, God had a mission for him. He gave him the ability to be able to look at something and suck it up like a sponge. I tell young people to learn their craft. When I read the script for this, I knew they understood what they were doing. You have to give people their respect for that. When I saw them, they reminded me of Tyler when I first met him. He was just trying to get people to read his script. When i read his stuff, I said I never had the chance to do those types of characters. And it was stuff people could implement in their lives. It gave the material a true purpose. The way they handle their business is a reflection. They’ve thought about it and sacrificed for it. 

 

U.G. Digital Mag: Some of the characters have change a bit. What has the change been like for you?

 

Chandra Currelley: For me, I like things that change. It’s something new and fresh. It has an effect on what you do. Meelah, I worked with her in A Mother’s Love by Kandi Burruss, I saw how talented and serious she was. It wasn’t about her being a reality star. She wanted to grow as an actress and artist. I saw that from the work she put in. I’m looking forward to working with her. She’s honest, and just try to be. It’s better this time because I think the magic is going to happen as intended. 

 

U.G. Digital Mag: I think you’re spot on. She’s got so much integrity in all she does. She works hard to learn her craft. I’ve heard nothing but great things about A Mother’s Love. I look forward to this play so much now. 

 

Chandra Currelley: That’s one of the few plays they were presenting on the urban theater circuit. Back in the day, they called it the chitlin circuit. It rose above that. I thank Mr. Perry, and another director who just did Almost Christmas. He was another one who took it past that, and they had to respect it. That play was going to bring something that had never been brought. It was a full-fledged musical. It was incredible, but it couldn’t do what it could do for whatever reason. That’s how I met Sean Baker. The second time we did it, they rewrote it. He was part of a singing group but they wrote that out. We stayed in touch, and it was because of his integrity. He really worked at his craft and was serious. When you get with your kind, the occasion is not the only time you’ll connect with them. You end up in similar situations where integrity is involved. We’re about the same thing. He new people, the fresh blood, it’s just awesome. 

 

U.G. Digital Mag: I think it’s a great thing to have that new blood. It freshens things up. 

 

Chandra Currelley: Yes, and the music is good. They were every particular about the songs in the show. Some plays, it’s song after song after song. The songs are to forward the story line. If you have too much, the message gets all muddied up. They were very particular about the number and the type. 

 

U.G. Digital Mag: Not giving too much of the story away, what are some of the things we can expect different since there’s new cast members?

 

Chandra Currelley: The material never changes. It’s like if you see A Raisin in the Sun. The lines never change, but it’s different when different people do it. If you have a good script, you don’t have to change it. The way the cast sees it makes it different. From the director’s point of view, what they got a chance to see before will be different in translation this time. I think this will be felt more. Earlier, it was in the head, but now, it’s in the heart. 

 

U.G. Digital Mag: I agree. It’s in their hearts because it’s been perfected, and they know the story. 

 

Chandra Currelley: That was the emphasis. Making sure the audience feels it. We want them to feel something, and cry. We want them to feel this and relate to it. I ran into a lady while getting my eyebrows arched, and we were talking about Valentine’s day. She and her husband had been having problems, and I was able to tell her about the show. The story is a match to their lives. That’s what we do. It’s therapeutic, but not clinical. This is just life, and we adapt our changes and things we experience to our relationships. 

 

U.G. Digital Mag: It’s amazing how much these stories touch people’s lives. I remember with Making Moves, and how Sean Baker’s character really related deeply to my life. It was like looking at my own life, or looking in a mirror. You connecting with the young lady is going to help her. 

 

Chandra Currelley: Right. That’s how we learn stuff, and know stuff. It doesn’t make sense to me to experience things and not pass them on. 

 

U.G. Digital Mag: It goes back to your own personality, and how you connect with people. It says a lot about you and how down to earth you are. 

 

Chandra Currelley: It’s how I’m built. I did think about it, but I felt like I needed to say something. 

 

U.G. Digital Mag: It’s natural to think twice because you never know how people receive stuff like that. 

 

Chandra Currelley: Right. But it’s the way God works. Nothing is by mistake. We have to take those opportunities. Those things come back to bless you. You do it just from the heart. 

 

U.G. Digital Mag: I would love for readers to know more of what you have going on, and other projects?

 

Chandra Currelley: I’ve been focusing on my acting. I have a lot of auditions coming. I’m working on more music. I’m in that mode of creating new material. That’s where I am. I still want to do that. I want to do a small tour, but it will be mores on the midwest and west coast. I had my hands full. I’m working on my films career, and then I still have to do my live thing. At the same time, I want to be stable. I don’t want to do so much that I’m running ragged. I’m finding a way to get everything to connect. 

 

U.G. Digital Mag: You’ve definitely done some powerful work, and everyone knows the phenomenal work you have done all over. We just need to get you on The Haves and the Have Nots…

 

Chandra Currelley: It’ll be great if he got me my own sitcom. You never know. I do have a desire to do something he writes for me as a motion picture. I think I’ll call and tell him (laughing). He’ll get a kick out of that. He’ll do something, and every time he does, it’s better than I can imagine. 

 

U.G. Digital Mag: In terms of final comments, what’s left to say?

 

Chandra Currelley: Never ever give up. Never, EVER, give up (laughing). Thats in any and everything. Sometimes, your head can rule over your heart. It’s about your belief system. Don’t believe someone telling you what you can’t do. They can say what they want, but it’s up to you.

[THE STAGE] SEAN BAKER: STRENGTH OF LOVE

Hands down, Sean Baker is one of the hardest working brothers out here in the acting game. We first met for the initial run of The Baz Brothers’ Strength of Love back in 2015, and since then, he has done a host of additional roles and projects. One of his more recent roles was the lead in the hit film Making Moves, which was also written by The Baz Brothers. We’ve also been watching as he’s been preparing for the highly anticipated biopic “All Eyes on Me”, which centers around the life of slain rapper Tupac Shakur. Coming up very soon, Baker will be hitting the stage once again in the reboot of The Baz Brothers’ Strength of Love alongside actors Chandra Currelley, Dwayne Cottle, and Strength of Love newcomer Meelah Williams. He’s constantly on the move, but we got him to slow down just a bit to talk to us about the play, as well as all else he has cooking right now. 

 

U.G. Digital Mag: You are one of the hardest working brothers out here man…

 

Sean Baker: Just one of em [laughing]. 

 

U.G. Digital Mag: I see the many projects you work on man. What gives you the drive to work as hard in the paint as you do?

 

Sean Baker: First of all, thank you so much for mentioning that. I’m one of a lot of brothers out her making a name for ourselves. What drives me is this is my passion. It’s what I love to do. It’s not a hobby, and it’s something for me. Since I was young and performing, my mother would have me singing and dancing for her friends. I was doing something in entertainment, and it was always in me. What drives me is it’s my passion. I live, eat, and sleep this. 

 

U.G. Digital Mag: The first time we connected was during the first run of Strength of Love. You’ve done so much since then. How did you first connect with The Baz Brothers?

 

Sean Baker: It was with "Strength of Love". I heard of the audition, sent in my headshots and resume, and prayed for the best. I believe when I got there, they said I was the first one, super early, and they knew I was what they needed. Now don’t quote me on that [laughing]. We had a great time, great connection, and they have a real passion for what they do. We don’t always get to work with a lot of writers and directors who have a true understanding. It’s a different experience when you work with people who have a love for the arts. They really understand what it is to do this, and there’s a meaning and method behind what they do. Since then, we did "Making Moves". That was my first leading role. They gave me that chance, and it helped me transition. To see that and work with them seamlessly was great. Now I’m doing "Strength of Love" for the second time around. It’ll be another great experience. 

 

U.G. Digital Mag: I’m quoting you on what you said man [laughing]. I see what you’re doing and your work is impeccable. I’ve never seen anyone work as hard, and I realized that the last time I came out to Atlanta. You were all over the carpet man, and just working. In the interview we did for UGD Live, I recall talking about your character for Making Moves, and it completely resonated with me and my journey. You did an amazing job in the movie bringing that to life. 

 

Sean Baker: Thank you brother, I appreciate that. I enjoyed doing the film, and when I read the script, it resonated with me as well. In following our dreams, we have to make certain sacrifices. It’s one of those life imitating art and art imitating life moments. It made it that much easier to tell the story because I literally lived a portion of the story. I was able to bring my personal experience to the situation and make it believable. 

 

U.G. Digital Mag: That made it even better though in my opinion.

 

Sean Baker: Definitely. It levels up everything. As actors, we may get roles where we may not have experienced everything the character went though, but with this, I just had to dig back into my memory. It was like playing out my life. That made it that much easier and brought that much more authenticity to it. 

 

U.G. Digital Mag: You have people backing you like Chandra Currelley and Meelah Williams. How is it to be back in that mode of this production?

 

Sean Baker: It’s funny you ask, because we had a table read, and of course we have new faces. As of right now, with Chandra Currelley, and Dwayne Cottle, they are familiar faces. I’ve been working with Chandra for years. It’s wonderful to say I’ve been working with her for years. For someone of her caliber, it’s a blessing. Familiarity is always good. Meelah is doing an excellent job. It’s refreshing to work with different people when you can. If it has to happen that way, you pray there’s chemistry with everyone. We’ve had our rehearsals, and it’s been great. I love working the project period. It’s a great thing, and Meelah has been bringing a different energy to it, and it’s refreshing. I love her energy. We are bonding and connecting in a way that the audience will get what they need. They can see the story from a different perspective. We have different people bringing new energy. Change is not always bad. Sometimes it’s good. We’re all learning the different nuances to telling a story. At the table read, we expressed the fact that it’s like we’re learning new things again. It’s like it’s the first time. 

 

U.G. Digital Mag: What do you feel like you were able to do to refresh your character, seeing as how there will likely be people coming out who saw it the last time?

 

Sean Baker: It’s funny because the other side of it is if it ain’t broke, don’t fix it. When I look at it with a refreshed vision and new set of eyes, I’m not changing the dynamics of the character. For me, and looking at it again, it’s more in the details of the story. There’s different emotions I can tap into. I may find a scene where my character can show more emotion, or less emotion, or show a different range of hurt. Maybe it’s deeper in the back story. It’s something else that can be brought to the surface. It’s like Coke or Pepsi. Same great taste, but a different rapper. It’s different energy and a different way of telling the story. 

 

U.G. Digital Mag: I’m looking forward to this man. I know it’s going to be great. Tell everyone where they can check you out online? 

 

Sean Baker: My website is being reconstructed, it’s www.seanbakeronline.com and definitely at Instagram @seanbakeronline, Twitter @theseanbaker, and Facebook @Seanbaker. 

 

U.G. Digital Mag: We’re consistently checking you out and following. The Tupac feature you’re a part of, when is it dropping?

 

Sean Baker: We had a new production company jump on, Lions gate and Morgan Creek, and it’s looking like June for it to come out. 

 

U.G. Digital Mag: I appreciate you man. Any kind of final words, comments, or words of encouragement?

 

Sean Baker: It’s like a mantra of mine man. I always say do it with passion, or don’t do it at all. I don’t care what it is: dancing, singing, or being an architect. Do it with passion, or not at all. And secondly, I need y’all to come out. February 10, February 11, and February 12. Get your tickets, today! 

[THE STAGE] MEELAH WILLIAMS [ @itmseelah ]: STRENGTH OF LOVE

It’s so wonderful to reconnect with Meelah Williams. As most know, Williams has been venturing into the world of acting over the past few years, and she’s now taking a lead in The Baz Brothers production, Strength of Love. It’s an amazing story of love, forgiveness, and all the craziness that can happen in between. Strength of Love will be showing Valentine’s weekend in Griffin, GA. 

 

We took some time to chat with Ms. Williams about her role in this stage play, and what the world can expect from her first leading role. 

 

U.G. Digital Mag: I’m most grateful to you for a few things; one for you sharing your time with me today. Also, you were a tremendous part of our first issue. I’m always forever thankful to you. 

 

Meelah Williams: Thank you for the opportunity. I’m grateful that you even gave me that platform. 

 

U.G. Digital Mag: So we’re together for Strength of Love, but before I even start, I have to get your thoughts on the New Edition movie, considering how instrumental Michael Bivens was in the careers of 702. 

 

Meelah Williams: It really is outstanding. I’ve only seen two parts so far, but the actors have done an amazing job. The actors were spot on. I was there for some of it, but to see it on television, it’s refreshing to see the other side of the industry. A lot of people who want to do this often forget about the other side. It’s not always the glitz and glamour. It’s refreshing that they opened themselves up and allowed them[the actors] to be there with them. I had no idea that they went through all the things they did. It was like 1996 for the Home Again tour. We were clueless to a lot of what happened behind the scenes, but there were times when we definitely felt the tension. 

 

U.G. Digital Mag: When you mention how spot on they were, the kids were really amazing. 

 

Meelah Williams: I know, right? 

 

U.G. Digital Mag: The one who play Mike looked just like him. 

 

Meelah Williams: Isn’t that crazy? I asked where did they find that kid. He had that same swag, cocky arrogance, and the whole Boston swag. Clearly Mike and everyone was instrumental in picking the characters that played them, but it’s amazing they found someone so close. Those kids did an amazing job. The casting for Brooke Payne as well, which was the guy from the wire, Wood Harris. I've got to catch up with part 3 now. 

 

U.G. Digital Mag: It’s funny because my son is 10, and he’s enamored with the movie. 

 

Meelah Williams: I’m disappointed I missed last night, but I will definitely catch it. 

 

U.G. Digital Mag: So Strength of Love, it’s such an amazing story. I saw the first run of it last year, so it’s good to see it back. How is it for you to come in this time around?

 

Meelah Williams: First, I’m just humbled and flattered for someone to reach out and ask of my interest. It’s always a blessing after all this time that people still call and seek my talent. Everyone has been so welcoming. I knew Chandra Currelley because I worked with her for Kandi Burruss’ A Mother’s Love. I was so excited to see Mrs. Chandra again. She’s always great, professional, and so cool. The woman knows what she is doing. I look at her like an auntie. She’s so magical, and anytime I’m in her presence, I’m in awe. She’s so multifaceted. I have to see one of her shows because I love jazz. She’s like someone you’ve known for years. When you go into an ensemble of new people, you never know how it will be. The directors and writers are so chill and laid back. By the second or third rehearsal, they were like family. They’re serious too, but they know how to have fun and make you feel comfortable. 

 

U.G. Digital Mag: There's something special about The Baz Brothers. Chandra is amazing too, and her background with S.O.S. Band is something else. 

 

Meelah Williams: Listen! That’s good music. 

 

U.G. Digital Mag: But it’s just knowing all she’s done and how humble she is, and how welcoming she is. She’s simply amazing. You have a family of people for sure. 

 

Meelah Williams: I’m so grateful. The opportunity is so cool. It’s my third stage play, but the first time I’ve been a leading character. It’s humbling, and exciting to pursue something like this. It’s a blessing to get the acting chops going and the blood flowing. It’s a different level of entertainment coming from the music world. 

 

U.G. Digital Mag: You character has so much depth. How was it to tap into that?

 

Meelah Williams: It’s interesting because I had this conversation with my mother. It can be very draining at times. That goes for acting in general because you have to morph into these characters and tune into that space. Every nuance and characteristic that your character embodies, you have to align with that. After tomorrow, we’re no longer called by our real names. I have to get into that zone. Her story is so deep, and it’s deep to have to go there. You have to tap into things that may be uncomfortable from your own life and path. You have to find something that’s parallel in some sense to help you convey the emotions. I didn’t know it would be this deep. If that’s what it takes, then let me do this. It’s all in being an actor. 

 

U.G. Digital Mag: Everyone is looking forward to it. What are your hopes for the three days?

 

Meelah Williams: I hope that those who come out, whether it’s to see me, someone else, or they're just interested, are satisfied. I hope they enjoy everything they see and are not disappointed in my acting, or on any level. I hope they see my passion, and know that I’m working to take this to another level. This is just the beginning. 

 

U.G. Digital Mag: Again, I think you’re so amazing with this. I’ve followed since 702. I’ve watched the R&B Divas, and could really appreciate how you stuck to your guns in terms of portrayal, and what people saw in you. You protected your image, and that was major. Thank you for that. 

 

Meelah Williams: I appreciate that. It’s hard. Unfortunately, the business has changed so much from the time 702 came out until now. The values are different, with social media, and reality shows. If you are someone who’s wholesome, or “a good girl”, you come off as boring, dull, and as having no personality. If I’m not flipping over a table, cursing someone out, or just being flat out ignorant, I have no personality. I have layers to me and I’m complex. I just want to be decent on television because it’s how I was raised. Does that mean I can’t defend myself in a situation? Of course not, but will I be confrontational? That’s not my way. I thank you for acknowledging that though. 

 

U.G. Digital Mag: There’s more who look for what you offer than there are who look for the craziness. It doesn’t seem so at times, but there are. 

 

Meelah Williams: It’s frustrating because I have ratchet tendencies (laughing). If you take me there, for instance about my son, or my family, you’ll see the turn up. I’ve been taught to be classy. I am human though, and don’t always know how to turn the other cheek, but I try to be pretty chill. I plan on doing reality TV again, maybe if I have creative control. 

 

U.G. Digital Mag: I would love to see it. The last time we spoke, we talked a lot about your foundation. I would love to see more about that. 

 

Meelah Williams: Thank you! Yes. That was the other thing with my story line on R&B Divas. We touched on it, and I guess that was the basis of it, but I wanted to focus more on that. Moving forward, there have been some ideas out there. I’ve been approached, being an autism mom. 

 

U.G. Digital Mag: There’s so many people who deal with it [autism], but you touch a lot of people with your story and they really benefit from it. 

 

Meelah Williams: It needs to be talked about more. I respect everyone’s wishes because I too wasn’t sure in the beginning if I wanted to put it out there. It’s definitely private and personal. They have that right, but those of us who do want to talk, I think we should. A lot of parents don’t know how to handle it. It’s not an easy thing or a walk in the park. There’s several levels, even mild levels. It’s challenging, but life has challenges. I think it would be cool in the African Amercian community to touch on it, even with mental illness. We don’t touch on it much. We just sweep it under the rug. Unfortunately, where there’s no communication, other issues arise. It’s like, this could be prevented if we just talk about it. 

 

U.G. Digital Mag: Can you talk about other things you’re working on or have coming up?

 

Meelah Williams: I actually just signed a record deal with Soulstar / E1 music. This will be my solo debut album. It feels like I’ve been doing solo music for a while and I’ve had singles here and there, but this will be my first body of work. 

 

U.G. Digital Mag: Knowing of Soulstar, and your music, you’re in the perfect place. They can really get it out there. 

 

Meelah Williams: Thank you so much. It’s a good feeling to be in this space with complete and creative control. I can zone out and figure out what I want to do sonically. A lot of people still don’t know who I am. It feels good to create a project that is all me. I just started recording a few weeks ago, so I’m in the very beginning stages. I’m not rushing it, but it may be around late summer or the end of 2017. I’m looking for a super successful album. It’s still so premature that I don’t even have a title yet. 

 

U.G. Digital Mag: People like myself, and your entire fanbase, knowing you have something coming, it’s more than enough for us. You gave us “Give It to You” a few years ago, and then it was like OK, we’re waiting. 

 

Meelah Williams: I know. I was kinda teasing y’all a bit (laughing), with Stupid in love, a great single written by TC, but I just do a little bit to hold y’all over (laughing). 

 

U.G. Digital Mag: Well we’re waiting patiently [laughing]. How can everyone keep up with you online?

 

Meelah Williams: All my social media handles are @ItsMeelah for Twitter, Instagram, and Facebook. It’s the same for my website [www.itsmeelah.com], but I’m revamping everything. I’m under new management, with a new label, new "er’thang (laughing). I don’t have a snapchat, and don’t y’all come for me (laughing). I think I’m the only one in the world who don’t have one. 

 

U.G. Digital Mag: I’ll keep it real with you. I can’t get with it [Snapchat]. I don’t know what the hell I’m doing [laughing]. 

 

Meelah Williams: We’re neck and neck. I’m already giving y’all all of me in three other places, what more do you want? [laughing]

 

U.G. Digital Mag: It’s crazy. I can’t figure it out, but my ten year old has it down to a science. 

 

Meelah Williams: At least Instagram tried to help us out. It’s all inclusive there. Y’all wanna see what’s up with me, follow me on Instagram. I also recently added a camera crew to my team, so I’ll be in the studio today, and you’ll see some things on my YouTube channel, eventually maybe even a webisode. 

 

U.G. Digital Mag: People look forward to it. Thank you again, so much for today, for our first issue, and everything. 

 

Meelah Williams: I’m so happy I was able to help.

[THE STAGE] SOULMate: A True Love Story (Review)

📸 Phillyweeden.com

📸 Phillyweeden.com

It took a few years of hard work, but finally, local Playwright Philly Weeden is reaping the reward. That reward is pretty indeed, as the world is realizing the star talent this brother has. Tonight's showing of his hit stageplay SOULMate is evidence in itself. The venue has sold out, and the audience is eager as ever for a great show.

 

Starring Taral Hicks, Alvin Frazier, Archie Berwick, Tiffany Allison, and Makeda Grier, the storyline takes you through the lives of two hopeless romantics who by textbook standards should never end up together. Sabrina is like many other high school girls... popular, beautiful, and intelligent, while William is as geeky as they come [picture Steve Urkel]. Despite their differences, they ultimately learn they have much more in common than any would know, and they forge ahead in life as one.

 

Their lives aren't without demons, however. William has dreamed of a life with wife and kids, and Sabrina wants with every fiber of her being to give him that, but her daunting past has ultimately prevented that. The secret she's kept for so many years has finally caught up with her, and threatens to rip apart the only family she knows! The audience gets to see firsthand how they work through the devastating blows of life to triumph in the end. The story takes you through their lives, from teenagers to their final years. Their true love is evidenced in the way they regularly reminisce about the high school letter that William nervously wrote, pouring his heart and soul out about how he dreamed of life with Sabrina. That very letter surfaces many times throughout the storyline, right down to their final moments together. They were right by each others' side through the worst, and the best times.

 

📸 U.G. Digital Media & Publishing

📸 U.G. Digital Media & Publishing

To some, this story may be no different than that of other plays and scripts, but SOULMate is amazing not only in the story it tells, but the cast as well. From Sabrina (Taral Hicks) and William (Alvin Frazier) to Sabrina's best friend, her cousin, their uncle Ralph and Pretty Tony, you instantly see the work that each individual has personally invested. The humor is side-splitting at times, and you immediately fall in love with the characters throughout.

 

📸 Phillyweeden.com

📸 Phillyweeden.com

To say we're impressed with Philly Weeden is quite the understatement. It's not just with SOULMate. It's his entire life story, and the triumph he's made in pursuing his love. This story, sided with all the other amazing scripts he's produced and delivered to the world, has been perfected in every way possible. We're thrilled to have had the opportunity to witness the magic of everyone involved, and know that this is just the beginning of his life lighting of the universe.

 

Catch the next showing of SOULMate February 25 in Atlanta, Ga! We're thrilled to say we'll definitely be there cheering this crew on!

 

Also, for more on Philly Weeden, catch a video playback of our recent conversation with Philly Weeden at www.urbancityradiostation.com, and a new cover story in the latest edition of Cleveland's Triumph Magazine. 

[STAGE LIFE] The Coffee Shop (1/7/17, Houston, TX)

FullSizeRender.jpg

​Having featured Shaneisha Dodson in the pages of U.G. Digital multiple times, I felt like I had an idea of what to expect with her touring production, The Coffee Shop, but I must say I was blown away when finally seeing the show for myself. After a cross-country drive, I was ready to see a good show, and I'm happy to say I got so much more.

Photo: Cast, The Coffee Shop

Photo: Cast, The Coffee Shop

The Coffee Shop played in the Houston, Texas area this past weekend, and it was most definitely a night to remember. Set in, well, a coffee shop, and centered around the often untold story of rape, you'll see first hand how the effects can tear a family apart, and how love can ultimately piece it all back together. Of course you get all the laughter and shenanigans that go on in today's coffee shops. The cast absolutely laid out all the stops and guaranteed a good time. The simplicity of the production made it all the better for the audience, who flooded the auditorium with cheers and laughter throughout the show.

📷 Photo credit: Black Girlz Productions

📷 Photo credit: Black Girlz Productions

Dodson herself is an up and coming playwright who is strongly forging her way through an industry that can tear you apart if you haven’t done your homework. It takes so much to put on a great production, let alone assembling the appropriate cast of actors and actresses. There's so much more required to make it all work seamlessly. One hiccup can send the entire project into a tailspin and shut it all down. So isn't the case here, though. The show was amazing, and Dodson shows great promise as a playwright.

The Coffee Shop is set to hit Arkansas March 25, 2016. Tickets are available at https://www.eventbrite.com/e/coffee-shop-stageplay-tickets-27742204681

[Bringing the Funny] Roy Wood Jr.: An Urban Grandstand Digital Exclusive

There’s so much going on in the city as we lead up to the weekend! Of course, the Cleveland Cavaliers are having their opening game tonight, but in the midst of all the madness and excitement, there’s another major showing going on! Comedian Roy Wood Jr. has made his way into the city, and is performing the entire weekend at the Cleveland Improv! Naturally, we had to catch up with him before his first show to get the rundown on everything he’s got going on, and just what he’s got planned for his weekend run. He also throws in a few words & updates on the hit TBS sitcom Sullivan & Son, which recently wrapped up its third season. You’re definitely in for a few laughs with this exclusive. And if you’re in the city, you definitely don’t want to miss out on the show! You can purchase tickets at www.clevelandimprov.com

 

 

Urban Grandstand Digital: I really appreciate your time this evening before your show.

 

Roy Wood Jr.: No man, I appreciate you reaching out to make a little magic. It’s a symbiotic relationship, we both benefit…

 

Urban Grandstand Digital: It’s definitely good to talk, with you being here in the city this weekend. Have you been downtown in all the madness going on for the Cavs opener?

 

Roy Wood Jr.: I just left that chaos! Good lord! Y’all don’t play around here.

 

Urban Grandstand Digital: I was just down there myself

 

Roy Wood Jr.: We were over in front of the House of Blues. Everybody’s out there and it’s all love and excitement.

 

Urban Grandstand Digital: So you’re at the Improv tonight….

 

Roy Wood Jr.: Yea man, you know what, I’m here all weekend. I’m at the Improv through Sunday! Tickets sales are good tonight, considering I’m up against some dude named Lebron (laughing). I never heard of this gentleman, but you know….

 

Urban Grandstand Digital: The tickets are definitely selling good, but then you do a good job with your shows when you’re here, so it makes sense.

 

Roy Wood Jr.: You know, all I’ve ever tried to do with my comedy is drop in a little truth here and there, and hopefully those that appreciate it will come out to see it. So far so good! I’ve been able to build a quick 16-year career off this.

 

Urban Grandstand Digital: I love the fact that aside from your career in comedy, you have a degree in Journalism. Do you have thoughts of moving back to that?

 

Roy Wood Jr.: I don’t feel like I’ve ever really left it. I feel like I’ve always been dabbling in it to some degree. I did morning radio for over a decade, and I still dabble in afternoons in Atlanta. That’s been a great foundation for writing and how to present my thoughts, and also how to analyze the world. Now that I’m foraying into a little bit more of the sports world, and doing things for Yahoo! Sports Radio and ESPN, there’s still a journalistic element to the presentation of the information, even if it’s funny there’s a certain way to tell the story and shape the script, so in that regard I still consider myself a Journalist. They don’t teach you the fundamentals to comedy in Journalism school, but I definitely feel like to some degree, I’ve learned a lot about how to properly present stuff. As a comedian, all you’re doing is reporting on the world, or reporting on your life.  It’s no different.

 

Urban Grandstand Digital: I can appreciate the fact that you ventured over to Yahoo! Sports. How did that come about?

 

Roy Wood Jr.: You know what happened man, it’s basically a situation where I play in this cover 5 league. It’s like a football pick. It’s not really fantasy football, it’s not fair to compare the two, but there’s a radio show, Steve Czaban Morning Show over on Yahoo! Sports Radio. They do some things with cover 5 as well. I was doing a cover 5 league for the Sullivan & Son television show that I’m on TBS. So I connected with the guy who runs cover 5, and he asked since I was doing it for the sitcom, if I wanted to call in on the radio show to promote it. Of course, I said hell yeah. I called in once or twice and we hit it off so we then figured out an idea for a segment for me. I do it every week, and it’s called ‘Guaranteed Ass Whoopins of the Week. It’s literally just the most asinine possible scenario you could think of for a game. That’s pretty much all it is. It’s fun and it’s just something I enjoy doing. I love talking sports and just shooting the breeze, and I do a video for it as well. That’s the really cool part of it.

 

Urban Grandstand Digital: I just love the fact that you dabble in some of everything and do a number of things. I think it’s awesome.

 

Roy Wood Jr.: I appreciate it man. I just feel like there’s no one recipe anymore. I learned back in ’06. I got blessed with an opportunity to do David Letterman. Up until that point, we [comedians] were always sold the dream that all you had to do was make it to Letterman, or Leno, and then you get a career and everything is great after that. I did Letterman and it was a blessing, but I still stayed with my momma for almost another year. There’s nothing overnight about any of this. Even the guys doing Letterman and getting mileage out of their appearances, it was just a much different landscape. People’s attention is divided, so my focus should be divided. That’s the only way I’m going to have a chance at reaching everybody.

 

Urban Grandstand Digital: You’re a perfect example though, of working hard and achieving your dreams and goals.

 

Roy Wood Jr.: That’s it. You just bust your ass and figure out a way to survive in the meantime. If you have the ability to endure you’ll outlast anyone else in your industry. Most people aren’t really in it for that long haul. They claim they are.

 

Urban Grandstand Digital: Sullivan & Son is hugely popular man. Obviously, it’s in the third season, so everyone’s doing something right. What do you think it was that made it stand the test of time?

 

Roy Wood Jr.: I think what gave us a little bit of mileage with that was the honesty, and writing. The writing reflects real life and real conversation. I think that’s been the main thing a lot of people connect with in terms of our fans. If you look at our show in comparison to a lot of other shows, it’s definitely more of a traditional feel and a throwback in a sense to the sitcoms of yesteryear, you know…of the 80s and 90s, that had a totally different vibe to them. I believe our show fills a void while updating the dialogue and the situations to reflect present day America. I think that’s something any and everybody can relate to. There’s more minorities on the show than there are white people on the cast; and you know, let the census tell it that’s the way America is going too (laughing). Lots of things going on, that ultimately will help us stay at that forefront.

 

Urban Grandstand: So what direction do you see the show going in? Obviously, it’s at an all-time high in terms of popularity. What direction do you see it going?

 

Roy Wood Jr.: I think it will definitely hash out more of the love storyline between Steve Byrne and Valerie Azlynn. They’ve added a love interest now, after three seasons. We’re still waiting to see if we’re going to get a fourth season. We finished our third season at the top of September, and I think the numbers will support a fourth season, but the bureaucracy and negotiations of that is stuff that I’m not privy to, so who knows how that works. But the ratings and fan support suggest we would get another season. I don’t see why we wouldn’t.

 

Urban Grandstand Digital: Well like I said in the beginning man, I greatly appreciate you for your time today. Do you have anything big planned for your shows this weekend?

 

Roy Wood Jr.: Man, I just want Cleveland to come out and laugh. This is one of my favorite cities to perform in. Top two or three for sure. I’ve always had a blast here and it’s always been a good time. I don’t expect it to be anything different. I’m anxious to get on stage and see how everyone is doing and get the jokes flowing.

 

Urban Grandstand Digital: I’m usually there on Friday nights, which is usually the toughest night in terms of crowd and audience, but as long as the comedian on is cool, there’s usually no problem. I’m looking forward to seeing the show.

 

Roy Wood Jr.: That’ll be dope! I’ll see you when you get down there…

[EXCLUSIVE] Mya: Smoove Talkin'

We’ve literally watched R&B songstress Mya grow before our very eyes. We saw her come into this industry as a new artist, and she has since become a major force in the independent world. We all know how fickle the music world can be at times, and unfortunately, that can correlate to lower sales figures when in actuality, your core audience is definitely rockin’ with you 100%. As a trickle effect, the major labels may not be as supportive as they once were, and as an artist, it can leave you in a state of shock and ultimately become more difficult to release your projects. Mya has become that example of what can be done when you simply want more as an artist, and you believe in yourself and your product. In a few short years, she has taken the reigns of her career and is reaching amazing heights like never before.

 

Following a series of independent releases on her own label, Planet 9, Mya has dropped an extraordinary project titled Smoove Jones. Not only is she flexing her growth as an artist, but she’s showing the world that she is high-powered businesswoman. Taking from all she’s learned throughout her journey from others along the way, she’s now handling the marketing, advertising, promotion, overall vision, and so much more. We see so many artists who don’t make it after their time with the majors, but she’s showing that it can be done when the hard work it put in. Obviously representing how much Mya has grown musically throughout the years, Smoove Jones also represents her true independence in this music business.

 

In our exclusive with Mya, she talks about the process of putting this album together, the difficult, yet exciting parts of being an independent artist, and whether we could see her with another major label in the future. She also leaves us with some amazing advice for all the artists out there considering an independent route. So as Mya would say, sit back, recline, and sip some wine, because it’s time for a little Smoove Talk!

 

UG Digital Mag: It’s such an honor to be able to connect with you finally. Many of our loyal subscribers have been asking and requesting that we run a feature with you, and we, too, have always wanted to do this, so we’re tremendously grateful to you for your time.

 

Mya: Thanks so much for having me.

 

UG Digital Mag: So, getting right into Smoove Jones. I feel like this is some of your best work to date. Every artist wants to feel in their heart that they are not just progressing with the times, but progressing within themselves and their craft. What are your feelings on this body of work, in respect to progression?

 

Mya: I’m very proud of this body of work.  It was birthed from a very pure, free place with no pressure, no interference, no deadlines, just simply the love of music.  So to create from that space is progression itself. I have musical influences from the 70’s, 80’s, and 90’s throughout the project, with some complimentary hints of now with joints like “Team You” & “Spoil Me”. 

 

UG Digital Mag: Talk about the progression of your work in general. You’ve always brought your A-Game in terms of being sexy, sensual, and the overall theme of love with your work, even beginning with your single “All About Me”. I remember you doing “My Love Is Like Wo” and thinking damn, she is really taking us there. Of course, you did your thing in Chicago with the musical numbers there, and moving forward over the years, you seem to elevate. So now we’re at Smoove Jones, which is a Valentine’s Day release, and you seem to be at an even higher level. How did you plan for this project in terms of what you wanted to bring forward?

 

Mya: For this project, I just wanted all positivity, uplifting feel-good vibes, drama-free, elevation music, whether on the dance floor, in the car, at the club, in the living room, at work or behind closed doors. Smoove Jones is a radio personality & show who serves her listeners based on their special requests.  They have consistently said they don’t listen to the radio anymore and asked me for some “Real R&B.”  So they inspired me to create my own fantasy world and radio station. Somethin’ for the fans that have grown up with me over these last 18 years, you know? We grown folk now. (laugh)

 

UG Digital Mag: You worked with some pretty amazing people for Smoove Jones in terms of writing. Obviously Terry Lewis had his hand in things, Kalenna Harper worked with you on “Hold On”, a track which I especially love. How did you, and do you, determine who you want to work with for your projects? What were your plans, or expectations, in respect to Smoove Jones and what you wanted fans to get for the final outcome?  

 

Mya: I am always writing, recording, experimenting and practically live in the studio. Being an independent artist allows me a limitless playground to create.  Over time, I’ve worked with so many different people.  There’s really no one particular process to getting in the studio with folks.  We chop it up on the phone or email, set up a time, and take it from there creatively or they’ll send me something to download, I vibe to it in a completely different city, state or country… and we build from there.  For this project, I wanted to give more of an experience with musicality & R&B roots.

 

UG Digital Mag: What was timing in putting this together? How long did you work on this project?

 

Mya: There was no particular in timing in putting the project together.  With the exception of the intro, the outro & Coolin’, I’d recorded the other songs over the course of the last 3 and a half years which were just sitting amongst an archive of unreleased music. I handpicked what I thought would work best together for another grown & sexy themed project to complete the EP of the Planet 9 EP Series.  The Smoove Jones title came to me around October 2015, when I started going through pictures to assemble the 2016 Calendar… I said “That’s it…that’s the cover right there! That’s Smoove Jones. That is HER & that’s going to be the title of the next EP.” Now, the crafting of the calendar, the digital booklet, all of the paperwork, mixing, mastering, design, packaging, metadata organization & manufacturing of the physical CD was all done in-house through my label, Planet 9… I’d say it was at least a 2 1/2 month process.

 

UG Digital Mag: I’m not one who watches the charts constantly, but from what I can see in terms of your fans, the album is doing great. 

 

Mya: That’s great, because I certain don’t pay attention either.  I’m just happy that my music is in the universe having folks feel some type of way (laughs) and is being received well.  

 

UG Digital Mag: So let’s talk a little about the independent world. You’ve been independent for a number of years now. You’ve released a number of projects, which in my eyes have been quite successful, and you’re now on your latest which is doing phenomenally. What difficulties have you had along the way? How have those things gotten better over the years?

 

Mya: Well being independent and managing to pay for your projects & put them out into the universe yourself is quite a success.  But coming from the major label world, my independent projects might be looked at as a failure from some. Some of the difficulties have been not having enough time in the day to wear every hat. I enjoy the process and making sure the product is right, but damn it is a struggle trying to be 20 different people in one day (laughs).  And I often laugh at & even question myself… “like damn… you are either super passionate or you are just insane.” I guess the two go hand in hand. Difficulties… Well because I am not supported by a major budget which pays for marketing, promo, advertising, radio & TV time, the perception has been that I quit singing. But it’s actually been the complete opposite. I’ve never traveled, performed, recorded so much, pushed out this many projects or actually recouped & profited this much in my life… the way I have in my independent journey. There are many things that could be better, but many things that could be worse. But one thing that’s gotten better is my art, self love & knowledge of business that only doing time in the trenches can teach you. 

 

UG Digital Mag: I have the debate with artists often in regard to being independent, and I’ve always felt like it was so much better being independent, in terms of freedom, marketing and promotion abilities, and so on. I’ve always felt that nobody can sell or promote you better than YOU. Having been independent for a good deal of time now, would you go back to a major label deal? 

 

Mya: I will not entertain any traditional new artist deals.  Been there, done that.  I am however open to entertaining the proper partnership deal. 

 

UG Digital Mag: So back to Smoove Jones. What are your plans in terms of promo, touring, etc? Have you even had time to think of shows yet?

 

Mya: I’ve already done some spot dates prior to and during the release. I’m in rehearsals & live band rehearsals right now for a Smoove Jones promo tour. All dates can be found on myamya.com/events

 

UG Digital Mag: “Welcome to My World” and “Team You” have done amazing. Have you looked at additional singles at all?

 

Mya: I’m letting the fans decide what they want on radio and/or video. Now that they have it in their hands and they can live with it a little bit, whatever they say goes & will be. I’ve been listening.

 

UG Digital Mag: I applaud you for the work you have done with your career, transitioning from the majors to being independent. You’ve managed to stay afloat, taking full control of your artistry and product, and the results have been nothing short of amazing. What are you most proud of with your transition in music?

 

Mya: Thank you so much. Well I’m most proud of my faith, strength & resilience. I’ve discovered first hand that there are great lessons to be learned about self and life in every devastation, loss, change, etc.  The greatest gift in my life has been the gift of music and all of the wonderful possibilities it possesses.  I’m also proud to say I’ve finally arrived at the beginning of true artistry, craftsmanship & knowing what I’m made of which is a beautiful place to be, create & share from. 

 

UG Digital Mag: I always ask artists what type of encouraging comments they like to offer to fans who are looking to pursue and do similar things in music, but I open this question up to you in regard to other artists. Given the experiences you have had in music, beginning with the major labels, and ultimately becoming this major force in the independent world, what advice do you offer to other artists who are considering an independent route, or are in a situation where independent may be their only option?

 

Mya: Faith first.  Stick with it.  Love it by breathing it. Treat it like school. Do the work and calculate every year as a grade that you’ve passed. Graduation takes time. It may take years, it may not.  But usually great preparation for long term goals will & most certainly do.  Live smart & simply so that you may invest in YOU, the quality of your product, brand & presentation. The pay off is not now. The pay off comes later after you’ve delivered several great meals whether operating as a small restaurant or a large one. Go out and meet as many creative, artsy & business folks that you can benefit from and be a benefit to. Ask for help. Build your team & create from a place of freedom. Remember.. it ain’t just about you.  It’s about how you can serve people & raise them up. And remember to help or repay those who have helped you reach your goals for free.

 

UG Digital Mag: Finally, what final comments do you have to your fans?

 

Mya: Thank you, thank you, thank you for the opportunity to serve you at Mya’s (vegan) Chi’kin & Waffles. I’m sure y’all are so ti’ed of these daggone sides & appetizers. But we are currently developing what I believe will be our most popular main course.  So for now, lay back, recline, sip some wine and enjoy these taste testers on Planet 9.  The grind is for realz!  Appreciate your patience.  

[ON THE SCREEN] MARIA HOWELL: MY BROTHER'S KEEPER

It’s been a little over a year since we had the amazing opportunity of devoting an entire issue to the cast of Sons 2 The Grave. This a film that will ask, and ultimately answer the age-old question, Am I My Brother’s Keeper? Written and produced by Lynne Stoltz of Have Faith Productions, and packing an allstar cast that includes Emmy Award winning actor Greg Alan Williams, Darrin Dewitt Henson, Brad James, Demetria McKinney, Tip "T.I." Harris' oldest son Messiah Harris, Atlantic Records Recording Artist Trevor Jackson, and NAACP winner Justin Martin, this film is set to break tremendous ground upon it’s theatrical release. Since being shot in the Atlanta area, the powers that be have been working diligently at getting this film out around the world and locking in distribution, and working to build the appropriate buzz. 

 

In this feature, we had a second chance to sit down and talk with actress Maria Howell, who arguably has some of the most pivotal moments in this film, playing the role of concerned and protective mother Ruth Jennings to the film’s lead character, played by Trevor Jackson. Her authenticity, and her willingness to fight for what was right in her heart, despite what the world saw, is the very thing that has her winning the audiences over. Her character was one that many mothers in the world will easily relate to. Ruth, in an effort to make up for an absentee father, and still be able to offer her son a sense of security, made it her life's mission to protect him from the harms of the world. She knew all to well which way his life could go, and she was destined to take him in a different direction. Unfortunately, his environment takes control, and her struggle becomes to hard to manage, and you see it play out in the film. In this feature, we went a lot deeper into the mind of Ruth Jennings, and talked a lot about the mind of this amazing character. We learn why this role was so important other in the first place, and how it affected her long after the movie was filmed. 

 

You definitely don’t want to miss this conversation. 

 

 

U.G. Digital Mag: It’s always wonderful to talk to you, but it’s especially great to catch up with you today since it’s been over a year that we connected for Sons 2 The Grave. The movie is getting such awesome reviews. 

 

Maria Howell: That is good, because I still have not seen it yet. I’m looking forward to that, so it’s a good thing to hear. 

 

U.G. Digital Mag: That amazes me that you haven’t seen it yet. 

 

Maria Howell: Well, it’s because when they show it, I’m usually in another state. I’ve seen snippets though. 

 

U.G. Digital Mag: It’s amazing that it was recently featured with SXSW. 

 

 

Maria Howell: I’m glad for that. Making the movie in and of itself was a big emotional thing. You only see what you shoot, and you don’t get to see the other parts. I’m always excited to see how it all comes together. I’m technical in that respect of liking to see how it was edited, and to see what was the interpretation of the editor and the writer. That excites me, so I’ve talked to Sasha, and told her I’ve got to see it. 

 

U.G. Digital Mag: Sasha's doing so amazing with promotion, and it’s getting such good reviews. I’ve told her how eager I am to see it. I think it's going to do big things. 

 

Maria Howell: I’m looking forward to that as well. 

 

U.G. Digital Mag: So talk about the importance in the role of Ruth Jennings for you. She was so powerful in the way she worked with her son to keep him out of trouble, and away from harm. Why was it important for you to bring this role to life?

 

Maria Howell: I’m personally not a mother, biologically, but I have a lot of children who are in my life, and I know how protective I can be, so I can only imagine how I would be as a biological mother. What attracted me, first and foremost, is it was a more in-depth role as a mother. It was very intense in the fact that here was a woman who is career oriented, and she sacrificed. I can relate on a personal level, and it makes sense to want to get so much stuff done, and get it done right and efficiently, but at the same time having this strong faith inside. That, in and of itself, is a lot. It's a lot to operate your life based on faith, and continue to do your everyday thing. Having a son, and being so determined to guide him in the right direction and protect him from whatever elements in the world I can is daunting. There’s no guarantee that you can protect anyone, and it’s proven in the movie. Ultimately in the end, she was not able to protect her son. 

 

U.G. Digital Mag: A lot of times, parents have the best intentions, but in the end, the kids do what they want to do. 

 

Maria Howell: Yes, it’s like that you bring someone in this world. She was living by the faith that she believed in, and to have someone you’re guiding, but have that same level of letting that person be who they are meant to be…it may not always match with what you want them to be. That has to be a power struggle for a lot of parents. I feel it with my nieces and nephews. I don’t jump in it like their parents do, but I still have emotions about it. I have one nephew who I love to death, but he was hard-headed. Fortunately, enough seeds were planted, and he lived to see his manhood, and we’ve lived to see his manhood, and what a wonderful man and father he is. I can relate to Ruth on that level. This same nephew, I wanted to adopt and raise him as my own. I was willing to sacrifice my career for him because I loved him that much, and saw that he was in a situation where as a child, he had a lot of people around to support, but I wanted him to have stability. 

 

U.G. Digital Mag: It’s amazing when people have that type of love in their heart that they can take in someone else’s child who may be going through it. My mother was able to do that with a cousin of mine. 

 

Maria Howell: It's because you let yourself go. You live for your child, and you live for that other person. I feel like I had it. That’s why in this role, Trevor and I connected from day one. Literally, I still feel like he’s my son. It’s been over a year ago, but he’s just a sweetheart.

 

U.G. Digital Mag: I’ve heard such positivity about him in this role, and as a person in general. 

 

Maria Howell: He’s a good kid, and that has a lot to do with his mother and the way she raises him. The relationship, it was easy to get into that role, and I was very happy about it because I don’t have many roles like that. Usually, I get to be the cop, the doctor, the lawyer, or the school teacher, so this was good for me to tap into motherhood and that nurturing side. 

 

U.G. Digital Mag: What effect did this role have on you after it all was seemingly over?

 

Maria Howell: Wow, that’s a good question. Not to tell or give spoilers, but the very first day I shot was emotional for me. It affected me immediately in such a way to think of life and death. That was my first foray with the movie.  

 

U.G. Digital Mag: Well of course, part of it is my eagerness to see it. I’m definitely ready to see it. 

 

Maria Howell: I’m excited. I think the way it was shot, it’s going to be so sweet. I saw a clip and it looked beautiful. 

 

U.G. Digital Mag: Now what else has been going on? What’s really a blessing in my eyes is that you continuously work. So many actors are often looking for more work. 

 

Maria Howell: Oh you didn’t catch me crying yesterday then (laughing). There’s an occupational hazard in this industry that when you go two days without work, and although you need to be chilling and relaxing, you start panicking for the next thing. I suffered from that for years with singing. If I went two weeks without a gig, I was worried. You have to sit still and relax. The reason I stay busy is like I tell everyone. Diversify your portfolio. What I mean by that is I do voiceovers, I do narrations for audio books, I do commercials, TV and film, and then I sing. I have something to do everyday of the week if I allow myself to. There’s the visibility of that, and then when I’m not working, I’m out supporting somebody’s play. I love theater, but I tend to not do it because there’s a vacuum of time you have to devote. Then my gig comes up and I have to go sing. That’s the only reason, because it will always be a conflict with singing, unless I just take that time off. I haven’t done that in a long, long time. It seems like I work all the time, but there are times that I’m pulling the rest of this little afro out (laughing). 

 

U.G. Digital Mag: You probably need that time though. 

 

Maria Howell: I really do. Fortunately, I’m coaching and consulting on the side, and I can only fit it into certain gaps. That’s what I’ve wanted to do for a lot of years, is do some seminars. This gives me the downtime to plan it, to be able to organize myself, put it on paper, and pull the resources together to make it happen. 

 

U.G. Digital Mag: How has your music been going?

 

Maria Howell: It’s going great. I’m a jazzer. Between the west coast and east coast, I’m performing. I have a standing gig in L.A. that I do once a month. I’ll be adding some more performances to L.A., and then I also have the south-eastern region, where I have museums I go to every year. 

 

U.G. Digital Mag: You spoke of that last time being in North Carolina. 

 

Maria Howell: Right, North Carolina, South Carolina, Georgia, and Florida. I’ll be in Jacksonville in May, July I’ll be back in Charlotte, North Carolina, and we have planned dates. 

 

U.G. Digital Mag: I think it’s great. 

 

Maria Howell: I love it. It can be a dinner show, cabaret show at a club, or a show at a museum. I love that kind of performing. It keeps me alive. 

 

U.G. Digital Mag: It’s amazing, and you show so many other actors and actresses that the work it out there. You just have to go get it. 

 

Maria Howell: You have to figure out where you fit. I have a lot of years in it, so I’ve established relationships, and there’s always new stuff popping up, but I tell people all the time, you can do it. Figure out your starting point, and don’t try to compare yourself to someone else. Do what you can do, and grow from that point. Too often, people look at someone else saying they can’t do it like that. Maybe it’s not meant to do it like that. If I had done that I would have been disappointed a long time ago (laughing). I’m trying to be happy and do what I’m good at. 

 

U.G. Digital Mag: It’s also about maintaining relationships. 

 

Maria Howell: Yes, that is so key. Networking is not just passing a card to someone. Maybe that’s where it starts, but you need to build the relationship and build trust. Sometimes, it takes time. 

 

U.G. Digital Mag: What are you most proud of with your journey?

 

Maria Howell: That I’m still doing it. I know you’re asking about a specific project. 

 

U.G. Digital Mag: Not really. I mean even in terms of overall growth. 

 

Maria Howell: That’s a given…well, you know what, let me back that up. Everybody does not grow. I take that for granted. I have grown leaps and bounds. The growth for me from where I see it is that I have grown to be more comfortable in my own skin. I’m able to say yes, and more importantly say no to things I don’t want to force myself into. The outside indication is when I get to a show, and people say I used to come and hear you 25 years ago. First I think, Oh god, how old am I (laughing)? Second thing I’m thinking is thank you so much, because this one lady said I was good, but she has seen my growth and I have come into my own. That’s someone who’s been watching me over 20 years. For her to say it, it’s got to have some truth to it. I’m most proud of being comfortable in my own skin. Even though I’m still growing, I’m more comfortable, I’m more relaxed and more solid in saying this is me. This is who I am. 

 

U.G. Digital Mag: That has a lot to do with why you get the roles you do. You started in The Color Purple obviously, and it was a small role, but look at how you’ve grown, and the quality of the roles you play now. You’re someone like Ruth Jennings, who will relate to so many people. 

 

Maria Howell: …and also has something to say that really matters. There’s a scene in Sons 2 The Grave where she is talking to a crowd of people, and I like that scene a lot. It’s pretty cool for me. When I was a kid, I always wanted to have something to say in life, something to impart on people that was positive. I really felt that in that particular scene. God is really amazing. It's great when you can think of things and they later come to fruition. Most times, I know things are good when I’m in it. 

 

U.G. Digital Mag: That’s the best feeling in the world, to dream up something, and later in life, you see it happen. 

 

Maria Howell: I think the key to that is being true to yourself. Just because everyone thinks I work all the time, it’s not like that. I get turned down sometimes, and I say no to things. 

 

U.G. Digital Mag: That’s the good thing with you though. 

 

Maria Howell: I ain’t got time to be turning things down, but I do turn some things down if it does not fit my fabric. 

 

U.G. Digital Mag: That’s one of the biggest things I’ve learned in myself. As much as I wanted UGD to flourish, and me wanting to talk to so many people, I still have to say no sometimes. I had an overall standard for the magazine that I was going for, and I see how often the media is portrayed, and how we often portray ourselves as black media. I think we often want the respect, but don't present ourselves in the manner to get that respect, or we don't hold ourselves in that same light we want to be seen in. 

 

Maria Howell: There’s a cliche that said if you don't stand for something, you’ll fall for anything. That’s true, and you’re doing the same thing. You have a desire in your gut and you intuition and integrity. That’s your code. That’s your standard. I applaud people who at least have one. 

 

U.G. Digital Mag: It’s difficult sometimes though. Sometimes, I’ve turned someone down, and then think about it later. 

 

Maria Howell: You have to turn them down sometimes though. Something you said makes me go back to Ruth Jennings. She stood for what she believed in whether it was right, wrong, indifferent, or whatever. She stood for that, and people respected her on her job. Her son respected her. People in the community respected her because they knew she was solid and consistent. That resonated with me in my life. 

 

U.G. Digital Mag: That makes me want to see the film even more. 

 

Maria Howell: She was a solid person in that movie. Her son had that to look up to. He had that as his gauge, and she had something to say. People respected her. That was another big part of that role for me. 

 

U.G. Digital Mag: In terms of final thoughts and words of encouragement, what would you like to get out there?

 

Maria Howell: First and foremost, I want to give kudos and shout outs to the creative people behind the scenes. There’s no way we can do what we do if we don’t have the writers providing good material. There’s so many different parts of the puzzle, and I appreciate all the different pieces. I make sure when I’m on the set, I thank that camera man. I thank the writers, and other actors. It’s all a team effort and we're telling a story. It’s all art so I like, from an actor’s standpoint, to tell those creative people thank you.  I thank the people who come and support, because life is short, and we’ve lost so many people in the past six months that it’s like oh my god, please don’t tell me about someone else. This is a way in life for me personally to have something as hope; something as inspiration. I’m a little idealistic, so any way I can make it through and have something to take me out of that everyday reality, it’s thought-provoking. That’s what art is supposed to be. I thank all the people involved and the viewers, because it’s not simple and easy. Some of us are in it to be stars, but a lot of us are not. We’re just in here trying to do what we love. That’s a thought that’s on my mind these days. Art! Just let’s make it happen, let’s move it forward, and let’s get better and better. I encourage all people who have stories to tell to write. Don’t wait for anyone to write for you. Write! Move forward and keep it moving.

 

To stay up to date with the film, visit their social media at:

Twitter: @Sons2TheGrave

Facebook: https://www.facebook.com/Sons-2-The-Grave-The-Movie-736692043080737/

[FEATURES][ARCHIVES] Yung Berg: Delivery Time [February, 2011]

Yung Berg has been away for a bit of time, and fans have definitely been wondering where he had landed. Granted, it was nowhere near an eternity [laughing], but three years is definitely a long time to be absent in music these days. It’s been that long since his debut album hit the streets. Most will remember he started as a part of DMX’s Bloodline Records. For Berg, the time away wasn’t all for nothing. He’s definitely been putting in his work, building an arsenal of hits that he’s now ready to drop to the world. Many doubted his return, but for him, it was inevitable. In our exclusive, Delivery Time, Yung Berg lets us in on what he’s been doing during his perceived time off, his connection to Disturbing Tha Peace, the writing he’s doing for so many other artists, and a whole lot more.

 

U.G. Digital Mag: I have to say that it’s really good to speak to you man and you’re prepping to release your new material. I think a lot of fans have been eagerly waiting for you to drop something new. So I appreciate you taking the time out…what’s been going on with you man, since your last album? Three years is a long time, so to speak. What happens in a lengthy time away like that?

 

Yung Berg: Well, in between my albums, I got involved in production. People didn’t know I produced for my own album. I was able to work with Dirty Money, Cassie, Diamond, Rico Love, and spread my talents so they know I make hit records. My involvement with “Sexy Can I”, I played a part. I want to get the background. I was able, thanks to Sony, I was able to walk away with a release, and not owe anything. It was the best thing to happen tome. I was able to make my own moves.

 

U.G. Digital Mag: You have a well-documented journey into the game man. Obviously, you were signed to DMX’s label at one point, and then you later worked with DTP for a bit. Take me back to the time, and how you got with them?

 

Yung Berg: Shawnna is like a sister to me. She’s been the most influential to me. She had success, and she came and performed at my school when she was with infamous syndicate. It’s not easy for females, so I admired her. She titled my first album. I was around her, soaking up time and influences, she was like you like a 2pac. I never seen nobody work like you. Do a song called look what you mad me. Show you a product of the culture. And things that go on. This is all you. I appreciate everything she did for me. I produced on her album “Block Music”.

 

U.G. Digital Mag: Any writing for other artists?

 

Yung Berg: I just got a good knack for good hooks. When younger I ain’t know what I was doing. I knew, but did not know the capacity. “Sexy Can I”, “Tha Bizness”. I wrote all the hooks for every feature, except with Lloyd. With Eve, we shared the same management. I produced on Eve-olution

 

U.G. Digital Mag: What happened with DTP?

 

Yung Berg: I did not want to cut into that situation. She gave me an opportunity to learn and be on the road. That was priceless. I appreciate the love from Ludacris and Chaka Zulu. I just wanted to chill.

 

U.G. Digital Mag: Your debut did very well in the industry. How much of that success were you really expecting in the beginning?

 

Yung Berg: I don’t know. I don’t wanna be cocky or arrogant, but I always knew beyond the music, I wanted someone to understand me. I knew I had charisma with women, and if I could be seen on TV, I could connect with women. A lot of people come out, they been waiting for certain attention. I just been waiting to be embraced. For women to say they love it, it’s realistic. I take my hat of to them for saluting me and saying regardless of anything going down with you,

 

U.G. Digital Mag: So talk about your new material and what you’ve got brewing?

 

Yung Berg: The album will never be done til’ it comes out. I’ll never be done recording. Ray J, Sean Kingston, so many different people. I wanted to limit the album to me. I see the comments. People don’t know I was writing a lot of that material. Since auto tune came around, I’ve been able to sing my own parts. It can be more about me, people can accept me, what I bring to the table, and what I do behind the scenes.

 

U.G. Digital Mag: What else will be coming?

 

Yung Berg: The new mixtape will be dropping. It’s hosted by DJ holiday, Ill Will, and Rock Star. Souljah boy, Roscoe Dash, Hot Dolla, Ya Boy, YG, man it’s just a star-studded mixtape. We got a video done by the name of “72 Hours”. A ballad, like outer space. People did not expect me to come with that. It’s dropping a week after Valentine’s Day.

 

U.G. Digital Mag: Why a mixtape?

 

Yung Berg: It’s a way for me to get my music out. I create at a rapid pace. I’m releasing it so it doesn’t get stale, and it’s a direct attachment to me as a person. You’ll know exactly how I was feeling. It won’t be a delay on the emotion.

 

U.G. Digital Mag: What else is going on with you that you want people to know?

 

Yung Berg: I’m working on Jim Jones’ project, Lil’ Scrappy, Diamond’s project, the Dirty Money project, and so many other things I’m working on. The main focus is my family, Brown and Kenney, young fly movement. Sex and the city is a big deal. I will be out on 106 and park in a week or so. I see you. “Sexy Can I” part 2. I love everybody for supporting me. My #1 goal in life is to stay down. Don’t let nobody say you can’t do shit. Humble greatness.

[FEATURES][ARCHIVES] Swazy Baby: Strengthening the Legacy [September, 2010]

Urban Connectionz Online: I see they’ve got you working late tonight. I don’t see too many artists interviewing this late in the afternoon….I appreciate you though…

 

Swazy Baby: You’re welcome

 

Urban Connectionz Online: So obviously, everybody knows the history of Slip n Slide. Home to some of the biggest money makers in the industry at one time, including Trick daddy, Trina, Rick Ross, and the list surely goes on. Talk to me about the legacy that you are looking to build with the label?

 

Swazy Baby: Really, you can say I’m the future of Slip n Slide, as of right now. I’m the main priority. It’s been a lot of talk about CEO and what not, but as far as with me and my music, I guess I plan on being around a minute. I’m just giving quality good music. I guess that’s about it.

 

Urban Connectionz Online: How did you land with Slip n Slide in the first place?

 

Swazy Baby: It was through my manager, and Bigga Rankin. He was hostin a rep your city competition. It was like 45 minutes from Cordele, GA, and I heard about it through a friend. I went down there to represent, did my song, and I won. They told me it was another one coming up, and I won that one. We had a conversation, and he was like you got good music, and I wanna show you to Slip n Slide. Then there was the Next Big Superstar competition, and they wanted me to perform. I went down there, and I guess they had been telling folks about me. They had already heard the music, and I performed. I received a standing ovation. Ted even stopped me and had me spit my verse over. They went crazy. A couple months later, they had my contract ready.

 

Urban Connectionz Online: I would say that the climate of hip hop, and music in general, has changed so much since the beginning of Slip n Slide. Hell, it’s changed drastically in the last year or so. What is different for you as an artist today? With so many artists making their way in, and only sticking around for one album, even if it’s not their choice, what gives you that certain level of confidence that you can last as a prominent artist and generate the type of sales that you can live comfortably from?

 

Swazy Baby: Man, the truth is, I feel like it’s a lot of good artists out there, but, for one, I got one of the biggest independent labels behind me. Ain’t no need for me to get out my comfort zone. I always felt like I could make it. No pressure or nothing. As long as I can work comfortable, I’m good. I record at home, and do it how I want. Making music is no problem for me. If that’s all I got to do, perform, and meet people, it’s all good. Everybody feel like I’m cool. I ain’t hard to get along with.

 

 

Urban Connectionz Online: What do you feel like you have learned from those that you are following? And we’re not just talking about Slip n Slide, but throughout the entire game? As I checked out your bio, influences like Jay-Z and Nas are listed….

 

Swazy Baby: To be honest with you, I’m not a big fan of Nas and Jay-Z. I really came up on people like Wu Tang, Mystikal, and Lil’ Wayne. I think Lil’ Wayne and probably Jeezy. With Lil Wayne, calling himself the greatest rapper, and other people saying it too, with lyrical, crazy punchlines, I kinda grabbed that. Jeezy with the real nigga movement, I grabbed that and put two and two together. I throw my edge in my music. I sing too. I can add some stuff in a different way. But that’d probably be it.

 

Urban Connectionz Online: So talk to me about your album that you’ve been working on?

 

Swazy Baby: Everything I make, I try to make it like album music. I’m putting out mixtapes but they got full songs on em. Basically full albums. That’s my thing that I do to let people see my potential, whether its street, or being creative

 

Urban Connectionz Online: How much pressure do you feel, as a new artist, to do well with your music? Is there any pressure for you with this at all?

 

Swazy Baby: Right now, I’m as comfortable as I could be. I don’t feel any pressure at all. I do what I’m supposed to do. Within that first month, I made like 60 songs.

 

Urban Connectionz Online: What type of future do you see for yourself in entertainment? I’m sure you’ve seen that these days, there has to be a back of plan, even when you are the brightest star. Artists like Jay Z and Puffy have been big advocates of that idea obviously, as they both have their hands in anything you can think of. Are there dreams or ideas of ever getting behind the suit and tie in the offices? How long do you see yourself doing albums?

 

Swazy Baby: To be honest, movies maybe, but I see myself being here for a minute, being one of the talked about artists. Sometimes I think though, like when I reach my peak, I’ll leave it at that. I do have a family. I like being a regular person. Once it ain’t no more ink in the pen, I’ll give it up. I can see myself, I don’t know, saving some money for later on.

 

Urban Connectionz Online: What, if anything, did you really want to get out there with this interview? Anything I haven’t touched on?

 

Swazy Baby: I want people to know the truth. That’s the most important thing to know with anything. You gone be good and alright. Everything gets brought to the light. Anybody trying to get on, stay true, and don’t forget the ones who helped you.

[FEATURES][ARCHIVES] Michel'le: For the Love of Music [September, 2010]

Music has made quite a metamorphosis over the years. Growing up an avid music fan, we’ve all been a witness to the many twists and turns of the industry that have pushed a lot of the best artists and musicians away. More recently, we’ve seem a number of artists from more than 10 and 20 years ago making their way back into the world of music.

 

Think back just over 20 years ago to 1989. Michel’le was one of the most popular artists of that day and time. Hits like “Something in My Heart”, “Nicety” (A humorous combo of Nice and Nasty), and the all-out smash “No More Lies” solidified her as a staple in R&B history. Even a year before, she was well on her way to becoming a household name due to the single “Turn Off The Lights” with World Class Wreckin’ Cru’.

 

Following her immediate success, she took some time away to live life, returning in 1998 with a new album. Following this release, se opted for a little more living away from music. Of course, she’s quite the family woman, so there’s so much more that she has to do. Since ’98, she’s not only spent her time raising her children, but there’s also a book in the works, and so many other things that she’s ready to share with the world.

 

The return of Michel’le is surely a good sign for music. It’s solid proof that things are taking a turn for the better. The standards of music have taken a nosedive over time, and Michel’le just may be one of the artists to bring some of those standards back. In our talks tonight, she is no less than thrilled to be talking, and doing what she loves. No matter how many artists you hear say “I Love Making Music”, many are lying. Truth is, they hate it and it’s just a check to them. With Michel’le, it’s quite the contrary. Check our exclusive below to see just what she has in store!

 

Urban Connectionz Online: Thank you so much for taking the time out to talk to me tonight.

 

Michel’le: Oh, I should be saying the same thing to you

 

Urban connectionz Online: It’s such an honor talking to you. I still listen to you with World Class Wreckin Cru on Turn Off The lights. What feeling does it give you to know that people know and love your classics?

 

Michel’le: Well, it’s something that I saw when I first started singing. Thinking back to when I was doing an interview when I was 17, I remember I said that I wanted to be remembered. I believe that I manifested that

 

Urban Connectionz Online: Well before we really get down to business, tell me about your holiday and what you did?

 

Michel’le: Well actually, I went to do a show in St. Louis, so I was working. Eating a little barbecue….

 

Urban Connectionz Online: I think a lot of people are wondering, why a new album after more than a decade since your last? Many artists who are gone for as long as you’ve been away typically stay away, or find another love I should say. What inspired you to come back to us?

 

Michel’le: Wow. I don’t know. Why go away from something you love. I desire this. I figured when I have something to say, I will do it. It’s not a  career for me. I love to do this. I did it back then because I love it, and that’s why I have no competitive drive. Honestly, it doesn’t feel like I’ve missed a beat while I was away. To me, it’s all about being able to write a song. A six year old can write a hit. And also, there’s so many things that people do in their lives. I think it’s crazy to think someone would only be an artist. You can do so many other things

 

Urban Connectonz Online: What goes on in life when you’re absent from music for more than 10 years? That’s a whole lot of livin to do away from your fans, right?

 

Michel’le: Well, I have a family, and I’m single. I take voiceover classes, I’m writing a book, and I’m just enjoying life. I’m free now. I’ve been enjoying it. Just that freedom. It’s just like when you just get out of high school and you think, “What am I going to do?”. I know now. I’m ready to say what I have to say.

 

 

Urban Connectionz Online: How does it feel, coming back into the game, given how much things have changed since you have been away?

 

Michel’le: I think music is like a movie. When you come out with something that touches, they respond. When I first started, I sounded like nothing out there. It’s the same thing to me. If you have something they can relate to, they will. Music is just like movies, and actors putting out lots of different movies. They do so much, and then they do that one movie that everybody responds to.

 

Urban Connectionz Online: Do you feel the pressure to conform, or to fit in, almost like a new artist?

 

Michel’le: There is no pressure at all. I’m not a competitive person. If I became competitive, I would be cookie-cutter like so many other people.

 

Urban Connectionz Online: So I wanna hear about the new material that you’ve been putting together. Talk to me about the place of mind you’re in when you’re creating, and how it compares back to when you were making hits like “No More Lies”, “Nicety”, and “Something In My Heart”.

 

Michel’le: From those titles, I was a little angry and bitter. I think now I am writing from a different place. From wisdom, things I wanna manifest, instead of always having that anger. I think that now because I understand cause and effect in life, I write better. Back then, I was saying everything that I looked at in myself.. I view both sides better now. I’m doing singles. I’m three or four singles in. Everything sounds different.

 

Urban Connectionz Online: Now you’ve obviously been performing quite a bit over the past year or so. Back in December, you performed at Nokia Theater in LA with the likes of Robin Thicke, India Arie, Stevie Wonder, and so on. What was it like to be in the company of such greats, and to be back in that circle, so to speak?

 

Michel’le: And the Jonas Brothers. I’m such a sponge. I think getting and being in it, I can absorb the way I want. But I learn so much now, as opposed to then, that was a dream with Stevie though.

 

Urban Connectionz Online: How receptive have your peers been with you returning to music?

 

Michel’le: So far so good. Everyone is receptive. Even with those that aren’t, I have not met it yet. But I understand where they come from when someone does not know you or like you, you always have to look at yourself. I don’t take it personal. I never have. But I haven’t had that problem. 90% of the time, they don’t know what I’m about

 

Urban Connectionz Online: Are there any final comments for you? Anything you truly wanted to touch on?

 

Michel’le: Just that “Freedom to Love” is available on iTunes, and just, with my energy, I really wanna spread love. I’ve been on both sides of the tracks, and been underneath the train. Love is all there is. Visit me on Facebook, and at www.michel-le2010.com